What Do You Mean You Haven’t Seen All the Best* Sci-fi, Action, Adventure, Mystery, and Thriller Films?

* According to IMDb Voters

What started out as my version of Blindspot (before someone else coined and popularised the term), I nowadays use as a secondary set of twelve films to watch in a year. Whereas Blindspot is focused on some version of quality and/or popularity, WDYMYHS (for short) has some kind of theme.

This year, I was rather coming up short for what that should be. Via some series of connections or other, I ended up at iCheckMovies, which, for those who don’t know it, was sort of like Letterboxd before Letterboxd came along and did a similar thing but better. iCM is still going, for whatever that’s worth, and I still look at it from time to time to see how I’m progressing on various lists. That’s where the inspiration for this year’s grab bag-type WDYMYHS selection came from: a few of my favourite IMDb genre lists that I haven’t yet completed. When combined, the number of films I haven’t seen on the lists for Sci-fi, Action, Adventure, Mystery, and Thriller (which is the order I looked at them in) comes out at exactly… eleven. But one of those is a two-part film that everyone else lists as two films, which brings us to exactly the number I need for WDYMYHS.

I’m happy to admit it’s not my best theme ever, but it’ll do.

So, in alphabetical order, this year’s films are…


The Cremator

The Cremator

Dersu Uzala

Dersu Uzala
Gangs of Wasseypur - Part 1

Gangs of Wasseypur
Part 1

Gangs of Wasseypur
Part 2

Gangs of Wasseypur - Part 2
The Great Escape

The Great Escape

Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol. 3
The Handmaiden

The Handmaiden

Infernal Affairs

Infernal Affairs
PK

PK

A Wednesday!

A Wednesday!
White Heat

White Heat

Woman in the Dunes

Woman in the Dunes

A couple of motes of trivia to end on. Both The Great Escape and The Handmaiden were possible films for WDYMYHS 2024, also thanks to IMDb user-voted lists (I was aiming to finish the Top 250, which meant I had 19 films for the 12 slots. I didn’t finish the Top 250, but I did watch 12 films — not including those two, obviously).

There’s also a WDYMYHS repeat in this year’s Blindspot selection: The Royal Tenenbaums was supposed to be watched in 2019, but I fell short that year. There were quite a few films I failed to watch from that set (I listed them in 2020’s Blindspot post), but this is the only one still outstanding. Hopefully, I won’t say the same in 2027…


Blindspot 2026

This is my 14th year doing a version of Blindspot, so perhaps my customary introduction to the concept is totally unnecessary… but just in case there are still people who haven’t heard of it, this is a challenge in which you pick twelve films you’ve never seen but feel you should have (your blindspots) and watch one per month throughout the year.

In chronological order, this year’s films are…


Different from the Others

1910s
Anders als die Andern

1920s
The Phantom Carriage

The Phantom Carriage
Dr. Jekyll and Mr. Hyde

1930s
Dr. Jekyll and Mr. Hyde

1940s
Suspicion

Suspicion
Hiroshima Mon Amour

1950s
Hiroshima Mon Amour

1960s
Belle de Jour

Belle de Jour
Sorcerer

1970s
Sorcerer

1980s
Poltergeist

Poltergeist
The Prince of Egypt

1990s
The Prince of Egypt

2000s
The Royal Tenenbaums

The Royal Tenenbaums
The Great Gatsby

2010s
The Great Gatsby

2020s
Poor Things

Poor Things

For many of the previous 13 years, my Blindspot selection process has been tortuously complicated. I don’t think I’ve ever simply picked twelve films I feel like watching (which is how I’ve seen other people make their selection — perfectly reasonably). Instead, I usually compile various “great films” lists, rank and weight them in various imaginative ways, and thus concoct some kind of ranking-of-rankings to generate 12 new picks. I long ago ruled out relying on the same methodology every year, because that way it’s never surprising and never refreshed — I’d just be working down a very long list, year by year.

Last year, I made things a lot simpler: I looked on Letterboxd for the most popular film I’d not seen from each decade since the origin of feature films, and there was my list. I enjoyed that ‘history of cinema’ approach so much, I decided to repeat it this year. But, as I said, I don’t like to just take the next film on any given list, so I mixed it up slightly. By default, the decade search on Letterboxd displays 18 films (three rows of six). So, having filtered it to the ones I’d not seen, I randomised the selection by rolling a d20 (because rolling dice is fun).

If you’re curious, the rolls were as follows…

Decade Roll
1910s 11
1920s 3
1930s 12
1940s 6
1950s 20
1960s 8
1970s 14
1980s 5
1990s 14
2000s 4
2010s 4
2020s 5

“But, hold on a minute,” you might say, “a d20 has 20 sides, and your selection lists only had 18 films — what happened on a 19 or 20?” A perfectly reasonable and well-observed question. And, as you can see, a 20 was indeed rolled. Of course, I’d thought of a solution in advance, because it was likely the situation would arise (there being a 1-in-10 chance of rolling 19 or 20 on a d20, and there being 12 rolls). The solution was… more dice rolls (because rolling dice is fun).

Or, rather, one more roll, as it only happened once. As a 19 or 20 is a high success, I limited it to the top row (i.e. the six most popular films) and rolled a d6*… and on that, I got a 1 — meaning the 1950s is the only decade for which I’m watching the most popular unseen film, i.e. the one I would’ve watched if I had just picked the next film on the list. Which is fine — the point of randomising the choice wasn’t to stop it ever being the next film on the list, just prevent it being definitively and only that.

* (I appreciate that this system would make no sense in a game (why is 1–6 the optimal result but 19 or 20 results in another 1–6?!), but this isn’t a game, it’s a random number generator, so it’s fine.)


The 20th 100 Films in a Year Challenge

Featured

For the 20th year in a row, I’m going to attempt to watch 100 films in a year.

Except, as regular readers will know, it’s a bit more complicated than that nowadays. Just watching any old 100 films each year became a matter of course — the “challenge” aspect died off entirely when I was regularly reaching 200+ films for a few years. So, a few years ago, I reimagined it into what is, effectively, a series of smaller, more specific film-watching challenges, which altogether add up to 100 films in a year.

(Alongside this, I also aim to watch ten new films a month, for a total of 120 a year. My lifestyle and habits have changed in the past few years, so that’s also more of a challenge than it once would have been. Indeed, I failed to do it last year. And I’m about 90% sure I’m going to immediately fail it for 2026 by not getting there in January. At least it’ll take any pressure off for the rest of the year.)

This is the fifth iteration of my new-style Challenge, and each year so far I’ve made some changes — removed and added categories; modified the qualification rules within a category; etc. That was part of my conception of this new version: that it wouldn’t stand still; it wouldn’t become something I could learn ‘how’ to do and repeat ad infinitum. However, I’ve settled on a category lineup that I’m so happy with I don’t want to change it… so I’m not going to. That said, there are certain categories (three of the nine, to be precise) that change their theme or makeup every year anyway, meaning an element of changeability does persist.

So, let’s see what that the 100 Films in a Year Challenge involves for its 20th edition…


First, the one rule that applies across all categories: a film can only count once. That might sound obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film with a general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) between 1st January 2025 and 31st December 2025. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2026’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Twelve films, specifically chosen and named in advance, that I should have already seen. Meant to be watched one per month, but I typically fail at that and have to play catch up. This year’s twelve will be revealed in a dedicated post tomorrow.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, these are twelve specifically chosen films meant to be watched one per month, but here my selections are based around a theme. This year’s theme, and the twelve films selected, will be revealed in a dedicated post tomorrow.

Failures

x12. Every month, I list my “failures”: brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes I catch up on some of them the next month; often I don’t. Making them a Challenge category helps with this. A maximum of one per month counts. If I miss one, I catch up on that specific month later.

50 Unseen

x10. Any unwatched film from one of my year-end ’50 Unseen’ lists. It’s likely to be dominated by films from 2025’s list as I catch up on what I missed last year, but anything from the previous 19 years is eligible. (If you’re interested, there’s a complete list of candidates here.)

Genre

x10. Any films from within a specified genre — or, arguably, a sub-genre: I’m not focusing on anything broad like “Action” or “Comedy” here, but something relatively specific. Previous choices have included film noir, gialli, poliziotteschi, and martial arts movies. This year, it’s classic 3D — by which I mean, any film originally released in 3D before the current Avatar-initiated era. (Okay, it’s not really a “genre”, but then neither is film noir if you want to get picky about it.)

Series Progression

x10. Any instalment of a film series I’m already watching. If I start a new series, the first film can’t count but any further films can. (If you’re curious, there’s a list of film series I’m in the middle of here. At time of writing, there’s 36.)

Wildcards

x10. Any film that can’t have qualified in another category at any point. For example, I couldn’t watch two brand-new releases in January and count the second one here, or watch ten classic 3D films and then count an eleventh here.


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

2025: The List

Normally the 2nd of a new month would bring my Failures post, but those always take some time to write, and I’ve got a whole host of year-end posts to be putting together right now. So, while you wait to learn about all the many, many, many films I should’ve seen in December but didn’t, here’s the first of those annual reviews.

Once upon a time, this list of all my first-time watches from the year past was just a recap of what I’d already shared. Nowadays, my monthly reviews only keep you up-to-date on my progress with the 100 Films in a Year Challenge, which means this post is more productive than ever. Well, as “productive” as it is to publish a list of every film I watched for the first time in 2025. Also, at the end of that, there’s the one film I watched that’s earmarked to receive a ‘Guide To’ post (remember those? Probably not) and a short list of all the short films I saw for the first time.

But first, something else about the Challenge…


Here is a graphical representation of my viewing for the 100 Films in a Year Challenge, month by month, courtesy of the monthly review header images. Each one links to the relevant monthly review, which contain a chronological list of my Challenge viewing, as well as other fun stuff, like my monthly Arbie awards — just in case you missed any of those throughout 2025.


Right then, the headline event: an alphabetical list of all my first-time watches from 2025. As mentioned, that’s followed by rewatches that will (one day; hopefully) have ‘Guide To’ posts, and a list of short films I watched for the first time.

  • 28 Weeks Later (2007)
  • 9 (2009)
  • An Aleutian Adventure (1920s)
  • Anna Karenina (2012)
  • Backfire! (1962)
  • Bank of Dave 2: The Loan Ranger (2025)
  • Before I Go to Sleep (2014)
  • The Black Watch (1929), aka King of the Khyber Rifles
  • The Boss (1973), aka Il boss
  • Candidate for Murder (1962)
  • Cat People (1942)
  • The City of Lost Children (1995), aka La Cité des Enfants Perdus
  • Crime Hunter: Bullets of Rage (1989), aka Kuraimuhantā: Ikari no jūdan
  • The Critic (2023)
  • Deadpool & Wolverine (2024)
  • Death Goes to School (1953)
  • Drive-Away Dolls (2025)
  • Empire of Light (2022)
  • Eraserhead (1977)
  • Finding Your Feet (2017)
  • Fist of Fury (1972), aka Jing wu men
  • Flat Two (1962)
  • Frankenstein (2025)
  • Freaks (1932)
  • Funeral in Berlin (1966)
  • Girl, Interrupted (1999)
  • The Graduate (1967)
  • Grand Theft Hamlet (2024)
  • Gwen and the Book of Sand (1985), aka Gwen (le livre de sable)
  • Hardware (1990)
  • Havoc (2025)
  • Hawk the Slayer (1980)
  • Häxan (1922)
  • Heads of State (2025)
  • Hedda (2025)
  • Hooray for Hollywood (1982)
  • Hotel Transylvania 2 [3D] (2015)
  • I Saw the TV Glow (2024)
  • Ice Age: Collision Course [3D] (2016)
  • Illustrious Corpses (1976), aka Cadaveri eccellenti
  • Intolerance: Love’s Struggle Throughout the Ages (1916)
  • The Invisible Swordsman (1970), aka Tomei kenshi
  • The Italian Connection (1972), aka La mala ordina
  • Jay Kelly (2025)
  • Joe’s Bed-Stuy Barbershop: We Cut Heads (1983)
  • Juggernaut (1974)
  • Juror #2 (2024)
  • Kiki’s Delivery Service (1989), aka Majo no takkyûbin
  • The King of Kings (1927)
  • Kizumonogatari Part 1: Tekketsu (2016)
  • Kizumonogatari Part 2: Nekketsu (2016)
  • Kizumonogatari Part 3: Reiketsu (2017)
  • Knight Chills (2001)
  • KPop Demon Hunters (2025)
  • Lifeforce (1985)
  • Live Like a Cop, Die Like a Man (1976), aka Uomini si nasce poliziotti si muore
  • The Lodger: A Story of the London Fog (1927)
  • Long Story Short (2021)
  • Macbeth (2025)
  • Marty (1955)
  • The Men of Sherwood Forest (1954)
  • Midsommar (2019)
  • Milano Calibro 9 (1972), aka Caliber 9
  • Mission: Impossible – The Final Reckoning (2025)
  • Mobile Suit Gundam (1981), aka Kidô senshi Gandamu
  • Mr Bean’s Holiday (2007)
  • Mr. Burton (2025)
  • Never Back Losers (1961)
  • Number Six (1962)
  • The Notebook (2004)
  • Once Upon a Time in Uganda (2021)
  • Out of Sight (1998)
  • Paddington in Peru (2024)
  • The Power of the Dog (2021)
  • Predator: Killer of Killers (2025)
  • Project A (1983), aka ‘A’ gai wak
  • A Real Pain (2024)
  • Rebel Without a Cause (1955)
  • Red Sonja (2025)
  • Revolver (1973)
  • The Road to Hong Kong (1962)
  • Róise & Frank (2022)
  • Run Lola Run (1998), aka Lola rennt
  • Saboteur (1942)
  • Saltburn (2023)
  • Le Samouraï (1967), aka The Samurai
  • Save the Last Dance (2001)
  • La Scorta (1993), aka The Escort
  • The Share Out (1962)
  • Sherlock Holmes and the Deadly Necklace (1962), aka Sherlock Holmes und das Halsband des Todes
  • Shoot First, Die Later (1974), aka Il poliziotto è marcio
  • Silver Blaze (1937), aka Murder at the Baskervilles
  • The Sinister Man (1961)
  • Sisu (2022)
  • The Six Triple Eight (2024)
  • Slap the Monster on Page One (1972), aka Sbatti il mostro in prima pagina
  • Somewhere in Time (1980)
  • Spartacus (1960)
  • Steamboat Bill, Jr. (1928)
  • Street Law (1974), aka Il cittadino si ribella
  • Superman (2025)
  • Ten Little Indians (1989)
  • Tenebrae (1982), aka Tenebre
  • The Thursday Murder Club (2025)
  • Time to Remember (1962)
  • The Tough Ones (1976), aka Roma a mano armata
  • Trancers (1984)
  • The Untouchables (1987)
  • Vendetta for the Saint (1969)
  • Wake Up Dead Man (2025)
  • The White Trap (1959)
  • The Wild Robot (2024)
  • The Wolf Man (1941)
  • The Wolfpack (2015)
  • Wolfshead: The Legend of Robin Hood (1973)
  • The Woman in Cabin 10 (2025)
The 100 Films Guide To…
  • The Man with the Golden Gun (1974)
Shorts
  • Book of Dragons (2011)
  • Dragons: Dawn of the Dragon Racers (2014)
  • Dragons: Gift of the Night Fury (2011)
  • Legend of the BoneKnapper Dragon (2010)
  • The Mermaid (1904), aka La sirène
28 Weeks Later

The Black Watch

Deadpool & Wolverine

Funeral in Berlin

Hardware

Intolerance

Juggernaut

KPop Demon Hunters

The Men of Sherwood Forest

Number Six

Project A

Saboteur

Save the Last Dance

Slap the Monster on Page One

The Thursday Murder Club

Vendetta for the Saint

The Wolfpack

Dragons: Gift of the Night Fury

.

Whichever I finish writing first: my December ‘failures’, or my favourite part of the year: statistics!

Wake Up Film Blog: A December 2025 Monthly Review

Wake Up Film Blog

I know it’s been a pretty sleepy year on the blog, with just the pair of monthly posts to keep things ticking over most every month — but it’s 2026 now, and that means it’s time for the annual extravaganza of posts looking back at the year just gone. Hurrah!

But first… well, I say “first”: the first year-in-review post has already happened. But the, uh, next first step is dedicated to summing up December.



This month’s viewing towards my yearly challenge

#95 The Men of Sherwood Forest (1954) — Failure #12
#96 Jay Kelly (2025) — New Film #12
#97 The Boss (1973) — Genre #10
#98 How to Train Your Dragon 2 3D (2014) — Rewatch #12
#99 Out of Sight (1998) — WDYMYHS #12
#100 Kiki’s Delivery Service (1989) — Blindspot #12


  • I watched seven feature films I’d never seen before in December.
  • Five of those counted towards my 100 Films in a Year Challenge, along with one rewatch.
  • That’s the third month of 2025 in which I failed to meet my minimum target of ten new films…
  • …but at least I completed my Challenge!
  • Having rewatched How to Train Your Dragon and a bunch of followup shorts back in May, I’d intended to immediately move on to its two feature-length sequels. 7½ months later… well, that’s not “immediately” by anyone’s standards. And I still only managed to find time for the first sequel — the third film (and, unfortunately, the Christmas-themed TV special that follows it) will have to come sometime in 2026. Hopefully not in another seven months, though.
  • This month’s Blindspot film was Hayao Miyazaki’s cosy witchy anime Kiki’s Delivery Service.
  • This month’s WDYMYHS film was Steven Soderbergh’s romantic heist thriller Out of Sight.
  • From last month’s “failures” I watched The Men of Sherwood Forest and Wake Up Dead Man.



The 127th Monthly Arbitrary Awards

Favourite Film of the Month
Like much of 2025, I wouldn’t say this was a bad month by any stretch, but nor did a great number of films stand out. That means Rian Johnson’s third murder mystery starring Daniel Craig as Benoit Blanc, Wake Up Dead Man, easily walks away with this by being very good indeed.

Least Favourite Film of the Month
Similarly, no truly bad films this month, so I’m left debating which of the 3-star efforts was the ‘worst’. Looking back at my Letterboxd diary, I actually gave 3.5 to two of them, which leaves Fernando Di Leo’s poliziotteschi The Boss the unfortunate loser. I didn’t dislike it, but I didn’t think it was as good as the other two films in Di Leo’s ‘milieu’ trilogy.


The 20th year of 100 Films begins!

But before that, a bunch of posts looking back at the 19th year.

100 Films in a Year Challenge 2025: Final Standing

As 2026 looms, here’s a record of how the challenge tracker page for 2025 looked at the end of the year — in a word: complete.

That makes this the second year in a row I’ve achieved my goal, after two years of failing to do so. Frankly, the most surprising thing about this is that I’m entering the fifth year of my new-style challenge — it still feels like I’ve only recently switched over. It was during the fifth year of the original challenge that I began the move to WordPress, the blog’s fourth home. It felt like I’d been doing this for so long at the time, but with hindsight, I was just getting started. Funny old thing, time, isn’t it?

Anyway, before I digress too far, here’s that list. As ever, more about all this in the days to come.


On this page, I’ll track my progress with The 100 Films in a Year Challenge. Learn more about the challenge here.

New Films

  1. Bank of Dave 2: The Loan Ranger (2025)
  2. Macbeth (2025)
  3. A Real Pain (2024)
  4. Havoc (2025)
  5. Mission: Impossible – The Final Reckoning (2025)
  6. Predator: Killer of Killers (2025)
  7. Heads of State (2025)
  8. The Thursday Murder Club (2025)
  9. KPop Demon Hunters (2025)
  10. The Woman in Cabin 10 (2025)
  11. Hedda (2025)
  12. Jay Kelly (2025)

Rewatches

  1. Oliver & Company (1988)
  2. Snake Eyes (1998)
  3. The Man with the Golden Gun (1974)
  4. How to Train Your Dragon [3D] (2010)
  5. Mission: Impossible – Dead Reckoning Part One (2023)
  6. 28 Days Later (2002)
  7. Stargate (1994)
  8. 7 Women and a Murder (2021)
  9. Bride of Frankenstein (1935)
  10. Monsieur Hulot’s Holiday (1953)
  11. Top Hat (1935)
  12. How to Train Your Dragon 2 [3D] (2014)

Blindspot

  1. Eraserhead (1977)
  2. Freaks (1932)
  3. Intolerance: Love’s Struggle Throughout the Ages (1916)
  4. Cat People (1942)
  5. The Graduate (1967)
  6. Saltburn (2023)
  7. The Notebook (2004)
  8. Girl, Interrupted (1998)
  9. Rebel Without a Cause (1955)
  10. Häxan (1922)
  11. Midsommar (2019)
  12. Kiki’s Delivery Service (1989)

What Do You Mean You Haven’t Seen…?

  1. Fist of Fury (1972)
  2. Steamboat Bill, Jr. (1928)
  3. The Lodger: A Story of the London Fog (1927)
  4. Saboteur (1942)
  5. Spartacus (1960)
  6. The Untouchables (1987)
  7. The Wolf Man (1941)
  8. Project A (1983)
  9. The City of Lost Children (1995)
  10. Tenebrae (1982)
  11. Le Samouraï (1967)
  12. Out of Sight (1998)

Failures

  1. Run Lola Run (1998)
  2. Róise & Frank (2022)
  3. Lifeforce (1985)
  4. The Black Watch (1929)
  5. Trancers (1984)
  6. Hardware (1990)
  7. The Invisible Swordsman (1970)
  8. Gwen and the Book of Sand (1985)
  9. An Aleutian Adventure (1920s)
  10. Crime Hunter: Bullets of Rage (1989)
  11. Superman (2025)
  12. The Men of Sherwood Forest (1954)

50 Unseen

  1. Anna Karenina (2012)
  2. Empire of Light (2022)
  3. Deadpool & Wolverine (2024)
  4. I Saw the TV Glow (2024)
  5. 28 Weeks Later (2007)
  6. Paddington in Peru (2024)
  7. The Power of the Dog (2021)
  8. The Wild Robot (2024)
  9. 9 (2009)
  10. Drive-Away Dolls (2024)

Genre: Poliziotteschi

  1. Milano Calibro 9 (1972)
  2. Revolver (1973)
  3. Illustrious Corpses (1976)
  4. Shoot First, Die Later (1974)
  5. Live Like a Cop, Die Like a Man (1976)
  6. The Italian Connection (1972)
  7. The Tough Ones (1976)
  8. Slap the Monster on Page One (1972)
  9. Street Law (1974)
  10. The Boss (1973)

Series Progression

  1. Ice Age: Collision Course (2016)
  2. Silver Blaze (1937)
  3. Never Back Losers (1961)
  4. The Sinister Man (1961)
  5. Kizumonogatari Part 2: Nekketsu (2016)
  6. Kizumonogatari Part 3: Reiketsu (2017)
  7. Funeral in Berlin (1966)
  8. Backfire! (1962)
  9. Candidate for Murder (1962)
  10. The Road to Hong Kong (1962)

Wildcards

  1. Death Goes to School (1953)
  2. The Six Triple Eight (2024)
  3. Vendetta for the Saint (1969)
  4. Long Story Short (2021)
  5. Grand Theft Hamlet (2024)
  6. Marty (1955)
  7. Sherlock Holmes and the Deadly Necklace (1962)
  8. Hooray for Hollywood (1976)
  9. Joe’s Bed-Stuy Barbershop: We Cut Heads (1983)
  10. Mobile Suit Gundam (1981)

The Dragonborn Monthly Review of November 2025

Another month, another title that doesn’t actually refer to my film viewing.

I point you in the direction of my September review, where I reported my good fortune in winning a Steam Deck. Well, in November I installed a little game called The Elder Scrolls V: Skyrim. I’d bought it on sale at some point due to its reputation, but actually started it up this month on a whim, half expecting to wander around a little bit, get said whim out of my system, and move on to something else.

Over 58 hours of playtime later — during which I’ve only progressed the main plot about as far as I have to* (i.e. getting out of the tutorial, plus a tiny bit more) — and, yeah, I think I’m in this for the long haul. For perspective: according to HowLongToBeat, if you do focus on the main story, the average completion time is about 27 hours; but there’s so much else to do in the game that there are recorded playtimes over 700 hours; and even the “all play styles” average is 130 hours. Even after 58 hours, I still feel like I’m very much just getting started.

* (Somewhat ironically, I haven’t actually got to the point where the adjective I’ve chosen for this post’s title comes into play; but I didn’t have any other decent ideas for references, so it is what it is.)

I certainly didn’t spend that many hours watching films this month, let me tell you. Although I didn’t shirk either, as you can learn in the viewing notes



This month’s viewing towards my yearly challenge

#88 Hedda (2025) — New Film #11
#89 Midsommar (2019) — Blindspot #11
#90 Superman (2025) — Failure #11
#91 Street Law (1974) — Genre #9
#92 Monsieur Hulot’s Holiday (1953) — Rewatch #10
#93 Le Samouraï (1967) — WDYMYHS #11
#94 Top Hat (1935) — Rewatch #11


  • I watched 12 feature films I’d never seen before in November.
  • Five of them counted towards my 100 Films in a Year Challenge, along with two rewatches.
  • The first-time-watches tally ties with June for the highest in 2025 (so far), but add in the rewatches and the total of 14 makes November the year’s largest month overall.
  • And one of those 12 was my 100th first-time watch of the year — that may not be my ‘official’ challenge anymore, but it still feels nice to hit that marker.
  • All the many Blu-rays and 4Ks I own and streamers I’m already subscribed to full of stuff I’ve been meaning to rewatch, sometimes for decades… and yet I signed back up to MUBI (albeit with a free trial) just to watch Monsieur Hulot’s Holiday, a film I didn’t even like when I watched it 20-odd years ago. Big sigh. But that was the point of me rewatching it, of course — to reassess — and sometimes the itch you get is the one you’ve got to scratch, y’know?
  • This month’s Blindspot film was Ari Aster’s folk horror Midsommar, watched right near the start of the month so it still kinda tied in with Halloween.
  • This month’s WDYMYHS film was the one that inspired the category’s theme this year, Le Samouraï. For that reason, I’d been intending to save it ’til last; but, for various other reasons I shan’t bore you with, it felt like it made more sense to watch it now and leave the other outstanding film for December.
  • From last month’s “failures” I watched Superman.



The 126th Monthly Arbitrary Awards

Favourite Film of the Month
Looking back over this month’s first-time watches — both the five listed above and the other seven (nowadays the best place to see my whole month-by-month viewing is Letterboxd) — and there’s a lot I liked, a lot I have down as 4 stars, but not a lot I loved. Perhaps the closest to nudging up an extra half-star was Le Samouraï, which had the misfortune of coming with high expectations. It didn’t completely fail to live up to them, but perhaps the burden was still unfairly great.

Least Favourite Film of the Month
This is, unfortunately, a little easier. Clocking in as the biggest disappointment of the month was the new Red Sonja. Now, given its production and release history (i.e. incredibly low-key and minor), I was expecting it to be poor. But I enjoyed the ’80s movie (even if, yeah, it’s not actually good either) and I’ve been vaguely following the existence of this remake/re-do for years (and it has been in the offing for years), hoping it would wind up with some talent behind it and manage to fill the gap between the previous version’s potential and its actual achievements. Even when it became clear that it didn’t have the backing for that to happen, I hoped it might at least be another flawed-but-fun run at the material. But no, it’s simply not very good, sadly. There are ways it could have been even worse, and there are ways it’s not bad, but that really is damning with faint praise, isn’t it?


Last year I entered December on #93 and went on to complete my Challenge for the first time since I rejigged it in 2022. This year, I go in on #94… but complacency breeds failure, so I’m still going to try and get those final six films crossed off with relative haste. In 2024 I got to #100 on the 21st, and while I’m not aiming to beat that just for the sake of beating it, getting there even earlier wouldn’t hurt.

The Aramánian Monthly Review of October 2025

The much-anticipated (if you move in circles that anticipate such things) fourth Critical Role campaign started this month, with a quartet of ‘overture’ episodes that set the scene for a different-feeling but hopefully-epic new adventure — or set of adventures, with three groups in play. It felt like watching the start of something like The Wire or Game of Thrones, in the best possible way. If you’ve ever been curious but never started, it’s a great time to dive in… so long as you can find 18 hours a month for it, that is.

Despite all of that (including staying up overnight twice to watch episodes as they premiered), I still found time for enough films to keep my Challenge on track. Indeed, I head into November the furthest ahead I’ve ever been in the new-style Challenge era…



This month’s viewing towards my yearly challenge

#81 The Tough Ones (1976) — Genre #7
#82 The Woman in Cabin 10 (2025) — New Film #10
#83 Bride of Frankenstein (1935) — Rewatch #9
#84 Crime Hunter: Bullets of Rage (1989) — Failure #10
#85 Slap the Monster on Page One (1972) — Genre #8
#86 Tenebrae (1982) — WDYMYHS #10
#87 Häxan (1922) — Blindspot #10


  • I watched ten feature films I’d never seen before in October.
  • That’s the sixth month this year to land on exactly ten new films, but the first since May.
  • Six of them counted towards my 100 Films in a Year Challenge, along with one rewatch.
  • This month’s Blindspot and WDYMYHS films — silent witchcraft documentary Häxan and Dario Argento giallo Tenebrae, respectively — were ones I’ve been saving most of the year to watch around Halloween. They didn’t make the lists for that reason, but it was a fortunate side effect. In the end, my schedule meant I watched them as a double-bill on the night itself — kinda perfect, really
  • I’ve also been saving Midsommar for the same reason. At one point I was aiming to watch all three in the run-up to Halloween, sacrificing the intended ‘one per month’ structure for seasonal appropriateness; but then I realised that, with Halloween falling on a Friday, the first weekend of November is also Halloween-y — so I could both watch one a month, as intended, and watch them all at Halloween. Now I just need to make sure I actually do that today or tomorrow…
  • From last month’s “failures” I watched Crime Hunter: Bullets of Rage.



The 125th Monthly Arbitrary Awards

Favourite Film of the Month
Widely regarded as one of Dario Argento’s best, Tenebrae mostly lives up to that hype. I’m not convinced the plot entirely hangs together, but the sheer abundance of gorgeous style is enough to carry it.

Least Favourite Film of the Month
While I didn’t outright dislike it, The Woman in Cabin 10 is a by-the-numbers holiday-paperback of a thriller.


2025 races toward its conclusion! There are 13 films remaining to complete my Challenge, which should feel surmountable (the end felt comfortable last year, and I had 15 left at this point), but so much of this year has raced by, and the state of my calendar makes it feel like Christmas is the day after tomorrow… Well, I can but try.

The Steamy Monthly Review of September 2025

Ooh, saucy…

Nah, actually. The title was inspired by this turn of events: I recently won a Steam Deck (yep, won — lucky me!), and have consequently spent a disproportionate amount of my free time playing around with it, and generally getting back into gaming along with it. I imagine at some point the shine of newness will wear off, though hopefully not entirely because I’ve gone a bit crazy with buying stuff to play. Brand-new high-profile titles are insanely expensive nowadays, as the gaming media will often harp on about, but older games and indie titles regularly go for insanely low prices — which is great if you’re catching up on the past 20-ish years of the medium… though it does lead to your library bulging pretty quickly. Or it does if you’re me.

Anyway, naturally there was a knock-on effect on my film viewing. Not disastrous, but it does mean I failed to achieve ten first-time watches for the second time this year. Well, next month is always a fresh chance to start a new run.



This month’s viewing towards my yearly challenge

#73 7 Women and a Murder (2021) — Rewatch #8
#74 KPop Demon Hunters (2025) — New Film #9
#75 An Aleutian Adventure (1920s) — Failure #9
#76 The Italian Connection (1972) — Genre #6
#77 Rebel Without a Cause (1977) — Blindspot #9
#78 9 (2009) — 50 Unseen #9
#79 The City of Lost Children (1995) — WDYMYHS #9
#80 Drive-Away Dolls (2025) — 50 Unseen #10


  • I watched eight feature films I’d never seen before in September.
  • Seven of them counted towards my 100 Films in a Year Challenge, along with one rewatch.
  • I remain ahead of pace for the year (to be at pace, September would end on #74), though the “whole month ahead” lead I had back in March, May and June is definitively over for the year (I would’ve needed to get to #83 to achieve it this month).
  • I say “definitively” because of the limitations on certain categories: there are five that should feature every month, meaning the highest point I could end October is #90, and pace for the end of November is #91.
  • Of course, as I mentioned in the intro, I didn’t hit my monthly target of ten first-time watches, so it’s not all sunshine and roses.
  • The Italian Connection is the second film in director Fernando Di Leo’s Milieu trilogy. Its predecessor, Milano Calibro 9, was the first film I watched for this year’s Genre category. I’ll give you one guess which film I’ve got earmarked to include among the remaining four Genre films…
  • I’d owned 9 on Blu-ray for 15 years, never played, before I finally watched it this month. I’m ridiculous like that — 9 is far from alone in suffering such a fate. And it might have stayed unplayed and mostly forgotten (as I’m sure many other things are, especially titles on DVD), were it not for it being on one of my 50 Unseen lists, which means it gets brought to mind every now and then, whenever I peruse that catalogue of failures for something to belatedly watch. I don’t watch as many of those as I’d like nowadays, but they’re still a useful reminder.
  • Talking of 50 Unseen, I finished that category this month. The final tally sees half of the films coming from last year and half from years before that. Seems like a pretty good balance to me.
  • This month’s Blindspot film was ’50s teen classic Rebel Without a Cause.
  • This month’s WDYMYHS film was dark steampunk fairytale The City of Lost Children.
  • When I decided to watch The City of Lost Children, I thought how it was nice that for once I was watching a disc I’d only bought relatively recently. Then I looked it up and discovered I purchased it 2½ years ago. Oh well.
  • From last month’s “failures” I watched An Aleutian Adventure and KPop Demon Hunters.



The 124th Monthly Arbitrary Awards

Favourite Film of the Month
Last weekend came in swinging here: September had been an above-adequate (no bad films) but unexceptional month (like much of 2025 has been — my 5-star list is looking very thin), but then I watched a trio of films that impressed me mightily. Of those, my pick is probably Rebel Without a Cause. I thought I knew what it was going to be, and it wasn’t; not exactly. Also, James Dean really was very good.

Least Favourite Film of the Month
This feels harsh — as this category sometimes does by its very nature (I’m not going to go out of my way to watch one certified-awful film every month just to guarantee a ‘winner’) — because 9 actually has some very strong points… it just drops the ball on some of the fundamentals underpinning those, and thus is the least-good film I watched this month.


It’s creepy and it’s kooky, mysterious and spooky, it’s all together ooky… and yet it’s all just because of one day right at the end. Any excuse, I guess. Certainly, I’ve got a few horror and horror-adjacent films lined up to try to watch in October, and maybe I’ll focus on finding some more too.

The August Monthly Review Club

August has been a funny old month. On one hand, it’s felt like there’s been no time to get anything done — just like every month nowadays, really. But on the other, it seemed very long — it feels like ages since I wrote the July monthly review.

In a similar vein, whereas I struggled (and ultimately failed) to hit my viewing targets in July, I made it past ten new films this month without even particularly trying. Considering I’ve both been extra busy at work and had a host of other options and distractions taking up my free time — some of them excitingly new, as well as the old favourites — it’s a minor miracle. Indeed, I’d basically written off getting to ten films this month (once you’ve failed once, what does failing again the month after matter, eh?), only to succeed regardless. Wonders will literally never cease.

As for how this month’s viewing translates specifically to my Challenge… read on.



This month’s viewing towards my yearly challenge

#65 Candidate for Murder (1962) — Series Progression #9
#66 The Power of the Dog (2021) — 50 Unseen #7
#67 Gwen and the Book of Sand (1985) — Failure #8
#68 Girl, Interrupted (1999) — Blindspot #8
#69 The Road to Hong Kong (1962) — Series Progression #10
#70 The Thursday Murder Club (2025) — New Film #8
#71 Project A (1983) — WDYMYHS #8
#72 The Wild Robot (2024) — 50 Unseen #8


  • I watched 11 feature films I’d never seen before in August.
  • Eight of them counted towards my 100 Films in a Year Challenge.
  • No rewatches this month, which is a shame as I’m meant to get in at least one a month. Still, it’s not the first time I’ve had to catch up on them this year, so, y’know, these things happen. (Should I be injecting more fake jeopardy into my commentary when I fail like this?)
  • I needed to get to #74 to be a whole month ahead of pace again. Obviously that didn’t happen, but I’m still six films in the clear, which is a nice buffer.
  • Part of that included finishing off the Series Progression category for 2025. 40% of the qualifying films this year came from the Edgar Wallace Mysteries series of British crime B-movies, which is perhaps more than I’d’ve liked (I’ve got so many series on the go, I’d appreciate the incentive to progress some others). That said, it was almost worse: it was set to be 50%, but then I watched something else that counted…
  • To wit: I finally finished the Bing Crosby/Bob Hope ‘Road To’ series. I watched my first of those back in 2007 — this blog’s very first year. And that’s why I like (or need) a tangible incentive to get on with these things.
  • Speaking of tangible incentives, this month’s Blindspot film was the gender-bent remake of One Flew Over the Cuckoo’s Nest (okay, that’s a tad harsh, and it’s not literally that… but it certainly feels like it in places), Girl, Interrupted.
  • This month’s WDYMYHS film was Jackie Chan’s piratical actioner Project A.
  • From last month’s “failures” I watched Gwen and the Book of Sand.



The 123rd Monthly Arbitrary Awards

Favourite Film of the Month
I’m struggling for standout films this year — it’s been one of those years where you begin to think, “have I just seen all the great films already?” The closest I’ve come to having my faith restored is this month’s favourite pick, cosy sci-fi animation The Wild Robot.

Least Favourite Film of the Month
Greatness may be in short supply, but there’s also nothing terrible this month — although there was plenty of mediocrity. I don’t know if it was the outright worst film I saw, but the biggest letdown was The Thursday Murder Club. So much potential, and it got some of it right, but some poor adaptation decision scuppered the overall effect.


The year’s final third begins. It’ll be Christmas before we know it…