The Penultimate Monthly Review of November 2021

Another month of 2021 falls short. Oh dear. But I’m getting ahead of myself — you’ll read all about that in the viewing and viewing notes in just a moment.

But to get really ahead of myself — at the risk of overshadowing everything else in this update — there’s a bit of, uh, news at the end…


#180 Royal Wedding (1951), aka Wedding Bells
#181 Willy Wonka & the Chocolate Factory (1971)
#182 Nobody (2021)
#183 Jungle Cruise (2021)
#184 La Haine (1995)
#185 Red Notice (2021)
#186 The Last of Sheila (1973)
#187 The Bells of St. Mary’s (1945)
Nobody
.


  • I watched 8 feature films I’d never seen before in November.
  • That makes it the weakest month of 2021 so far, and the second in a row where I’ve fallen short of my ten-film minimum target. Oh dear.
  • Though, if I counted rewatches too, I did make it past ten in both October and November. So that’s something… kinda…
  • Unsurprisingly, that means it also falls short of every average going: the November all-time average (previously 11.0, now 10.8), the rolling average of the last 12 months (previously 17.25, now 16.42), and the average for 2021 to date (previously 17.9, now 17.0).
  • On the bright side (sorta), it means I passed the milestone of 2,500 films listed on my reviews page. Let’s not talk about how many are still locked away in my backlog though, eh…
  • This month’s Blindspot film was French urban drama La Haine, which reminded me a lot of Do the Right Thing, although I didn’t like it quite as much. (I was supposed to watch two Blindspot films this month, to make up for October, but didn’t manage it. Hopefully I’ll succeed in December.)
  • I didn’t watch anything from last month’s “failures”, though I did watch a couple of things that would’ve been on this month’s failures if I hadn’t watched them… which isn’t really the point, is it?



The 78th Monthly Arbitrary Awards

Favourite Film of the Month
Fewer films watched means fewer films to choose from, and nothing this month was an out-and-out “loved it” experience — which is not to say there weren’t a couple of films that I thoroughly enjoyed. Foremost among these is probably Nobody, which suffers from riffing a bit too much on the John Wick formula, but still entertains with its blend of comedy and impressively-choreographed action.

Least Favourite Film of the Month
Quite a few middling films this month, but the one sticking out the bottom was clear to me. Although a childhood favourite for many, I didn’t care for Willy Wonka & the Chocolate Factory. As a kid, we loved Roald Dahl’s books in our house, and my parents put us off watching this film adaptation — and now I can see why. It’s Americanised; the songs are awful; and, as the now-title character (it’s Charlie in the book), Gene Wilder… is really good — but it takes him almost half the movie to show up. Shame.

The Audience Award for Most-Viewed New Post of the Month
With only one new review published this month, this one’s a bit of a no brainer. Although, of course, my monthly review could’ve beaten it — though that’s a rare, perhaps even unheard of, occurrence. And, indeed, The Fear of God won out — but only by a solitary hit.



Another underwhelming month for my Rewatchathon. Y’know, I don’t think I’m going to make it to 50 this year…

#31 Face/Off (1997)
#32 Seven Brides for Seven Brothers (1954)

I didn’t set out to rewatch Face/Off — I happened to flick onto ITV just as it was about to start, didn’t have anything better to do so watched through the big opening action sequence, by the end of which I thought, “ah, fuck it, may as well watch the rest.” Yeah, I did the “watch it on TV with ad breaks even though I own it on Blu-ray” thing. But I feel like that’s somehow the perfect way to watch this movie.

As for Seven Brides, I mostly watched the “alternate widescreen version” on the Blu-ray’s second disc. I say “mostly” because we got about half-an-hour into the regular version on disc 1 before it froze up and wouldn’t play past a certain point. I’ve seen no one else complain about that, so hopefully it’s one bad disc and a replacement copy will be fine. Anyway, although I believe this alternate version is comprised of different takes (rather than just being the regular version cropped), it didn’t seem strikingly ‘wrong’ — not that I’m particularly familiar with the film, having only seen it once about 15 years ago; but any differences didn’t trouble my partner, who grew up watching it.


Every month, in preparation for this section I keep a running list of films to mention — all the new cinema releases; everything interesting that gets added to various streaming services; everything I buy on disc — and, whew, this month’s list was long. Maybe I should just publish that list, or a version of it, rather than trying to write it up. But, for now, I’ll do it the way I’ve been doing it. So, let’s see how brief I can keep this while still also mentioning everything of note…

At the cinema, the blockbuster releases this month were obviously the latest MCU entry, Eternals, and the latest attempt to revive a popular old IP, Ghostbusters: Afterlife. Both seemed to meet with mixed reviews. On surer critical footing were the more awards-y films, like Spencer, King Richard, and Petite Maman. I’m not sure if any of those actually played at my local. Also of note this month: a new Disney, Encanto; Ridley Scott’s second release this year, House of Gucci; and Sly Stallone’s belated “ultimate director’s cut” of Rocky IV, now subtitled Rocky vs. Drago and (as was widely reported) shorn entirely of its comedic robot subplot. Looking forward to catching that via streaming at some point.

And speaking of streaming, I think every service had a blockbuster-esque new release of some sort this month. I actually watched Netflix’s (Red Notice), although black Western The Harder They Fall, Lin-Manuel Miranda’s directorial debut Tick, Tick… Boom!, and Aardman’s latest short Robin Robin were hardly small fry either. Over on Amazon, meanwhile, there was another generic-looking Liam Neeson actioner, The Marksman. It feels like all of Neeson’s films go direct to Amazon these days — I don’t know if they’ve got him on retainer or if his films just play really well for them so they’re sure to snap them up. They also had Tamil drama Jai Bhim. I think most Western viewers can be excused for not spotting that one, but it’s catapulted itself onto the IMDb Top 250, sitting at #126 at time of writing. Google it and you’ll see reports that it has IMDb’s highest rating ever. It currently says 9.5 on its own page, which their algorithm drags down to 8.2 for the Top 250. Read into that what you will…

As I said, everyone was in on the big releases this month: Disney+ attempted to review the Home Alone franchise with Home Sweet Home Alone (to very poor reviews); Sky Cinema nabbed starry Matt Haig adaptation A Boy Called Christmas; MUBI offered Leos Carax’s latest, Annette; and even Apple TV+ tried to get in on the game, with Tom Hanks post-apocalyptic adventure Finch. It’s about him building a robot to care for his dog after he’s gone, so of course it’s gone straight on my watch list, even if the dog appears to be mostly/entirely CGI.

I don’t normally mention Disney+ in this column because I’m not normally subscribed to it, but they offered a month for £1.99 recently and that was too good to resist. Before it runs out, I really need to catch up on their latest films that I’ve missed — in particular, Raya and the Last Dragon, Luca, and Cruella. Also the Marvel TV series; less so the films, because I bought Shang-Chi and the Legend of the Ten Rings on disc; and discovered that Japan are still getting Marvel films on 3D disc, so I, um, acquired a 3D copy of Black Widow, and will now probably wait to do the same for Shang-Chi. Nonetheless, knowing me I’ll probably semi-accidentally let me Disney+ subscription keep rolling — that’s what I’ve done with MUBI, where the prospect of watching the likes of The Killing of a Sacred Deer and Céline Sciamma’s Tomboy stop me from cancelling; and also Sky Cinema (via NOW), whose (far less arty) additions this month include the new Mortal Kombat, lockdown heist thriller Locked Down (imaginative title), and, um, Dogtanian and the Three Muskehounds. Classy.

Just to underline how badly behind I am with reviews, several streamers also offered films I’ve already seen and really should’ve covered by now. Top of the pile has to be Parasite, which had its UK TV premiere on Channel 4 recently and so is now streaming on All 4. Close behind is Denis Villeneuve’s Maelström, which I watched via a fairly crummy DVD-rip but is now in full HD on MUBI. That’s in addition to all the stuff I have seen and have reviewed but want to rewatch, and usually have already bought on disc, that the streamers waggled in my face this month — the likes of L.A. Confidential, Love & Friendship, and The Piano on Netflix; Interview with the Vampire, Mean Girls, and Vanilla Sky on Amazon; and I think iPlayer were the ‘worst’, reminding me I’ve not yet watched my 4K disc of Apocalypse Now: Final Cut, plus that I’m long overdue revisits to Let the Right One In and Portrait of a Lady on Fire.

So much for keeping this short: I could list dozens more films across the streamers, and I haven’t even started on my disc purchases, which in November totted up to 44 films — even more if you were to count a few alternate cuts, like Ridley Scott’s Legend (I imported Arrow’s US-only release, which comes with the theatrical and director’s cuts) or Francis Ford Coppola’s The Outsiders (the new UK box set of which includes the original cut and extended The Complete Novel version, both in 4K). The number is bolstered by a couple of eight-film box sets: Eureka’s Cinematic Vengeance, containing eight classic kung fu films directed by Joseph Kuo, and Australian label Imprint’s Collaborations, which has eight films directed by Zhang Yimou and starring Gong Li, including the likes of Red Sorghum, Raise the Red Lantern, and Curse of the Golden Flower.

New films earning an instant purchase on their disc debuts included the confusingly-titled sequels/reboots Candyman and The Suicide Squad (“confusingly” because their titles are so similar / identical to the previous films they’re sequelising/rebooting). Older films with new releases coming straight into my collection include acclaimed Spaghetti Western The Great Silence (I only recently bought the US release, but Eureka’s UK version includes more special features and an improved transfer), Arrow’s Sailor Suit & Machine Gun (another one with two cuts to choose from), 88 Films’ The Chinese Boxer (starring and directed by Jimmy Wang Yu, whose other films I’ve enjoyed), Basil Rathbone Sherlock Holmes spinoff The Spider Woman Strikes Back (at only 59 minutes, it barely seems to warrant a standalone release, but here we are), and a long-awaited Blu-ray debut for Josie and the Pussycats (the best movie ever).

If you’re keeping count, you’ll know we’re nowhere near 44 yet. A lot of the rest can be bundled together as filling out import orders to make the P&P charge worthwhile — from Australia, Imprint editions of The Assassination Bureau and superb film noir Sorry, Wrong Number, plus Umbrella releases of Possession, Ozploitation classic Turkey Shoot, and director Alex Proyas’s debut, Spirits of the Air, Gremlins of the Clouds; and from the US… oh, I’ve listed most of those already, or the order’s been split and more are to follow. But also, I picked up Christopher Nolan’s Insomnia on Blu-ray. I’ve not seen it since 2009, so (as with some titles I mentioned earlier) it’s long overdue another look. (I bet someone announces it in 4K soon now.) I also caved to sales (well, it was the month of Black Friday) from Indicator — picking up Cash on Demand, The Curse of the Mummy’s Tomb, I, Monster, Light Sleeper, The Valachi Papers, and The Valdez Horses — and Eureka — with if…., Michael, and Tabu — and Criterion, too — just Deep Cover and La Vérité.

You may be thinking “how does he have the space to buy so much stuff?!”, and the answer is… I don’t, really. It’s getting silly now. And as for the time to actually watch them… don’t get me started on that…


The final month of 100 Films in a Year.

…wait, what?!

Yes, it’s the end — but the moment has been prepared for…

The Amplified Monthly Review of November 2020

Normally I avoid starting Christmas until at least December 1st. Shops and TV channels can begin to flood themselves with Christmas-related product throughout November (if not before), but I feel like “the day you open the first door of your advent calendar” is when Christmas can begin.

This year’s a bit different, though. Never mind the whole “2020 has been shit” of it all — despite that, I was still aiming for December 1st — but then family wanted to watch Netflix’s Jingle Jangle in the middle of November, and that opened the door a crack, until eventually Christmas fully barged in on the final weekend of the month. Presents bought! Decorations up! Built a festive LEGO set I didn’t get round to doing last year!

What I didn’t do is watch another Netflix original Christmas movie: Klaus. I didn’t get round to it last festive season, and as it’s (surprisingly) on the IMDb Top 250, I’ve been waiting impatiently all damn year for the time to roll around when I felt I could watch it. Well, it’s December now, so…

But before I get stuck into Christmas properly, let’s remember the month that just was.


#237 An American Werewolf in London (1981)
#238 Robolove (2019)
#239 Rose Plays Julie (2019)
#240 Showrunners (2014), aka Showrunners: The Art of Running a TV Show
#241 Falling (2020)
#242 An Impossible Project (2020)
#243 Coded Bias (2020)
#244 Jingle Jangle: A Christmas Journey (2020)
#245 The Lie (2018)
#246 Mangrove (2020), aka Small Axe: Mangrove
#247 The Mask of Fu Manchu (1932)
#248 You Will Die at Twenty (2019)
#249 Influence (2020)
#250 My Mexican Bretzel (2019)
#251 Borat Subsequent Moviefilm (2020)
#252 Ordet (1955), aka The Word
#253 Never Surrender (2019), aka Never Surrender: A Galaxy Quest Documentary
#254 Millennium Actress (2001), aka Sennen joyû
An American Werewolf in London

An Impossible Project

Never Surrender

.

Normally I include any short films I’ve watched in amongst the list of features, but this month I watched 53 short films. No, that’s not a typo. In the almost-14-year history of this blog to October 2020, I’d watched 97 shorts; now, AMPLIFY! alone has increased my count by 55%. That seemed an overwhelming amount to include in the above list, so I’ve separated them off here.

A quick guide: #247a–e were the IMDb New Filmmaker nominees; #249a–k were in the Cornwall Film Festival South West Regional programme; #249l–s were in the Cornwall Film Festival International programme; #249t–z were in the New Voices programme; #250a–i were in the CINECITY Open programme; and #250j–v were in the FilmBath programme.

#247a Under the Full Moon (2020)
#247b Flush Lou (2020)
#247c The Monkeys on Our Backs (2020)
#247d Players (2020)
#247e Home (2020)
#249a Shuttlecock (2019)
#249b Stitch (2020)
#249c Nut Pops (2019)
#249d Swivel (2020)
#249e Anoraks (2020)
#249f Frayed Edges (2020)
#249g So Far (2020)
#249h Man-Spider (2019)
#249i Slow Burn (2020)
#249j Closed Until Further Notice (2020)
#249k Quiescent (2018), aka Anvew
#249l Clean (2020)
#249m Appreciation (2019)
#249n Adnan (2020)
#249o Sticker (2019)
#249p Interstice (2019), aka Mellanrum
#249q The Day of the Coyote (2020)
#249r Chumbak (2019)
#249s Guardians of Ua Huka (2020)
#249t Destructors (2020)
#249u Nelly (2020)
#249v Life in Brighton: An Artist’s Perspective (2020)
#249w My Life, My Voice (2020)
#249x Embedded (2020)
#249y One Piece of the Puzzle (2020)
#249z Time and Tide (2020)
#250a The Wick (2020)
#250b We Farmed a Lot of Acres (2020)
#250c A Spring in Endless Bloom (2020)
#250d Booklovers (2020)
#250e The Fruit Fix (2020)
#250f Keratin (2020)
#250g Blue Passport (2020)
#250h Siren (2020)
#250i Reconnected (2020)
#250j The Last Video Store (2020)
#250k Water Baby (2019)
#250l Window (2019)
#250m Alan, the Infinite (2020)
#250n Our Song (2020)
#250o Hold (2020)
#250p Befriend to Defend (2019)
#250q Fuel (2020)
#250r My Dad’s Name Was Huw. He Was an Alcoholic Poet. (2019)
#250s Quiet on Set (2020)
#250t A Map of the World (2020)
#250u Talia (2020)
#250v The Starey Bampire (2019)


  • I watched 18 new feature films in November.
  • That’s the exact same tally as last month (and also February), so the same applies: it’s in the lower-middle for the year, coming =7th out of 11 months.
  • However, it’s below my average for 2020 to date (previously 23.6, now 23.1), and below the rolling average of the last 12 months — although, because I only watched 12 films last November, that still goes up slightly (from 21.1 to 21.6).
  • But it does pass the November average (previously 10.4, now 11.0).
  • Plus, #254 is the furthest I’ve ever reached by the end of November, beating #248 in 2018. It sets me up well to beat that year’s record for my highest ever final total — although victory is by no means guaranteed: I need eight more films to reach a new record, and last December I only watched five…
  • I’ve already noted above how the number of shorts I watched this month is measurable on an “entire history of the blog” scale, but, for what it’s worth, the next closest month came last November, also thanks to a film festival, when I watched… 9. Pales in comparison, doesn’t it?
  • This month’s Blindspot films: first, to catch-up for last month, a belated Halloween pick (that I therefore watched right at the start of the month), An American Werewolf in London; and second, Carl Th. Dreyer’s acclaimed meditation on religion, Ordet.
  • From last month’s “failures” I watched Borat Subsequent Moviefilm and The Lie.



The 66th Monthly Arbitrary Awards

Favourite Film of the Month
Not that this was a bad month by any means, but it started on a high that was never quite equalled: An American Werewolf in London is exactly the kind of film “What Do You Mean You Haven’t Seen?” was created for (honestly, I’m surprised it’s taken this many years for it to make it onto the list), and it didn’t disappoint.

Least Favourite Film of the Month
Conversely, failing to live up to expectations was The Mask of Fu Manchu. I didn’t exactly expect great things of it (there’s the inherent racism, for one thing), but even as a pulpy ’30s pre-code adventure movie, it didn’t tick the right boxes for me.

Favourite Short Film of the Month
With so many short films watched this month, it seems only right to extend the Arbies to them; though I won’t do a “least favourite” (seems unfair when shorts struggle to gain attention enough as it is). There are lots of entertaining little numbers in the 53-strong field, but undoubtedly my personal favourite was The Last Video Store, a documentary about Bristol’s still-running independent video rental place, 20th Century Flicks. It’s all about the importance and brilliance of physical media — right up my street. It’s available free on Vimeo, so do check it out.

Best Documentary Where the Tagline Gets Listed as Part of the Title of the Month
I watched two behind-the-scenes-y documentaries this month, Showrunners and Never Surrender — those are the titles they use on screen, anyway, but look online and you’ll mostly find them listed as Showrunners: The Art of Running a TV Show and Never Surrender: A Galaxy Quest Documentary. Regular readers will know how much this kind of imprecision / inconsistency annoys me. Anyway, they were both interesting, but Never Surrender was really warm-hearted and lovely as well as informative — if you love Galaxy Quest (and who doesn’t?) then you must see it. It’s on Amazon Prime, at least in the UK.

The Audience Award for Most-Viewed New Post of the Month
A very deserving victor this month, in my opinion: my review of “missing hammer in a Belgian nudist camp” comedy-thriller (that should totally by a subgenre) Patrick.



After being ahead of target most of the year, last month saw me slip behind slightly, and I haven’t caught it up… but I’m close enough that December could yet see me reach my goal of 50 rewatches.

#42 Hot Fuzz (2007)
#43 Fisherman’s Friends (2019)
#44 Knives Out (2019)

Considering how much I’ve always enjoyed Hot Fuzz (and how often it’s on ITV2), it’s a little remarkable that I’ve only watched it once since seeing it at the cinema in 2007; and, according to my records, that was around when it came out on DVD, in late ’07 or early ’08 — so I haven’t seen it in over 12 years. (Don’t ask me how long it’s been since Shaun of the Dead…) To think: all the mediocre movies I’ve watched in that time, and I could’ve just been rewatching this classic. Oh well.

At the other end of the time spectrum, I only first watched Fisherman’s Friends this May, and Knives Out this March. Both were family-appeasing viewing choices — not that I dislike either (indeed, I’d been specifically wanting to rewatch Knives Out). I’ve not got round to reviewing either in full yet, but I will someday (probably).


Cinemas may’ve been closed again thanks to Lockdown 2, but new releases continue to debut online — like Christmas lesbian romcom Happiest Season, which I’ve heard good things about; or Netflix’s The Christmas Chronicles 2, which hopefully is as likeable as the first one; or Ron Howard’s Hillbilly Elegy, which I’ve not heard anything good about. It does star Amy Adams and Glenn Close, though, so I expect it’ll be part of the awards conversation nonetheless.

The same conditions that have kept theatrical releases to a minimum have seen the streamers all pile on new content, though little of it’s brand-new. Particularly drawing my attention on Netflix was Assassination Nation, and Spider-Man: Into the Spider-Verse, the latter because it’s reminded me I still haven’t watched the 3D Blu-ray I imported from Australia. On social media, they made a big fuss of having Spider-Verse in 4K — I believe it’s a 2K upscale, but its visual style seems made for HDR enhancement. So, basically, I need to rewatch it twice, once in 3D, once in 4K…

iPlayer is also offering original movies at the minute — kind of — with Steve McQueen’s Small Axe series. I watched the first, but need to catch up on Lovers Rock and Red, White and Blue. They also have a speedy TV premiere for recent UK release Monsoon. Over on Amazon, the best they could offer is Military Wives — the kind of thing I might watch with my mum over Christmas. They also added Parasite, but I (a) have seen it, and (b) own it on disc.

In fact, I own it on disc twice, thanks to picking up the US 4K release back in July (they’ve just released it on 4K here, but I think the import still cost me less), and buying the Criterion edition this month. I’m not one of those Criterion completists buying it for the sake of it being a Criterion — I want the special features, and also the black-and-white version (though that’s on Amazon Prime too, so…) It was one of many titles I imported thanks to Barnes & Noble’s biannual Criterion sale — although, as they still refuse to ship to the UK, I actually bought stuff price-matched from Amazon.com. Other titles I picked up included Ghost Dog (been waiting for that on Blu-ray for years), Christopher Nolan’s Following, Alfred Hitchcock’s The Lady Vanishes, Marriage Story, and the Three Fantastic Journeys bu Karel Zeman box set — the UK editions were still slightly cheaper, but pop-up packaging? Yes please! While I was at it, I also imported a bunch of other US stuff I’ve wanted for a while: Billy Lynn’s Long Halftime Walk (I’ve never heard great things about the film, but the US release is a 4K-HFR / 3D combo pack that entices me), Shout’s release of Creepshow (as the UK release is long out of print and it’s one of the few George Romero titles I didn’t own), the 4K restoration of Rian Johnson’s Brick, animation Long Way North, The Mask of Zorro in 4K, the 26th Zatoichi film (upgrading my Arrow DVD)… and a few others too (this list is getting plenty long enough, and I’ve not even started on my UK purchases).

Yes, various UK sales further decimated my bank account this month. There was a UK Criterion offer, too, in which I picked up The Life Aquatic with Steve Zissou, The Life of Oharu, and Metropolitan; Indicator had a Hammer sale, from which I nabbed two of their box sets (Volumes Three and Four, if anyone’s interested); from Arrow’s Noirvember offer I snagged Dark City, Hangmen Also Die, and (after many years of never quite buying them) both the 1946 and 1964 versions of The Killers; plus random discounts on the 4K box sets of Sicario 1 and 2, and the Three Flavours Cornetto trilogy.

Oh, and there were new releases too! The headliner has to be Second Sight’s incredible 4K box set of Dawn of the Dead, a behemoth packed with alternate cuts, special features, and books — not booklets, literal books. Amazing. Also available in multiple fancily-packaged editions was the 4K release of V for Vendetta, though I just went for the regular version in the end. There were also two new Jackie Chan titles from 88 Films (Shaolin Wooden Men and New Fist of Fury); plus another Eastern action classic from Eureka, The Bride with White Hair; and Japanese sci-fi from Eureka too, in the form of Mothra, The H-Man, and Battle in Outer Space. More noir, as well, in the form of Indicator’s Columbia Noir #1 box set — that number at the end promising I’ll be spending much money on this series in the years to come. And, finally, rounding out the month, a Train to Busan trilogy box set, meaning I finally picked up that zombie modern classic, along with the anime prequel (which I don’t much care for) and the new sequel, Peninsula.

Christ, look at that list — anyone’d think I’d just had a Christmas present haul! And I left half-a-dozen titles out just to speed things up. But no, Christmas is still to come…


Iiiiit’s Chriiiiiistmaaaaas! I have been waiting pretty much all year to be able to watch Klaus (can’t watch a Christmas film from January to November, no no no), so if I don’t get round to it I’ll be doing some serious self-chastising in my December review.

The Festive Monthly Review of November 2019

Regular readers will no doubt have cottoned on to the fact this year has been rather turbulent in my life away from the blogosphere — nothing terrible or tragic, thank goodness, but time- and attention-consuming nonetheless. Well, it’s hopefully the (beginning of the) end for that now, as November ends and December begins with me finally moving into a new permanent home.

I know people have “moving day”, but geez, it’s a process, isn’t it? One I’m in the middle of — and has affected my blogging once again at the end of November, as I missed another TV review (which would’ve covered the likes of His Dark Materials, Watchmen, The Mandalorian (even though I’m in the UK), and the BBC’s long-awaited take on War of the Worlds), and didn’t post reviews of major new releases like The Irishman and The Report (both of which I’ve seen, neither of which I’ve had time to write about in full).

My film viewing has suffered once again as well. I’m way behind on both Blindspot and WDYMYHS, not to mention various new releases — not only on the big screen but also stuff I missed earlier in the year that’s now on disc / streaming.

On the bright side, earlier in November was the 2019 FilmBath Festival, and that’s almost single-handedly responsible for this being my highest-totalling month since the summer.

But I’m getting ahead of myself slightly. Here are the films I watched last month…


#135 The Report (2019)
#136 The Personal History of David Copperfield (2019)
#137 Portrait of a Lady on Fire (2019), aka Portrait de la jeune fille en feu
#138 Little Monsters (2019)
#139 Harriet (2019)
#140 La Belle Époque (2019)
#140a My Theatre (2019)
#141 Filmfarsi (2019)
#141a Terra (2019)
#141b Spooning (2019)
#142 And Then We Danced (2019)
#142a Woman in Stall (2018)
#143 Judy & Punch (2019)
#144 Making Waves: The Art of Cinematic Sound (2019)
#145 Jojo Rabbit (2019)
#145a Hey You (2019)
#145b Gladiators on Wheels (2019)
#145c Tight Spot (2018)
#145d When Voices Unite (2017)
#145e Facing It (2018)
#146 The Irishman (2019)


  • So, I watched 12 new feature films in November.
  • I also watched 9 short films, which is more than I’ve seen in entire years before now.
  • The latter were all thanks to FilmBath Festival, as were 92% of the features — as I said at the start, it almost single-handedly rescued this month from being another disappointment.
  • Talking of disappointment, I didn’t watch any of last month’s “failures” either.
  • Comparisons of averages are hardly “not disappointing”, but they’re also not a total disaster. 12 is above the November average (previously 10.3, now 10.4), though it is slightly below the average for 2019 to date, which even with all those ‘bad’ months was still 13.4. It’s now 13.3, and the rolling average of the last 12 months also comes down to the same (it was previously 14.4).
  • One final positive worth mentioning: I passed #137 this month, which puts 2019 into my top five highest-totalling years. So much for all those “terrible” months, eh? Getting any higher than 5th place is unlikely, because for that I’d have to watch 29 films in December… but I have watched more than that in a single month on a handful of previous occasions — so, literally speaking, it’s not impossible.



The 54th Monthly Arbitrary Awards

Favourite Film of the Month
It’s a closely-fought field this month, with about four 5-star films and a couple of highly likeable 4-star-ers too. For the surprise factor — because I hoped I’d like it but ended up absolutely loving it — I’m going to give this to La Belle Époque, but I fully expect a certain other French film to end up above it in my end-of-year rankings.

Least Favourite Film of the Month
I hate to dunk on what’s probably the smallest, most obscure, least-likely-to-get-seen-anyway (feature) film I saw this month, but I’m afraid to say this has to be Filmfarsi. It’s not that I thought it was bad, just a bit rough around the edges, for various reasons. But if its subject sounds interesting to you, I’d still encourage you to see it if you can.

Favourite Short Film of the Month
Last month I watched so many short films that I gave them a category. This month I watched almost twice as many, so it’s back. There are several great ones among the nine I watched, but for being an incredibly impressive technical achievement — all in aid of conveying real emotions and experiences, not showing off for the sake of it — my pick is Facing It.

Best Film Festival of the Month
Okay, I only attended one film festival this month, and I may be a little biased, but FilmBath was a great experience — a nice atmosphere and I saw some fantastic films.

The Audience Award for Most-Viewed New Post of the Month
Two posts were closely vying for this award in November, but in the end… it was a tie! I’m not sure I’ve ever had a tie in this category before. (There are 53 previous editions of these awards and I can’t be bothered to check them all right now, sorry.) So the joint winners were my coverage of FilmBath Festival’s opening night and my review of Judy & Punch. (If you really wanted to break the tie, the latter was online for 8 days vs the former’s 23, so therefore amassed a higher average of views per day.)



We begin this month with a Rewatchathon first: a rewatched short.

#24a Pleased to Eat You! (2019)
#25 What We Did on Our Holiday (2014)
#26 Easy Virtue (2008)

I first saw Pleased to Eat You last month as part of the prep for FilmBath Festival, then saw it again before the screening of Little Monsters. It merits revisiting, though, because it’s such great fun.

As for the two features rewatched, they’re both movies I feel have been somewhat undervalued. My original reviews of both are linked above, as always. Sometimes I re-read old reviews and am pleasantly surprised by the quality of my own writing (which sounds rather smug and self-gratifying, but I’m talking about very old reviews re-read with some distance, not going back over something I just wrote, which I think makes it different). Sometimes, however, I’m less impressed (which hopefully shows I’m not simply uncritical of my own work). Unfortunately, my review of Easy Virtue from 2011 is one of the underwhelming ones. I stand by its sentiment, but I don’t think I expressed that sentiment very well.

My piece about What We Did on Our Holiday is better, though still not totally clear. I also think it’s a film that improves with rewatching — any faults fade into the background behind the bits that are hilarious, heartfelt, humanist, and sometimes quite beautiful.


Unsurprisingly, there’s plenty to mention here — more than normal, in fact. I say that because there are usually three or four cinema releases I name, but November brought loads. From high-profile releases such as Frozen II, Knives Out, Last Christmas, and Le Mans ’66 (that’s Ford v Ferrari to some of you); to films that were surprises, either because they were hits, or flopped, or provoked controversy, or just seemed to come out of nowhere, like Midway, The Good Liar, Charlie’s Angels, and Blue Story (you can match up which of those is which); to smaller releases of note, like The Nightingale (the new one from Jennifer “The Babadook” Kent) and Greener Grass; to ones that probably fit into one or more of those other categories, though I’m not sure which, like The Aeronauts and 21 Bridges. Sure, some of those are films I never would’ve made the effort to see in the cinema anyway, but they’re all ones I’ll look out for in the future nonetheless.

It was also an uncommonly productive month for Netflix — they release new series all the damn time nowadays, but it feels like their original films that are worthy of note congregate at the end of the year. As well as the obvious one (see #146) there was The King, Earthquake Bird, and Christmas movie Klaus (which I’ve saved for December, because duh). Talking of the incoming season, there were a bunch more tacky-looking Christmas originals, foremost among which is surely The Knight Before Christmas — a film where they definitely came up with the title first and worked backwards. It looks and sounds terrible, obviously, and yet there’s something about its reputed awfulness (and that marvellous pun) that’s tempting me to watch it… Back on the sensible end of the spectrum, festival winners like Atlantics and I Lost My Body also popped on in the last couple of days.

Also added in the past month was Dragon Ball Super: Broly. That’s a franchise that’s never otherwise interested me, but I’m tempted to see what all the fuss was about for this particular entry: it was the highest-grossing anime film of 2018 and one of the highest of all time, including in the UK, where it became the second highest-grossing anime ever (behind only Spirited Away) and an advance screening sold out in just 23 seconds. Is its success thanks to a dedicated fanbase and limited number of screenings, or is it actually something special? There’s one way to find out… Lastly on Netflix, not a film but a series about films: The Movies That Made Us, a spin-off from their successful series about toys that, as far as I can tell, basically trades in ’80s nostalgia. Of course, the making of movies is a lot better documented than the making of toys, so whether it has anything new to say about the likes of Die Hard or Ghostbusters seems doubtful.

Amazon didn’t have too many originals to offer — or perhaps any, besides one (see #135). But there were a few catalogue additions I want to see, like Magic Mike and Umberto D (not two films you’d normally see mentioned side-by-side…), and a few oddities that caught my eye, among them Tsui Hark’s directorial debut, Butterfly Murders, and Too Late, which is billed as “a sexy, smart noir detective thriller… told in non-linear fashion, in a series of five true long takes… with stunning 35mm cinematography.” They also say the latter is “a cinephile’s dream” and, yeah, it does sound a bit like that. They also have a bunch of reduced price rentals for Prime members, in which I recently hoovered up Missing Link, Booksmart, Brightburn, and Eighth Grade — now I’ve just got to make sure to make time for them before the rentals expire.

Finally, there’s the new stuff I bought on disc, like Apollo 11 in 4K, and in 3D Spider-Man: Far from Home, Aladdin, and Pokémon: Detective Pikachu (the latter two only thanks to sale prices). Then there were new catalogue releases, like Masters of Cinema editions of The African Queen and Der Golem, and Arrow’s release of RoboCop; a sale purchase of Candymen: Farewell to the Flesh (I enjoyed the first one a lot so figured this sequel was worth a punt); and the HD box set of Batman Beyond… which, for its UK release, replaced the Blu-ray disc of spin-off movie Return of the Joker with a censored DVD copy. WTF, Warner?

And all that without even dipping into any Black Friday deals! Which, actually, are mostly still ongoing. Hmm…


It’s been a very up and down kind of year here at 100 Films — will December end it on another higher, or in another dip? There’s only one place to find out: right here, in 31 days’ time.

(Unless I also mention it on Twitter.)

(Or Instagram.)

(Or Letterboxd.)

(So… yeah.)

The Knockout Monthly Update for November 2018

When Rocky snuck its way onto my “What Do You Mean You Haven’t Seen” list back in January, I didn’t have particularly high hopes — I’ve never liked boxing movies, and I was only going to watch it because I ‘should’. Well, in the eight months since I watched it I’ve gone on to watch all six sequels, ending this month when I gave Creed full marks precisely because of how much it was a Rocky movie. And that’s why this month is a knockout.

Also, because I watched a tonne of films.


#223 Their Finest (2016)
#224 Going for Golden Eye (2017)
#225 Jurassic World: Fallen Kingdom 3D (2018)
#226 The Other Side of the Wind (2018)
#227 Batman & Mr. Freeze: SubZero (1998)
#228 Jodorowsky’s Dune (2013)
#229 Have a Good Funeral, My Friend… Sartana Will Pay (1970), aka Buon funerale amigos!… paga Sartana
#230 Bohemian Rhapsody (2018)
#231 Attack the Block (2011)
#232 Outlaw King (2018)
#233 Incredibles 2 3D (2018)
#233a Bao 3D (2018)
#234 They Shall Not Grow Old (2018)
#235 Paper Moon (1973)
#236 Hitchcock/Truffaut (2015)
#237 The Greatest Showman (2017)
#238 The Ballad of Buster Scruggs (2018)
#239 The Tale of the Princess Kaguya (2013), aka Kaguyahime no monogatari
#240 Redline (2009)
#241 Zatoichi’s Cane Sword (1967), aka Zatôichi tekka-tabi
#242 Creed (2015)
#243 Danger: Diabolik (1968), aka Diabolik
#244 Boy (2010)
#245 Dad’s Army (2016)
#246 Teen Titans Go! To the Movies (2018)
#247 Ant-Man and the Wasp 3D (2018)
Bohemian Rhapsody

Paper Moon

Creed

Teen Titans Go! To the Movies

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  • With 25 new films watched, November is the fourth best month of 2018. That’s not particularly impressive — it’s only just inside the year’s top third — but on an all-time scale…
  • That number makes November 2018 my joint fifth best month of all time (tied with August 2007), putting it in the top 5% of all months. Sounds a lot more impressive put like that, doesn’t it?
  • It’s the best November ever by some margin (the previous was 2016’s 14), in the process dragging the month’s average from 8.8 to 10.3. That leaves just July with an average below 10.0 (but it’s on 9.9, so hopefully I’ll get it over the line next year).
  • Also, as this is the first November with over 20 films, that leaves just December as the only month never to have reached the 20s. Will next month be the first? Only time will tell.
  • This month’s Blindspot film: aliens invade a London council estate in Attack the Block. The aliens may be violent, feral monsters, but they didn’t count on chavs…



The 42nd Monthly Arbitrary Awards

Favourite Film of the Month
There were many films I really liked this month, including a couple that surprised me, and ending with two colourful superhero movies that I enjoyed as much or more than the genre’s more serious-minded efforts earlier in the year. But, as the introduction to this post probably made clear, the victor has to be Creed.

Least Favourite Film of the Month
Where Creed worked because it had respect for its legacy, this month’s loser is a film that puts on the surface sheen of caring about its forebear, but doesn’t demonstrate that reverence — because it’s pretty rubbish. The film in question is 2016’s Dad’s Army remake.

Most Listened-to Song from a Movie of the Month
I thought this was going to be Last Breath by Future from the Creed soundtrack, which makes nice use of the famous Rocky theme to give that inspirational anthem a modern spin. But iTunes informs me the actual winner is the number I highlighted in my Greatest Showman review, the almost-titular The Greatest Show. Well, I did bung it on loop while I was writing that review…

Most Surprising Male Nudity of the Month
Sure, everyone was talking about Chris Pine’s penis in Outlaw King, but did you know Teen Titans Go! To the Movies features baby Superman’s naked, wiggling arse? Okay, he’s just a cartoon, but still.

The Audience Award for Most-Viewed New Post of the Month
November 2018 was my second largest month ever for views and visitors, much of that powered by the continued popularity of my Bodyguard review (which has now entered my top ten of all time). As for new posts, regular readers may know that the winner of this award is often a review of a just-released film posted while that film is still brand spanking new. So when I posted my review of Bohemian Rhapsody a whole 18 days after its UK debut and 9 days after its US release, I didn’t expect much hit-wise. But, lo and behold, a mega-popular film is a mega-popular film, and Bo Rhap bested the likes of Outlaw King (a review I posted the day after it popped up on Netflix) and They Shall Not Grow Old (a review I posted the morning after it was on TV) to be November’s most-viewed new post.



This month, a few recent blockbusters I watched for the first time in 3D…

#42 Jurassic World 3D (2015)
#43 Dodgeball: A True Underdog Story (2004)
#44 Thor: Ragnarok 3D (2017)
#45 Justice League 3D (2017)

People seem to have become increasingly sour towards Jurassic World in the years since it came out, but I still think it’s pretty great, a blockbuster ride with sufficient spectacle. In 3D, the extra dimension is superb, really adding to the film’s scale.

The same can be said of Thor: Ragnarok, which also benefited from a shifting IMAX aspect ratio. I enjoyed it even more on a second viewing — having been reminded of what a ‘normal’ Marvel movie is like tonally by Black Panther and Infinity War, Taika Waititi’s influence was much more pronounced.

Conversely, I was a bit more attuned to Justice League’s flaws this time around. Not that I was unaware of them before, and I still mostly enjoyed it, but it’s so clearly a compromised movie. Its 3D is fine, but rarely as spectacular as a film of this scope should be.


2018’s record-obliterating total.

Plus, could the combined final tallies of the main list and Rewatchathon result in— no, shh, it’s a secret…

The Global Monthly Update for November 2017

Multiple helpings of Eastern action, French sci-fi, German horror, South American-themed Disney, a double-dose of Batman and, appropriately, a 3D trio all feature in my viewing for the penultimate month of 2017.


#152 Candyman (1992)
#153 Batman vs. Two-Face (2017)
#154 Awakenings (1990)
#155 Rurouni Kenshin 3: The Legend Ends (2014), aka Rurōni Kenshin: Densetsu no Saigo-hen
#156 Passengers 3D (2016)
#157 Justice League (2017)
#158 The Great Wall 3D (2016)
#159 Zatoichi the Fugitive (1963), aka Zatôichi kyôjô-tabi
#160 Valerian and the City of a Thousand Planets 3D (2017)
#161 Saludos Amigos (1942)
#162 Tea for Two (1950)
#163 The Cabinet of Dr. Caligari (1920), aka Das Cabinet des Dr. Caligari
The Great Wall

Valerian and the City of a Thousand Planets

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  • 12 new films this month mean that November isn’t 2017’s worst (a dishonour retained by September’s 10), but it’s far from its best (it’s 9th out of 11).
  • That’s below the 2017 average (previously 15.1, now 14.8) and the rolling average for the last 12 months (previously 14.58, now 14.42). Oh well.
  • On the bright side, it beats my November average, in the process raising it from 8.44 to 8.8. That means it’s still one of three months with an all-time average below 10, but if I watch 11 films in November 2018 then that’ll change.
  • Also, further to what I was saying in July about dates on which I’ve never watched a film, November 4th is now also struck off the list. Hurrah!
  • Zatoichi the Fugitive is my second Zatoichi film this year. That means that since I started watching the 25-film series in 2013 I’ve averaged… 0.8 films a year. Oh dear. If I maintain that rate I won’t finish until 2044.
  • This month’s Blindspot film: supposedly the first true horror film and the most famous example of German expressionism, The Cabinet of Dr. Caligari. While it’s very atmospheric, I don’t think it entirely holds up.
  • No WDYMYHS film this month. There’s only one left though, so next month it is.



The 30th Monthly Arbitrary Awards

Favourite Film of the Month
This month wasn’t an all-timer for quality — while I did enjoy most of the films I watched, very little jumps forward as a solid gold favourite. It comes down to a toss-up between two 2017 releases that each met with critical indifference but which I was pleasantly surprised to enjoy very much, especially with 3D really showing off their spectacle. On balance, I think the more interesting was Valerian and the City of a Thousand Planets.

Least Favourite Film of the Month
In a mirror image to the above, there was nothing truly terrible. This category is considerably easier to decide on, though, because I was so thoroughly disappointed by Batman vs. Two-Face.

Most Underrated ’90s Film of the Month
Sure, not enough people talk about Awakenings (as I wrote in my review), but I was even more surprised to find that Candyman is a highly atmospheric horror movie that deserves to be better remembered.

Biggest Missed Obvious Solution of the Month
Considering they reshot almost all of his scenes anyway, they should’ve just had Superman be reborn with Henry Cavill’s silly moustache in Justice League. I mean, maybe it wouldn’t’ve been a good idea, but it’d’ve been a laugh.

The Audience Award for Most-Viewed New Post of the Month
For the fifth time this year, this award goes to the TV roundup. The headliner, and undoubtedly what attracted the most views, was Stranger Things 2. Also in the post was Peaky Blinders series three — another series that I know draws a lot of hits. It was further bolstered by covering Red Dwarf XII and an episode of Rick and Morty, plus Arrow, Bounty Hunters, Castle, Detectorists, The Flash, The Good Place, and Upstart Crow. (The highest new film review was Justice League at 9th.)



#41 Batman: Mask of the Phantasm (1993)
#42 Baby Driver (2017)
#43 Spider-Man: Homecoming 3D (2017)
#44 Men in Black (1997)
#45 Men in Black II (2002)

I hadn’t intended to embark on the Men in Black trilogy, particularly, but at a loss one night I settled on rewatching the first because why not? That led to the sequel, but not the third as yet. I’ve never seen it, so maybe next month.


I’ve written a list, I’m checking it twice — not of who’s been naughty or nice, but of films I intended to watch in 2017 and haven’t got round to yet. La La Land, Your Name, the new Beauty and the Beast… it goes on much longer than that. How many will I get through?

Plus: thirteen days to go ’til a galaxy far, far away…

The Up-to-Date Monthly Update for November 2016

The penultimate monthly update for 2016 has a higher-than-usual compliment of films from 2016. How up-to-date of me.


#172 Bridesmaids (2011)
#173 Love & Friendship (2016)
#174 Batman: Return of the Caped Crusaders (2016)
#175 The Pianist (2002)
#176 Kung Fu Panda 3 (2016)
#177 Swiss Army Man (2016)
#178 Suicide Squad (2016)
#179 Arrival (2016)
#180 10 Cloverfield Lane (2016)
#181 The Deer Hunter (1978)
#182 Fantastic Beasts and Where to Find Them (2016)
#183 Star Trek Beyond (2016)
#184 Napoleon (1927), aka Napoléon vu par Abel Gance
#185 Jason Bourne (2016)
Arrival

Fantastic Beasts and Where to Find Them

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  • I watched 14 new films again this month (same as last). That makes this my 30th consecutive month with 10 or more new films.
  • As I mentioned, there were quite a few films from 2016. The total is ten, to be precise, or 71.4% of this month’s viewing. I’ll rate them when I review them, but scroll down to the Arbies for more about which I liked and disliked.
  • I spent three nights watching the 5½ hours of Abel Gance’s Napoleon, which made its hotly-anticipated Blu-ray debut this month. Still only counts as one film, though.
  • Making up for last month, I found time for two WDYMYHS films. Both are excoriating depictions of wartime: Roman Polanski’s story of life in the Warsaw ghettoes during World War 2, The Pianist; and Michael Cimino’s controversial take on the Vietnam war and its effect on (American) combatants, The Deer Hunter.



The 18th Monthly Arbitrary Awards

Favourite Film of the Month
Quite a few enjoyable films this month, particularly among all those 2016 ones, but the one of the highest quality was definitely Denis Villeneuve’s venture into science-fiction drama, Arrival.

Least Favourite Film of the Month
Conversely, the weakest film this month also comes from 2016. I wanted to find the critics were wrong and side with the audiences who boosted it into the top 75 highest grossing films of all time, but no, Suicide Squad is a disappointing mess.

Longest Film of the Year (So Far)
I watched the ’59 Ben-Hur back in September, a film whose notoriously epic running time — 222 minutes, or 3¾ hours — would, most years, stand as unlikely to be surpassed. Thanks to the BFI, however, it has: Abel Gance’s silent epic Napoleon is a full 111 minutes longer at 333 minutes, aka 5½ hours.

Most Consistent Use of a Song
They’re back again: after 14 years and five films, Jason Bourne still ends with Moby’s Extreme Ways, just like every other film in the series. Never may it end.

The Audience Award for Most-Viewed New Post of the Month
I confess to being slightly surprised by this month’s most-seen post. Besting several new releases (Batman: Return of the Caped Crusaders was 2nd) and all-time favourites (Star Wars was 3rd), this month’s victor was my review of Denis Villeneuve’s arty psychological thriller Enemy.



Films that broke new ground rub shoulders with ones that settled into comfortable grooves, with everything from children’s movies about toys to adult movies about puppets.


As regular readers may have ascertained from the occasional reference I’ve made, I’m going to be away for a chunk of December. It’s not actually some big secret, it just wasn’t especially pertinent ’til now. We’re off on a family holiday to Hogwarts… in sunny Orlando, Florida. And all the other stuff, like Disney World and the Kennedy Space Center, all that jazz; but it was inspired by, as grown-up adult human beings, wanting to go to the Harry Potter theme parks. Something something for all ages, something something young at heart, etc.

So as this is posted, I’m currently… sat at home in the UK, because we fly tomorrow. Anyway, that means this blog will be quieter than normal for a bit — and as I’m away for 72% of the time it would cover, no advent calendar this year. I know I’m severely damaging your enjoyment of the holiday season, but it can’t be helped. Sorry. I’d love to tell you that I nonetheless have a mass of reviews scheduled to post so it’ll be like I’m not even gone, but I don’t. However, my 100 Favourites will continue as advertised (next up: #95 on Sunday), and there will be a couple of other reviews scattered in between, too. I may check in on comments from time to time as well, what with the connectivity of our modern world — so don’t be a stranger, y’hear?

It’ll undoubtedly have an effect on how many films I watch, though — will December destroy the 30-month run of 10+ films?!

The Relatively Lacklustre Monthly Update for November 2015

It’s a busy old time on 100 Films as December starts: the advent calendar has begun, including its first review, with the second imminent, and this round-up of last month too. So let’s get cracking:


#173 Horns (2013)
#174 Force Majeure (2014), aka Turist
#175 The Thief of Bagdad (1924)
#176 Beverly Hills Cop (1984)
#177 The Lone Ranger (2013)
#178 Come Drink with Me (1966), aka Dà Zuì Xiá
#179 Inside Out (2015)
#179a Riley’s First Date? (2015)
#179b Lava (2014)
#180 Tank Girl (1995)
#180a The Hobbit: The Battle of the Five Armies – Extended Edition (2014/2015)
#181 Ant-Man (2015)
#182 Paddington (2014)


  • No WDYMYHS film this month. A whole third of them are left as I head into December. It’s not impossible to catch that up, but this isn’t how it’s meant to work.
  • You may’ve noticed the number of posted reviews slow down this month. Two reasons: 1) I finally exhausted my rolling backlog of ready-to-post reviews and have been tardy extending it again; 2) most of what I have been writing are stockpiled for the advent calendar. Oops.


This month was never going to be a record-breaker. After the extreme lengths I went to in the last two, and with some time-filling TV series arriving, it felt almost liberating to know I didn’t have to try as hard in November. A little too liberating, maybe, because I nearly ballsed it up…

Normally this analysis section is a list of the month’s achievements; at least, it has been so far this year. However, there’s very little to report in that field this month: 10 all-new feature films watched is the lowest of 2015. In fact, it’s the lowest-totalling month since July 2014. It’s also the first month this year not to beat its equivalent from the year before (November 2014 reached 13). Nonetheless, it beats the November average of 7.43 (raising it slightly to 7.75 in the process), and manages to maintain my ten-per-month goal (just). That makes it the 18th straight month to have ten or more films — only one month to go and I’ll have achieved an entire calendar year of it.

Before we look to the future, what has November’s relative shortfall done for 2015’s monthly average? Well, after the double whammy of best-ever-months in September and October skyrocketed the average to 17.2, November being the year’s worst month pulls it back down to 16.5. Still a good number, and higher than it was for most of the year, which just shows how extraordinary that September/October double was.

So with just a single month to go, where might 2015’s total lie? No lower than #192, that’s for sure. “For sure” in this case meaning “because if it doesn’t I’ll have failed my ten-per-month goal at the final hurdle and be inconsolable with self-disappointment.” Can I go even further, though? The December average is 10.86, so eleven new films would nudge me that little further to… #193, obviously. If I return to my last-year-beating ways, I’d watch 16 films and make it to #198; though if I can go that little further again and match the 2015 average — 16.5, remember, which rounds up to 17 — then I’ll get to #199.

None of which are #200, the magic number I considered last month. Damn close, though. Maybe… with a little stretch… who knows?



It’s the last hurrah of my repostathon! Everything I’m likely to bother reposting from previous iterations of this blog is now on WordPress.

To round things off, then, a pair of year-end summaries each for Years 1 to 4, aka 2007, 2008, 2009, and 2010. (Although the rest of 2011 was part of the repostathon, the year-end summaries were some of the first things I posted on WordPress.)



The 6th Monthly Arbitrary Awards

Favourite Film of the Month
It’s a little bit of a flat month for these first two categories. Well, that’s a mite unfair: I certainly enjoyed every film I watched this month, but nothing was a mind-blowing best-of-year-contender stand-out success. The nearest to such an achievement, however, was probably the sweet, loveable, joyous, ever-so-British Paddington.

Least Favourite Film of the Month
As I said above, I enjoyed every film I watched this month. Every last one. Well, situations like that are why this category is called “least favourite” rather than “worst”. Although it won’t be the lowest star rating awarded from this month’s viewing, the ‘victor’ here is Inside Out, because it underwhelmed me after all the hype.

Best Longwinded Storyteller
Oi, Peter Jackson — hands off! You can’t have this for The Hobbit! No, this goes to another verbose yarn-weaver: Michael Peña’s Luis from Ant-Man, whose stories may be just as filled with lengthy and pointless asides, but at least they’re highly amusing.

Best Action Climax on a Train
Most months, Ant-Man’s amusing tussle aboard a Thomas the Tank Engine playset would be a clear winner here. Did you ever think you’d see Thomas the Tank in a major Hollywood blockbuster? Thank you, Edgar Wright. But sadly it is not to be victorious, because by jiminy does the finale of The Lone Ranger justify the existence of the entire movie.

The Audience Award for Most-Viewed New Post of the Month
I’ve mentioned before how participating in a blogathon can often sway this category (understandably), and so it was to be in November: swashing his buckle all the way to the top of the pile was Douglas Fairbanks in The Thief of Bagdad.


Busy busy busy, as I race towards my definitely-record-breaking final tally.

November 2014

Before the 2014 advent calendar kicks off, let’s pause to look back at the month just gone.


What Do You Mean You Haven’t Seen…?

After a little break last month, WDYMYHS returns with one new film: one of the many movies in contention to be crowned Alfred Hitchcock’s greatest, Rear Window. A tense thriller with something more to say about voyeurism and the suspicious mind, it’s a great film. Incredible set, too.

That means I go in to December with two films left to watch — specifically, Requiem for a Dream and the original Oldboy. We’ll see how that goes, but it would be nice if I didn’t repeat last year and end with one film left over.


X-Men Days of Future PastNovember’s films in full

#109 Captain America: The Winter Soldier (2014)
#110 Show Boat (1951)
#111 The Woman in Green (1945)
#112 Flirting with Disaster (1996)
#113 X-Men: Days of Future Past (2014)
#114 Machete (2010)
Dawn of the Planet of the Apes#115 Chronicle (Extended Edition) (2012)
#116 The Running Man (1987)
#117 The Green Hornet (2011)
#118 Guardians of the Galaxy (2014)
#119 Rear Window (1954)
#120 The Thin Man (1934)
#121 Dawn of the Planet of the Apes (2014)


Analysis

It’s been a belated summer here at 100 Films (only without downsides like “noisy kids” and “heat”) thanks to the big Hollywood studios’ Blu-ray release windows. Starting with Edge of Tomorrow last month, my delayed viewing of this year’s big-hitters continued with Captain America: The Winter Soldier, Dawn of the Planet of the Apes, Guardians of the Galaxy, and X-Men: Days of Future Past — only 60% superhero-y! (And Guardians only counts because it’s produced by Marvel — not really a superhero movie, is it?) Noteworthy not-yets from the summer include Godzilla, How to Train Your Dragon 2, Teenage Mutant Ninja Turtles and Transformers: Age of Extinction, most of which haven’t found a space in my Blu-ray collection thanks to the sheer volume of stuff that’s been coming out. Also because the latter two Michael Bay-related productions look godawful. (And Turtles isn’t out ’til February anyway.) I’m actually quite curious to see the first two, though, so I imagine they’ll turn up before long.

Anyway, how do November’s numbers stack up? The above list totals 13 new films, which is the second best November ever (to 2009’s, which only reached one higher). It far outstrips the November average of 6.5, though — indeed, all by itself November 2014 drags said average up almost a whole point, to 7.4. It’s also slightly above 2014’s monthly average of 11, and ranks as the third largest month of the year, behind August’s 15 and September’s 17.

Having made it to #121 this month is also significant: that’s the second furthest I’ve reached by the end of November, and is only one behind 2010’s final total. If I watch just two films in December, 2014 will become my second-best year ever; to go all the way and top the pile, I only require nine more films. That’s close to the average I should be hitting every month, but I’ve nonetheless fallen short of it in many a month before — including January and February this year.

Predictions? Well, the December average is 10.2, which would have me at #131 — but that’s skewed by abnormally high tallies in 2008 and 2009 (indeed, December 2008 is my best month ever). The past four Decembers give an average of just seven, which is less promising… but also only one shy of sharing the Best Year Ever title, and most months this year have outperformed their averages.

For 2014 itself, the monthly average is (as I said before) precisely 11 — if December conforms, that’s #132. Some lowly early months drag that down, though, and the average for the past six months is 12.8 — if December hews to that pattern, I could see the year end on #134. Either is well clear of 2007’s #129.

Final point: with ‘bonus’ reviews thrown in (director’s cuts that don’t get a number, that kind of thing), 2007 is also an all-time best, with 135. I’ve had just two such extra reviews this year (the first Hobbit extended and The 10th Kingdom), so I would need to reach #134 for 2014 to become unquestionably the blog’s biggest year so far. A goal too far? We’ll see…


This month’s archive reviews

Enough about the future: let’s look to the past, with the 16 archive reviews I’ve reposted this month.


Next month on 100 Films in a Year…

It’ll be all guns blazing here in December: a review a day thanks to the advent calendar, and no doubt some archive reposts buoying that number further; and in my little world of actually watching films, a push to what might be a triumphant best-ever finish.

Or will it? Only the next 31 days can tell…

November 2011

It’s the final countdown! Do-do-doodoo, dododododoo, do-do—

sorry.


The final countd— oh, did that already…

This year’s 100 Films is turning into a race for the finish line — always kinda fun, if not record-breaking. Back in June I reached a high for this year of 20 ahead of target (‘target’ being my running total for Where I Should Have Reached To Make Exactly 100 By December 31st… I probably don’t need to explain that every time I mention it at this point, do I?), after which it’s gradually slipped back, so that now — as I enter the final stretch — I find myself just one ahead.

To put it more plainly: there’s eight films to go to my goal. If I made that exactly, I’d equal my second-worst year… or, if you look at it another way, third best. Getting to 101 or higher (“higher” meaning “below 122”, which, c’mon, I’m not gonna get close to) will leave this year as both the third worst and third best. Right in the middle — somehow apt for a fifth year celebration. Not that apt, but shush, I want it to be.


Anyway, here’s the exiguous (thank you thesaurus) list of films that have got me to this point…

#89 Gambit (1966)
#90 Cars (2006)
#91 Beyond the Pole (2009)
#92 Cruise of the Gods (2002)


Stepping up

It’s not just film watching I need to push up a bit, but review posting too. You may have noticed this happen in the last three weeks or so… not as much as I’d’ve liked, mind, so maybe not. I’m currently thinking I’ll aim to post a review every other day, in an attempt to clear some of my large 2011 backlog before 2012 kicks in. Even at that rate I won’t get all the way through, but hopefully there shouldn’t be too many left as we go into the new year.


Next time on the all-new 100 Films in a Year monthly update…

Next time I post one of these it’ll be the very eve of 2012! Will I have made it to 100?

Try not to ruin your nails biting them…

November 2010

Merry Christmas! Almost!

But before that, here’s the handful of films I watched in November…


Oh dear.

After doing so well for most of the year — including last month, where I made appropriate headway toward my new goal of 130 films — it’s rather slipped in November. Just four new films (and a couple of others I’ll review, but that don’t count in the slightest).

I blame TV. I’ve been watching repeat runs of Colditz and Due South, which between them add around 9 hours a week to my already significant TV viewing. 9 hours out of a whole week doesn’t sound much in isolation, but nonetheless those are the hours I usually use to watch films.

As we head into December, that leaves me with exactly 15 to get through to hit my new target. A not unachievable goal — I made it to 16 in May and August this year — but more of a push than I’d’ve hoped for. On the other hand, makes it a bit more exciting, eh?


#112 The Spiral Staircase (1947)
#113 Solaris (1972)
#114 Toy Story 3 (2010)
#115 Odd Man Out (1947)
#115a The Special Edition of Beauty and the Beast (1991/2002)
#115b The Lord of the Rings: The Fellowship of the Ring (2001)
#115c The Lord of the Rings: The Two Towers (2002)

(I’ll give you one guess what the first film of December is going to be.)


Next time on the all-new 100 Films in a Year monthly update…

It’s the final countdown! The big push! A couple of other clichés!

31 days ’til the end of the year. (At least) 15 more films to watch. It always looks so much easier on paper…