Language: English, French & Vietnamese
Runtime: 202 minutes (theatrical/DVD) | 196 minutes (Blu-ray)*
In the middle of the Vietnam war, burnt out soldier Captain Willard is given a top-secret mission: locate US Army Colonel Kurtz, who’s gone renegade and is leading his own personal army in unauthorised attacks, and terminate his command. Travelling up the river on a Navy patrol boat, its crew unaware of Willard’s goal, they see snapshots of the war and the elements of human nature it exposes — the very horrors that drove Kurtz insane…
Martin Sheen is Captain Benjamin Willard — not exactly a hero, but certainly the narrator. Already mentally wracked by his experiences in Vietnam, he may not be the best person to send after another officer similarly mentally afflicted…
Marlon Brando — top billed, only on screen for minutes, and a nightmare to work with… but another performance for the ages as the rambling, insane, but insightful, Colonel Kurtz.
Best Supporting Character
A Golden Globe, a BAFTA, and an Oscar nomination rewarded Robert Duvall for his turn as the commander of a helicopter unit, Lt. Col. Kilgore. More than that, though, was true immortality in the form of the movie’s most famous quote: “I love the smell of napalm in the morning.”
Colonel Lucas: “When you find the Colonel, infiltrate his team by whatever means available and terminate the Colonel’s command.”
Willard: “Terminate the Colonel?”
General Corman: “He’s out there operating without any decent restraint, totally beyond the pale of any acceptable human conduct. And he is still in the field commanding troops.”
Civilian: “Terminate, with extreme prejudice.”
The sound of unseen helicopters circle. The Doors playing. A pretty forest… which explodes into flame, under the barrage of a napalm attack. One of the most iconic opening scenes.
Apocalypse Now was one of the films that pioneered the creation of surround sound, now the industry standard. Nowhere is it better exemplified than in that opening scene, with the helicopters circling the room.
“My movie is not about Vietnam, my movie is Vietnam.” Apocalypse Now was a notoriously troubled shoot, for all kinds of reasons, from an uncooperative Brando, to Martin Sheen’s heart attack, to the cast and crew’s copious drug use… Originally scheduled to shoot for six weeks, it ended up filming for 16 months, and took nearly three years to edit.
What the Critics Said
“this might be the most audience-friendly art-house film ever made, and that’s where the sheer majesty of Coppola’s daredevil balancing act comes into true focus. Coppola’s art is stripped of pretension; what lies on screen may as well be Coppola’s — and probably several other peoples’ — heart, laid bare for all to see, somehow expressed through arguably the most populist of all mediums. It may be messy, but it’s also vivaciously alive.” — Rob Humanick, Slant
What the Public Say
“The most critically acclaimed movie of 2001 was made 22 years ago… The new material isn’t entirely necessary, and some may find it excessive… But Redux’s virtues far outweigh its flaws. Apocalypse Now in any version remains one of the richest, most extravagant moviegoing experiences of my life.” — Jeffrey Overstreet, Looking Closer
IMDb Top 250 #48
The first (and, indeed, last) time I watched Apocalypse Now was shortly after the Redux version had been released, when Francis Ford Coppola was busy proclaiming it was the only version that would be made available ever again. That didn’t last, of course. Adding some 49 minutes of footage to the praised theatrical version, Redux divides viewers and critics on whether the extensions make a classic even better or just dilute it. If there’s a consensus, it’s that in either version this is a great movie. I’ve never got round to the original cut to compare for myself, so it’s the longer one that makes my list. My favourite quote about it comes from Danny Boyle: “It’s imperfect; which every film should be.”
#4 will be… the 13th.