The Greatest Monthly Review of November 2022

A slightly aggrandised title, and not necessarily an applicable one — I mean, what’s so great about this monthly review? That said, as I won’t review November 2022 again, it is my greatest review of this month.

Whatever — the adjective was actually prompted by my coverage of Sight & Sound’s 2012 Greatest Film of All Time poll (something I’ve been meaning to write up since the blog’s new era began in January) and their release today of the 2022 poll results (due at 7pm GMT).

Putting that aside for now, here’s the regular monthly business…



This month’s viewing towards my yearly challenge

#71 See How They Run (2022) — New Film #11
#72 Come and See (1985) — Blindspot #9
#73 Star Trek III: The Search for Spock (1984) — Series Progression #7
#74 The Mindscape of Alan Moore (2003) — DVD #8
#75 Howard the Duck (1986) — WDYMYHS #9
#76 Killer’s Kiss (1955) — Genre #7
#77 The Killing (1956) — Genre #8
#78 The Blues Brothers (1980) — DVD #9
#79 Enola Holmes 2 (2022) — Rewatch #11
#80 Manhunter (1986) — WDYMYHS #10
#81 A Woman Under the Influence (1974) — Blindspot #10


  • I watched 12 feature films I’d never seen before in November.
  • Nine of them counted towards my 100 Films in a Year Challenge, along with two rewatches — one of which I’d only watched for the first time earlier in the month. What larks!
  • The film in question was Enola Holmes 2, which wasn’t eligible for any category on my first viewing (the “new film” slot having already been taken by See How They Run), but when I came to rewatch it could count as November’s rewatch.
  • That said, arguably the rewatch slot should have gone to The Blues Brothers, but it was more useful to count it as a DVD. It’s not my disc, so breaks the intention of the DVD category, but as Walk the Line already did that (see last month) it seemed silly to start applying higher morals now. (But if the DVD category continues into 2023, it’s getting reworded. Only I can save me from myself.)
  • While we’re on specific films, this month’s Blindspot films were A Woman Under the Influence and Come and See. After failing to watch the latter for last year’s Blindspot list, I said I wouldn’t make the mistake of leaving it until December again — and I didn’t! That said, it was the shortest of the four films I had left in this category, so, in that sense, watching it first didn’t make my task any easier. Indeed, having also watched A Woman Under the Influence, I’ve left the two longest-of-all films — totalling over 6 hours combined — for December. Oops.
  • This month’s WDYMYHS films were polar opposites in terms of reputation: the notoriously bad Howard the Duck, and the notoriously “good but overshadowed by subsequent films in the same franchise” Manhunter. I loved one and quite enjoyed the other, but I’ll leave you to speculate which was which.
  • From last month’s “failures” I only watched The Lost City.

Now, a more statistical bent…

  • I reached #100!
  • …under the old system (i.e. counting all new films, but only new films), which isn’t my actual challenge anymore. Oh well.
  • But, for what it’s worth, that’s the latest I’ve done it since… the last time I failed to even get there, when I only reached #97 in 2012. The last time it took until November was 2013 (when I got there on the 13th; this year it was the 15th) — every year since has been earlier.
  • On the bright side, totalling 12 new films makes this the first time I’ve got above my target of 10 per month since June.
  • It also makes November the first month of 2022 to beat its equivalent from 2021. There has never been a year of 100 Films without at least one month that beat its own tally from from the year before, so I’m glad to have dodged that ignominious all-time first.
  • It also means I have good news to report in the averages stakes, for the first time in a while, with November beating all the averages I regularly mention: the average for 2022 to date (previously 9.1, now 9.4); the rolling average of the last 12 months (previously 9.9, now 10.3); and the average for all Novembers (previously 10.8, now 10.9).
  • On a bit of a downer: I’d hoped to get to #85 in my challenge, because I had 30 left to go after October and that would’ve meant a neat 15 in November and 15 in December. Never mind.



The 90th Monthly Arbitrary Awards

Favourite Film of the Month
There were several films I enjoyed a lot this month, and may even find it onto my end-of-year best list (partly because it’s been feeling like a pretty poor year, for whatever reason), but only one prompted me to write “where has this been all my life?!” on Letterboxd, and that was Manhunter. (The answer being “probably being overshadowed by Silence of the Lambs”.)

Least Favourite Film of the Month
Easily the biggest disappointment this month was belated-but-awaited sequel Disenchanted — a disappointingly fitting title for a film that lost the magic of its wonderful predecessor. Maybe “it’s such a shame they never made a sequel to Enchanted” would have been a better legacy.

The Audience Award for Most-Viewed New Post of the Month
There was only a small handful of posts to choose from this month, but the clear victor was my summary of Sight & Sound’s The 100 Greatest Films of All Time (2012 edition). Is that because everyone loves a list? Or because it was a new feature for the blog? Or because the 2022 edition is imminent (the results are out later today, at 7pm GMT)? Who knows. Maybe time — and further entries in this sporadic series — will tell.



Every review posted this month, including new titles and the Archive 5


I’ve got 19 films to go to complete my challenge. That’s bringing back memories of 2008, when I also had to get through 19 films in December to hit my target. I managed it, but only just: I watched three qualifying films on New Year’s Eve to get over the line. Hopefully this year will be less stressfully down to the wire…

1 thought on “The Greatest Monthly Review of November 2022

  1. Pingback: The Best of 2022 | 100Films.co.uk

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