Churchill: The Hollywood Years (2004)

2008 #4
Peter Richardson | 84 mins | TV | 15

Churchill: The Hollywood YearsWhat if the Americans made a movie of Winston Churchill’s life, prone as they are to re-write World War 2 history to show they won it all by themselves?

This is ostensibly the premise of this spoof from some of the team behind Channel 4’s The Comic Strip. I say ostensibly, because the film is bookended (for padding, I suspect) with scenes that suggest that the real Churchill was an American GI, and the British simply re-wrote history using a somewhat chubby actor called Roy Bubbles. Sadly, the joke was funnier when it was riffing on those US historical re-writes.

The problem with killing that joke is, it’s the best one the film’s got. It’s also just about suitable for a five-minute comedy sketch, or, at a stretch, a series of sketches. The strategy for drawing this out to movie-length seems to have involved those bookends, as well as bunging some outtakes at the end and including a bunch of ridiculous, irritating, and unfunny subplots with Hitler and his entourage. It’s a shame to see the talents of actors such as Antony Sher and Miranda Richardson frittered away on such material.

This is all being a tad harsh, because Churchill actually has its fair share of amusing moments. The supporting cast of British TV comedians are mostly very good, Neve Campbell’s posh English accent (usually such a stumbling block for Americans-as-Brits) is as good as anything a British actress could have delivered, and Christian Slater and Romany Malco make for a likeable pairing. But, again, most of the best bits are of sketch length, and so wind up spread out among the padding.

In that respect it’s quite a shame, because there’s a good idea, good potential, and some good laughs in here.

2 out of 5

The Simpsons Movie (2007)

2008 #1
David Silverman | 83 mins | DVD | PG / PG-13

The Simpsons MovieAnd so 2008 begins with one of last summer’s biggest hits: the long-awaited big screen debut of America’s most well-known family. I’m not a big Simpsons fan, unlike many film critics it would seem — I like the show, undoubtedly, but I’ve never watched it regularly and haven’t sat through a whole episode for years (not even the recent-ish Ricky Gervais or Kiefer Sutherland ones).

This might explain why the movie didn’t feel tired to me, as some have described it. It might not be laugh-a-minute, and there are some sections where the plot has taken precedence (not always with good reason), but the gag count is nonetheless high and some are genuinely excellent. The plot is suitably epic, mostly justifying the need to be on a big screen at feature length. Some of the subplots feel like episodes of the show, but that’s fairly inevitable when converting a format such as this. Everything looks bigger; the quality of the animation is high; and while I’m sure the events will have no lasting impact on the characters, it does feel like a simple TV episode or two wouldn’t do it justice.

It may be that The Simpsons Movie wasn’t the ground-breaking best-comedy-ever that it needed to be to impress some. But it made me laugh, and often; at least as much as any other recent comedy, if not more so. That makes it a success in my book.

4 out of 5

Piglet’s Big Movie (2003)

2007 #129
Francis Glebas | 72 mins | TV | U / G

Piglet's Big MovieI used to enjoy the Disney Winnie the Pooh series when I was younger. I also used to love the original books by A.A. Milne. In fact, I still enjoy the books — they’re witty, knowingly written, and often sweet. Sadly, Disney’s interpretation seems to have faired less well.

In this case it’s largely down to the first half, where the mostly original storyline and weak & randomly inserted songs simply aren’t up to scratch. However, things improve massively with a couple of fairly straight adaptations of Milne’s original tales.

Mildly amusing at times and with a positive (if predictable) message about friendship and self-worth, this would undoubtedly entertain young children — which, to be fair, is its intended audience. While it initially seems to fall far short for older audiences, it turns out to be not all bad.

3 out of 5

While You Were Sleeping (1995)

2007 #128
Jon Turteltaub | 99 mins | TV | PG / PG

While You Were SleepingI wound up accidentally watching this on TV, and was ultimately glad I did.

If you’ve ever seen a ’90s romcom then the general shape of everything here will be familiar, though it does have a neat coma-related twist at its core. In spite of this predictability, and Sandra Bullock, I found it to be very enjoyable. It’s not a laugh-out-loud comedy and it is (of course) heavy on the sentiment, but it does have a lovely Christmasiness that is perfect for this time of year. It made me all nostalgic for the ’90s — they don’t make ’em like this any more. I don’t think. I don’t really watch rom-coms…

I can easily see myself tracking this down in time for next Christmas, and probably Christmasses after too.

4 out of 5

Telling Lies (2001)

2007 #127a
Simon Ellis | 4 mins | DVD

A simple idea, very well executed: as we listen to a series of phone conversations, the speakers’ dialogue appears on screen… except instead of transcribing their exact words, it reveals their true thoughts. At only a few minutes long this doesn’t outstay its welcome, instead maintaining the basic idea well and crafting a neat and amusing little story with it. Worth checking out if you have a chance.

4 out of 5

Telling Lies is available on the DVD Cinema16: British Short Films or can be watched on Vimeo for free.

Bullets Over Broadway (1994)

2007 #125
Woody Allen | 95 mins | DVD | 15 / R

Bullets Over BroadwayThe final Woody Allen film of this little ‘season’ is that rare thing: one that doesn’t star him!

This is its biggest flaw, as John Cusack spends the entire film doing a blatant and middling impression of the writer/director. But he nonetheless does OK, and when the rest of the cast are note-perfect, the script pacy and funny, the photography gorgeous, and the long takes never more appropriate, it’s hard not to be impressed. Special mention for the final scene, a four-way shouted conversation between two high windows and the street — it’s beautifully written and executed.

Another underrated Allen film, and probably the most down-right entertaining of his I’ve seen so far.

4 out of 5

Manhattan Murder Mystery (1993)

2007 #124
Woody Allen | 103 mins | DVD | PG / PG

Manhattan Murder MysteryWoody Allen mixes a bit of the thriller into his usual relationship-based comedy/drama style, with effective results. The combination produces an engaging thriller with the usual character-focused drama woven around it, and a decent dash of comedy too. The first half hour or so is a tad slow, but the pace picks up as the story rattles into the second half.

Murder Mystery has been criticised as lightweight — the comedy stops the thriller being too serious, the thriller stops the drama being the focus, and they both prevent the comedy from overpowering — but Allen has dealt with these elements in isolation elsewhere, so it’s refreshing to see him do more than merely repeat himself.

This is an underrated gem in Allen’s relatively vast body of work.

4 out of 5

The King of Comedy (1983)

2007 #121
Martin Scorsese | 104 mins | TV | PG / PG

The King of ComedyUnderrated black comedy from the prolific partnership of director Scorsese and star De Niro.

De Niro gives an excellent performance as an obsessive wannabe comedian, stalking the host of a popular talk show in his desperation for a guest spot. The depth of his delusion is both hilariously funny and deeply unsettling; subtly woven between the laughs is the impression that this sort of behaviour must be all-too-real among those over-obsessed with celebrity culture. Jerry Lewis and Sandra Bernhard are also worthy of note in their supporting roles.

Rarely mentioned when it comes to discussions of Scorsese’s work, I think it’s the best film I’ve seen from him. (This closing comment is subject to the fact that I’ve only seen The Departed, The Aviator, Gangs of New York and Bringing Out the Dead, a list clearly missing most of his highly-praised work.)

5 out of 5

Manhattan (1979)

2007 #119
Woody Allen | 92 mins | DVD | 15 / R

ManhattanDrama (though it does include some very funny bits) focusing on the interrelationships of a handful of 40-something New Yorkers.

Allen fails to convince as a bit of a womaniser, even if he is notably less neurotic than usual; however, once the viewer gets over that little fantasy of his, I believe there’s a lot to be had here. It’s a much more traditional film than Annie Hall — events occur in chronological order, with no unusual comedic breaks, or monologues to camera — and, as a drama, it’s all the better for this.

The black & white photography is gorgeous throughout, helping the city to shine far brighter than any of the characters — for me, the best bit of the entire film is the opening three-and-a-half minutes, in which the beautiful images, Allen’s narration and Gershwin’s music combine in a tribute to what must be the most genuinely loved of all cities.

(A 5-star rating system only allows minimal delineation, so for the sake of clarity I’d like to point out that I personally preferred this to Annie Hall, though it falls just off attaining a full five.)

4 out of 5

Play Time (1967)

aka Playtime

2007 #118
Jacques Tati | 115 mins | DVD | U

Play TimeI know some people love the work of Tati, just like there’s always someone who loves everything; personally, I find his films largely dull. His character, Monsieur Hulot, is like Mr Bean but less funny (don’t worry, I know Hulot comes first by a good few decades). There are some laughs to be had in Play Time, but they’re a long way in and not necessarily worth waiting for.

Play Time is certainly pertinent to the ‘Cityscapes’ course we were shown it as part of, but even the subtext (which is about as ‘sub’ as a space station), about the depressing similarity of modern cities, is repetitively over-done.

Recommended only as a cure for insomnia.

2 out of 5

Play Time featured on my list of The Five Worst Films I Saw in 2007, which can be read in full here.