It’s the Final Countdown: The Concluding Monthly Review of December 2021

As mentioned last month, this post represents the end of 100 Films in a Year.

Er, except for all the end-of-year wrap-ups I need to do (did you think I’d leave you without an annual stats post? Perish the thought!)

But after that… the end? Really? Or is it…

Change, my dear. And it seems, not a moment too soon.

But let’s put that aside for, ooh, a couple of days, and instead look back at the final month of 2021…


#188 Home Sweet Home Alone (2021)
#189 Spiral: From the Book of Saw (2021)
#190 Falling for Figaro (2020)
#191 Gremlins (1984)
#192 Anna and the Apocalypse (2017)
#193 Pather Panchali (1955)
#194 Black Widow 3D (2021)
#195 Tokyo Godfathers (2003), aka Tôkyô goddofâzâzu
#196 Happiest Season (2020)
#197 Zatoichi’s Conspiracy (1973), aka Shin Zatôichi monogatari: Kasama no chimatsuri
#198 Dreamcatcher (2003)
#199 Jingle All the Way (1996)
#200 The Final Countdown (1980)
#201 A Christmas Story (1983)
#202 The Matrix Resurrections (2021)
#203 A Boy Called Christmas (2021)
#204 Last Train to Christmas (2021)
#205 The Bishop’s Wife (1947)
#206 A Study in Scarlet (1933)
#207 23 Walks (2020)
Anna and the Apocalypse

Happiest Season

The Matrix Resurrections

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  • I watched 20 feature films I’d never seen before in December.
  • And that’s the first 20-film December — the final month to hit that milestone! It’s funny it’s worked out that way, because there was a 19-film December all the way back in 2008, at which time it was the second highest ever month, a title it held for seven years, and yet it’s taken three years beyond every other month (the last to crack 20 for the first time was November in 2018). Well, I got there just in time.
  • In terms of monthly averages, it surpasses the lot: December’s (previously 11.1, now 11.7), the rolling average of the last 12 months (previously 16.4, now 17.25), and the average for 2021 (previously 17.0, now finalised at 17.25).
  • As for the year, ending on #207 makes 2021 my fourth year ever to pass 200 films; and, as I did it in 2020 too, that’s the first time I’ve done it two years in a row.
  • Overall, it’s my third highest year ever. (I would’ve needed to make it to #261 for second place.)
  • See the Arbies for more on specific films, including #200 itself.
  • With Zatoichi’s Conspiracy, I’ve finally completed Criterion’s box set of the series. It’s taken longer than expected: I’ve gone from watching one Zatoichi a month (at my height of getting through them in 2018 and ’19) to more like one per year. Although that’s the end of the original film series, I’ve still got a few stragglers to go (a revival movie and three continuations/reboots). Hopefully they won’t take me until 2025…
  • I had two Blindspot films to watch this month to complete my challenge for 2021. I watched one, Satyajit Ray’s enduringly acclaimed depiction of a rural Indian childhood, Pather Panchali. The other was Come and See. I did plan to watch it — I set aside an evening and everything — but then… I just didn’t feel like it. I’ve been in a generally Christmassy mood this December, and it didn’t fit with that to spend two-and-a-half hours watching a film whose own blurb advertises it as “a senses-shattering plunge into the dehumanising horrors of war.” I mean, what could sound less festive than “a waking nightmare of unimaginable carnage and cruelty”? So, yeah, the second greatest film ever made can wait ’til another day.
  • From last month’s “failures” I watched Black Widow, A Boy Called Christmas, and Home Sweet Home Alone.



The 79th Monthly Arbitrary Awards

Favourite Film of the Month
It’s proven divisive with critics and audiences alike, but I’m firmly in the camp that loved The Matrix Resurrections. Expect it to feature highly on my forthcoming “best of year” list.

Least Favourite Film of the Month
It was an enjoyable month overall (there’s a couple of likely 5s in the list), but duds crept in nonetheless, especially when trying to pack in the Christmas films. Perhaps the most disappointing was Home Sweet Home Alone. Some people would say predictably so, but I was open to the prospect of a remake. Unfortunately, this particular one fudges the fundamental conceit. Ho hum.

Most Christmassy Film of the Month
I don’t normally watch many Christmas films over the festive period. It’s not that I’m averse to them (far from it), I just don’t make a particular effort — and, as December is a time when I often am making a particular effort to round out some goal or other, other things can fall by the wayside. Well, this year I did put some effort into it, and — while I didn’t come close to completing the shortlist of 30 specific Christmas films I drew up — I did watch 10 festive films, which is a lot more than the two or three I usually manage. Of those, I reckon the most Christmassy of all was Happiest Season. I mean, what could be more Christmassy than a mix of festivities and familial awkwardness?

Most “I Only Chose to Watch It Because of the Title” Film of the Month
Regular readers will know I like to choose films that are somehow significant for my milestone numbers. My first-ever #100 was Citizen Kane, for example, and others have included Lawrence of Arabia, The Story of Film: An Odyssey, Stalker, Sholay, and, this year, Cinema Paradiso. So for 2021’s #200, I had to pick something befitting my last-ever (sort of) milestone movie. While not a particularly noteworthy film in itself, The Final Countdown seemed a thoroughly apt title.

The Audience Award for Most-Viewed New Post of the Month
With just two new posts in December (and one of those only a brief Christmas message), let’s once again ignore their fate and see which was the most popular post overall. And this month it was… a tie! And a seasonal one at that, because the joint victors were The Past Christmas on TV and The Past Christmas on TV! Er, that’s the 2018 and 2019 editions, respectively. You might think the 2020 one was close behind… but you’d be wrong: for whatever reason, while those two topped the charts, last year’s Christmas TV post was way down at 25th. Not sure what’s going on there, but my referrals from IMDb suggest the elder posts’ victories may be due to a new series of Vienna Blood (I reviewed the first in the 2019 post) and Christmassy one-off Click & Collect, which I noticed popped up on Netflix this month (and I mentioned in the 2018 column).


To make my goal of 50 rewatches this year, I would’ve had to (re)watch 18 films this month. Considering my average for 2021 to the end of November was 2.9 rewatches a month, that didn’t seem particularly likely…

#33 Elf (2003)

Yeah, of course it didn’t happen. I didn’t even reach that average again (it ends up at 2.75 rewatches per month).

As for Elf, I enjoyed it more on this, my second viewing, when I was free from any hope of, say, well-executed character arcs (one of the main things I criticised it for in my above-linked review) and so just enjoyed the holiday hijinks.


Despite setting a new December record, my failures were as multitudinous as ever. My most noteworthy oversight from the big screen has to be Spider-Man: No Way Home, but there was also Steven Spielberg’s remake of West Side Story and prequel The King’s Man, plus films with smaller releases that have nonetheless been much-discussed in cinephile circles, like C’mon C’mon, Lamb, and Titane. Also, Clifford the Big Red Dog. Hm.

There were similar big guns on the streamers, including forthcoming awards season contenders The Power of the Dog and The Lost Daughter on Netflix, plus other originals like Don’t Look Up, The Unforgivable, and Death to 2021 — though, after not much enjoying Death to 2020, I think I’ll skip its Charlie Brooker-less sequel. Over on Prime Video, there was a belated UK bow for Guy Ritchie’s Wrath of Man, plus Aaron Sorkin’s Being the Ricardos and sci-fi Encounter. And talking of Charlie Brooker and sci-fi, Apple TV+ offered the Black Mirror-esque Swan Song.

Sky Cinema’s originals were mostly Christmassy: as well as the ones I watched, they debuted the likes of 8-Bit Christmas and A Christmas Number One. Also this month, they’ve had Lin-Manuel Miranda musical In the Heights, plus a couple of things that I (annoyingly) bought on disc but haven’t watched yet, like Another Round and The Suicide Squad. Of course, Netflix and Amazon threw up a bunch of back catalogue stuff too, but, looking back over my long-lists, little jumps out at me as being worthy of particular note. That said, if you’ve not seen it, Netflix now has my #1 film of 2020, Never Rarely Sometimes Always. And, as well as meaning to catch Spielberg’s remake, I’d also like to make time to rewatch the original West Side Story, which is streaming on both Prime and iPlayer now.

Once again taking advantage of not having to worry about licensing windows, Disney+ offered up early streaming debuts for their latest ‘animated classic’, Encanto, plus Ridley Scott’s The Last Duel, which seemed a bit gruelling for Christmastime viewing. The latter is getting a belated, limited release on 4K Blu-ray in the UK at the end of January, which I’ve preordered, but I should probably find the time to watch it on D+ first — if I don’t like it, it’ll save me a few bob.

And talking of things I’ve bought, that certainly didn’t slow down in December. As is always the case at this time of year, there were multiple big box sets, like folk horror collection All the Haunts Be Ours (encompassing a whopping 22 feature films and 14 shorts), or Arrow’s kung fu collection, Shawscope: Volume One (another 12 features. Vol.2 is due in June), or Indicator’s Mae West box set (another 11 films, plus a TV movie biopic), or the limited edition of Cartoon Saloon’s Irish Folklore Trilogy (including the only disc release ever planned for Apple TV+ exclusive Wolfwalkers), or The Film Detective’s Sherlock Holmes Vault Collection (I actually watched one of those! See #206).

Also in a ludicrously oversized box was StudioCanal’s 4K release of Mulholland Drive. Considering said box was (a) a weird size and (b) mostly full of air, I think there must’ve been some crossed wires in manufacturing. Similarly joining my 4K rewatch pile were Breathless, My Fair Lady, No Time to Die (a popular Christmas present, based on it becoming a Twitter trending topic on the 25th), Criterion’s edition of Citizen Kane (with dodgy 1080p disc), and Vinegar Syndrome’s 4K/3D edition of Flesh for Frankenstein (with dodgy 4K disc). Also Millennium Actress, part of a frankly excessive haul I ordered from All the Anime’s Christmas sale. Said indulgence also included regular Blu-rays of Birthday Wonderland, The Dragon Dentist, Jin-Roh, Mind Game, Night is Short, Walk on Girl, Promare, and Ride Your Wave. Not heard of some of those? Me either, to be honest — I got one of their mystery boxes. Still, it all looks interesting.

That’s not even all (I could name another dozen things I bought), but, honestly, it’s more than enough. I’ve once again tried to keep this section brief and to the point, and it’s once again about as long as the entire rest of the monthly review combined. Is it worth giving it its own post each month in 2022? Something to consider…


…but the moment has been prepared for.

The “Thank God That’s Over” Monthly Review of December 2020

Yes, the rumours are true: 2020 is finally over! Though if you think 2021 is going to be significantly better, you haven’t been watching the news. But hey, there’s 12 whole months of it to come — maybe it’ll improve, like, halfway through?

Anyway, we’ll leave worries of the future for later. Right now, it’s time to kick off my annual look back at the year just gone. Yeah, I’m going to spend the next week or so reliving 2020 — but don’t worry, it’ll be limited to my film viewing (like, y’know, it always is).

The headline news is my final total: 264 feature films I’d never seen before, which sneaks past 2018’s tally of 261 to be my biggest year ever! Plus, as I wrote about earlier this month, if you combine that with my Rewatchathon total (46) then I’ve passed 300 features once again. Throw in my shorts too (a whopping 65 this year) and I can claim a final total of 375 films. Whew!

More lists and stats and whatnot about that in the days to come. First: focusing in on the last twelfth of the year, aka December.


#255 Klaus (2019)
#256 Agatha and the Midnight Murders (2020)
#257 Lovers Rock (2020), aka Small Axe: Lovers Rock
#258 The Christmas Chronicles: Part Two (2020)
#259 Soul (2020)
#260 Tenet (2020)
#261 Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017)
#262 Under the Skin (2013)
#263 Minions 3D (2015)
#264 Death to 2020 (2020)
Soul

Tenet

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  • I watched 10 new feature films in December.
  • On the downside, that makes it my smallest month of 2020. On the bright side, it means I’ve achieved my goal of watching at least ten new films every month (something I failed in 2019).
  • It’s below my December average, though (previously 11.2, now 11.1).
  • It means the monthly average for 2020 is finalised at exactly 22.0. That’s down from 23.1 at the end of last month, but is my highest yearly total ever (it has to be — I’ve watched more films than ever; that’s how it works).
  • But it does mean December remains the only month of the year never to have reached the 20-film mark. Maybe next year.
  • Talking of long-term goals, for a while now I’ve been tracking the dates on which I’ve never watched a film during the lifetime of this blog. You’d think after doing it for 14 days I’d’ve hit every date at least once, but that’s not the case: still missing were January 5th, May 23rd, and December 22nd. Despite knowing about those for a couple of years, I keep forgetting at the right time and so miss them; and this year I again forgot all about the December date until after the fact… but I’d happened to watch a film that evening anyway. Hurrah! Maybe I’ll finally hit the other two in 2021.
  • This month’s Blindspot film was arty sci-fi Under the Skin. That means I’ve completed the challenge, although I didn’t get through all my overflow films, sadly.
  • From last month’s “failures” I watched The Christmas Chronicles 2 and Lovers Rock.



The 67th Monthly Arbitrary Awards

Favourite Film of the Month
A couple of very enjoyable films this month, not least the latest from Pixar and Christopher Nolan (yes, I’m in the “Tenet was good” camp), but, in a Christmassy spirit, I’m giving this to the gorgeously-animated Netflix original, Klaus.

Least Favourite Film of the Month
For some it was the film of the year (it topped Sight & Sound’s poll and placed in Empire’s top ten, among others), but I thought the second Small Axe film, Lovers Rock, was a dull slog.

Best Double Entendre of the Month
Patting myself on the back for this one, but I was particularly pleased with my Letterboxd description of Under the Skin as Scarlett Johansson’s Twin Peaks — because it’s abstruse and meditative sci-fi like David Lynch’s TV series, and also boobies.

Best Re-use of Music of the Month
There are many reasons to look down on Minions, but the Minionisation of various classic pop and rock tunes is surprisingly entertaining.

The Audience Award for Most-Viewed New Post of the Month
For the fifth and final time this year, my most-read post was my monthly TV column. (The highest film-related post was my Christmas review roundup.)



I didn’t find as much time for film viewing in December as I would’ve liked; and so, as the month drew to an end, I decided to prioritise my goal of watching a minimum of ten new films a month over my Rewatchathon target. That means I’ve failed to reach 50 rewatches for a second year in a row — but last year I only made it to 29, so at least I got a lot closer this time…

#45 Die Hard (1988)
#46 Presto (2018)

I watched Die Hard on Christmas Eve Eve — because, y’know, it’s a Christmas movie. It’s still a great film, whatever time of year you choose to watch it.

As for Presto, it is, of course, a short film, so I probably shouldn’t count it as a whole number (I don’t on my main list). But, hey, I make the rules around here, and as my chances of making #50 by honest means didn’t look great, I wanted to count everything I could. Besides, the point of the Rewatchathon is to make me rewatch stuff, and I’ve been meaning to rewatch Presto for years.


If I’d found the time to watch more films this month, I would have loved to make space for David Fincher’s latest, Mank, on Netflix; and the new animation from Cartoon Saloon, Wolfwalkers, on Apple TV+. They’re top of my watchlist for January.

Other new releases for December included the surprisingly-controversial Wonder Woman 1984 (its UK digital release is in a couple of weeks, but I’ll probably just wait for the Blu-ray); and, all on Netflix, awards contender Ma Rainey’s Black Bottom, George Clooney sci-fi The Midnight Sky, lambasted musical The Prom, and Robert Rodriguez’s surprise spinoff from The Adventures of Sharkboy and Lavagirl, We Can Be Heroes. Steve McQueen’s Small Axe series finished up on the BBC and iPlayer, with the fourth and fifth episodes/films, Alex Wheatle and Education. Meanwhile, the best Amazon could manage was A Christmas Gift for Bob, an unexpected sequel to that movie about a cat or whatever (I dunno, I’m not a cat person).

In terms of not-new streaming additions, those catching my eye on Netflix included Jessica Chastain actioner Ava, Saoirse Ronan and Margot Robbie facing off in Mary Queen of Scots, Hugh Jackman political drama The Front Runner, and Robert Zemeckis’s Welcome to Marwen; plus Wild Rose, though that’s just jumped over from Amazon Prime. Netflix also added a bunch of stuff on December 31st, but I haven’t had time to go through that lot yet, so I’ll roll them into next month’s failures (or maybe I’ll even watch th— hahaha, no I won’t). Amazon added Greta Gerwig in Frances Ha, while iPlayer has a speedy debut for Monsoon starring Henry Golding.

Finally, I had another ridiculous haul of new Blu-rays this month. Highlights include Arrow’s 4K releases of Cinema Paradiso, Crash (both now contenders for 2021’s Blindspot list), and Tremors, plus their release of Japanese zombie actioner Versus; Indicator’s new edition of Roadgames (which I loved when I watched the Australian Blu-ray back in 2016), plus neo-noir Devil in a Blue Dress; a pair of Samuel Fuller titles from Eureka, Hell and High Water and House of Bamboo; and All The Anime’s 4K release of Makoto Shinkai’s Weathering With You, plus their new edition of his 5 Centimeters Per Second. If that wasn’t enough, there were 13 (yes, 13) more titles, mostly from sales — including the BFI’s 18-film Werner Herzog box set. Now I just need to get better at actually watching this stuff…


A new year begins. But first, there’s a lot more looking back at 2020 to be done. Stay tuned.

The Whimper-Not-a-Bang Monthly Review of December 2019

Happy New Year, dear readers. In fact, Happy New Decade!

Well, kinda. Yeah, sure, technically it isn’t, but when people talk about “the 2010s” they’re going to mean “2010–2019” and when they talk about “the 2020s” they’re going to mean “2020–2029”, so…

Anyway, as usual I’m going to spend the first week (give or take) of this new year looking back at the old one. I already started that in my Christmas Day post — which contained the kind of thing I’d normally be writing about here, so now might be an appropriate time to read that if you haven’t already.

Otherwise, onwards to my final monthly review of the decade…


#147 Star Wars: The Rise of Skywalker (2019)
#148 Eighth Grade (2018)
#149 Brightburn (2019)
#150 Agatha and the Curse of Ishtar (2019)
#151 Death on the Nile (1978)


  • So, I watched five new feature films in December.
  • The last of those came on New Year’s Eve, granting December a last-minute reprieve from being in my bottom 10% of months ever, and also from being one of my lowest months of 2019. Instead, that (dis)honour is shared by June and October.
  • 2019 was the first year since 2014 that any month tallied fewer than 10 films — and, with December now included among them, in total there were five such months.
  • That finalises the monthly average for 2019 as 12.58, which obviously December was well below.
  • It was also below the rolling average for the last 12 months (previously 13.3, now… 12.6, of course), and the average for December itself (previously 11.7, now 11.2).
  • There’ll be more on where this puts 2019 in relation to previous years in my annual statistics post, later in the week.
  • Nothing from Blindspot nor WDYMYHS again this month, meaning I got nowhere near completing either. Oh dear. But I did watch 17 films between the two this year, which is a better result than if I’d only been doing one of those challenges, so that’s good.
  • From last month’s “failures” I watched Brightburn and Eighth Grade.



The 55th Monthly Arbitrary Awards

Favourite Film of the Month
Well, this is easy-peasy. Of the five films I watched, four scored 3 stars. The other was Eighth Grade, which gets a full 5.

Least Favourite Film of the Month
I watched some distinctly middle-of-the-road films this month, but plain old mediocrity is nothing in the face of the disappointment that was Star Wars: The Rise of Skywalker.

The Audience Award for Most-Viewed New Post of the Month
I only made four posts in December, and only one of those was an opening-weekend review of a highly-anticipated, much-talked-about final film in a 42-year-old ultra-popular franchise, so it should surprise no one that Star Wars: The Rise of Skywalker is the victor here.



I’d’ve had to rewatch 24 films in December to reach my goal of 50 for 2019. No surprise, that didn’t happen. But I did watch a few, at least.

#27 The Lord of the Rings: The Fellowship of the Ring – Extended Edition (2001/2002)
#28 The Lord of the Rings: The Two Towers – Extended Edition (2002/2003)
#29 The Lord of the Rings: The Return of the King – Extended Edition (2003/2004)

That’s the first time I’ve watched The Lord of the Rings since I started doing Rewatchathons. They’re still great.

And so my 2019 Rewatchathon ends on #29 — far lower than intended, but it’s better than 0, and that’s really the point.


The streamers seem to have gone absolutely bloody mental with new additions this month — Netflix could boast 87 additions yesterday alone, while literally thousands of films poured onto Amazon’s Prime Video across the month… at least according to the site I use to track it. In reality, a lot of the stuff that picked up as ‘new’ was already available (for some reason it seems much harder to track what’s new on Amazon than Netflix). Whatever — I didn’t watch any of them, so everything worthy of note pops up down here in my failures.

But before I get onto rattling off those titles, some comparatively short lists. Like for the cinema, where I missed what’s supposed to be one of the best films of the year, and another that’s supposed to be one of the worst. Those are Little Women and Cats, respectively. One I’ll surely pounce on when it hits disc is sequel/threequel/fourquel (depending how you want to count it) Jumanji: The Next Level, which is hopefully a bit of fun (I’ve not really read any reviews of that one).

Speaking of discs, a mix of new purchases and Christmas presents bulked out my to-watch list this month. The single biggest addition was Criterion’s Godzilla box set, with its 15 giant monster movies. I also got my mitts on their release of the Koker trilogy. Further catalogue additions came via Master of Cinema’s release of A Fistful of Dynamite and Arrow’s of The Exorcist III, while newer titles included Anna and the Apocalypse, Happy Death Day 2U, and Men in Black: International (it was on offer). This month’s discs were rounded out by a trio of rewatchers: Toy Story 4 (in 3D!), Deadwood: The Movie (without the much-desired deleted scenes), and miniseries From the Earth to the Moon (in its controversial HD restoration).

So, we return to Netflix and Amazon. The former had a few high-profile originals this month: possible awards contenders Marriage Story and The Two Popes, plus Michael Bay’s latest, 6 Underground. Some other 2019 releases I’ve yet to see elsewise also cropped up, including the new Hellboy, Missing Link, Mrs. Lowry & Son, Fighting with My Family, A Private War, and Mid90s. Amazon didn’t have any brand-new titles to brag about, but they did have some similarly recent acquisitions, including Wild Rose, Fisherman’s Friends, and Horrible Histories: The Movie. As for older titles popping up… well, there were many, but select ones of note across both services included Roman J. Israel, Esq. (with its Oscar-nominated turn from Denzel Washington), The Rover, The Breadwinner (moving from Amazon to Netflix), the original Benji, Blackfish, Young Mr. Lincoln, and The Great Escape (that’s right, I’ve never seen The Great Escape).

I’m gonna need to start watching considerably more films again to even touch the sides of that lot.


After I’ve done my usual array of posts analysing 2019, it’ll be on to 2020 — my 14th year. And it’s entirely possible it’ll be the year I reach #2000…

The Tercentenary Monthly Update for December 2018

This year, I watched over 300 films… just not if you count by my usual rules. I wrote about that earlier this month, so I won’t rehash it all here; but to update the numbers: my final tally of new films is 261, plus 50 in my Rewatchathon, and 8 short films to boot. Add all that up and you’ve got 319.


#248 The Christmas Chronicles (2018)
#249 Torment (1944), aka Hets
#250 Sorry to Bother You (2018)
#251 Snowpiercer (2013)
#252 Mowgli: Legend of the Jungle (2018)
#253 Light the Fuse… Sartana is Coming (1970), aka Una nuvola di polvere… un grido di morte… arriva Sartana
#254 Spider-Man: Into the Spider-Verse (2018)
#255 Music in Darkness (1948), aka Musik i mörker
#256 The Shape of Water (2017)
#257 Zatoichi the Outlaw (1967), aka Zatôichi rôyaburi
#258 The Man Who Invented Christmas (2017)
#259 Hachi: A Dog’s Tale (2009)
#260 A Christmas Carol (2018)
#261 Black Mirror: Bandersnatch (2018)
Snowpiercer

Spider-Man: Into the Spider-Verse

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  • I watched 14 new films this month — a perfectly respectable number, really, but it’s tied with August for the lowest month of 2018. That’s the first time August has been the year’s lowest month, though December previously took the (dis)honour in 2016.
  • It also means December remains my only month to have never achieved a tally of 20+. It’s now a whole year before I can try that again (obviously).
  • And I didn’t watch a film on December 22nd, one of the three outstanding dates on which I’ve ‘never’ watched a film, so that’ll have to wait a whole ‘nother year too.
  • However, this month did beat the December average (previously 11.5, now 11.7), but wasn’t close to the monthly average for 2018, which is now finalised at 21.75.
  • Two Ingmar Bergman-related films this month: one he wrote, Torment, and one he directed, Music in Darkness. I got Criterion’s gorgeous box set for Christmas, which duplicates numerous titles from an old Tartan DVD box set I’ve owned for years, so before I get stuck into the Criterion set I’m watching the films that are unique to the Tartan set, with an eye to selling it. There are only three, though, so I’m 66.7% complete already.
  • This month’s Blindspot film: a 2013 film that only got a UK release a couple of months ago, when it was snuck out on digital-only with no fanfare. Not that that’s what held me back: I imported the US Blu-ray over four years ago. No, this is just my own inexplicable tardiness (again). Anyway, the film in question is Snowpiercer. Thankfully, it lived up to the wait and the hype.
  • And, with that, all 22 of this year’s Blindspot and WDYMYHS films are complete!



The 43rd Monthly Arbitrary Awards

Favourite Film of the Month
Ooh, this is a toughie — not, as is sometimes the case, because I didn’t really love anything this month, but because there were at least three films I adored and are strong contenders for my forthcoming 2018 top ten. But on balance I’m going to plump for the dystopian sci-fi allegory of Snowpiercer.

Least Favourite Film of the Month
Nothing I outright hated this month, so it’s a question of which was the most disappointing among things I at least liked. On that score, I think I have to go for Light the Fuse… Sartana is Coming, because it’s emblematic of how underwhelming I found that series on the whole.

Best “Christmas Carol” of the Month
I watched altogether too many different adaptation of A Christmas Carol this month, including a meta-ish one in The Man Who Invented Christmas, a Muppet-y one in The Muppet Christmas Carol, and a Shakespearean-studio-sitcom one in the Upstart Crow Christmas special. But I think my favourite was actually the most straightforward: a filmed version of Simon Callow’s one-man show, in which he just reads the story, basically. That’s to undersell it, though: he performs the story, and there’s some neat but not overdone direction to match. It was released in cinemas earlier in the month and screened on BBC Four over Christmas. if you missed it, it’s still on iPlayer here.

Best Spider-Man of the Month
Spider-Verse featured a surfeit of Spider-People to choose from, and while it may’ve been newbie Miles Morales’ film, with a key role for a worn-out Peter Parker, there’s definitely something to be said for Nicolas Cage as Spider-Man Noir. Part of me wants to see a whole spin-off film starring him; part of me thinks that would be a bit much. A decent-length short film would be welcome, though.

The Audience Award for Most-Viewed New Post of the Month
Netflix’s Mowgli was building a comfortable lead for itself in this category, far ahead of second-placed Spider-Verse… and then Bandersnatch happened. The first “Netflix interactive film” generated a tonne of buzz on social media (it was the top trend on Twitter almost all day on its release), and I watched and reviewed it promptly. Those factors combined led to a surge of page views that saw it surpass Mowgli’s 21-day tally in under 24 hours. Of course, they’re both Netflix films, which almost always do well in these stats. And with a couple more days under its belt since then, Bandersnatch may have found itself among my most-viewed posts of the entire year, despite only being around for three days.



My evenly-spaced-throughout-the-year Rewatchathon schedule allows for four films most months, but for some reason it decided there needed to be five in December. There have to be two “five” months to get me to 50, but why did one have to be the very last month of the year?! (I mean, when you stop and think about it it’s kinda logical this would happen, but it did seem to put a burden on the final month of the task).

Anyway, I made it, so that’s jolly.

#46 The Princess Bride (1987)
#47 Scooby-Doo (2002)
#48 Death Becomes Her (1992)
#49 Home Alone 2: Lost in New York (1992)
#50 The Muppet Christmas Carol (1992)

I don’t really feel like doing a Guide To The Princess Bride anytime soon (my backlog’s too huge as it is), but I should someday — it’s a magnificent film that, with hindsight, deserved a place in my 100 Favourites.

It wasn’t a conscious choice to end with three 1992 films back-to-back, it’s just a bizarre coincidence. Indeed, I watched Home Alone 1 last Christmas and intended to get round to the sequel back then. Instead, it took me 371 days. Though, another coincidence: they were both Rewatchathon #49.

I wrote a little about Death Becomes Her and Scooby-Doo on Letterboxd, though to the latter I’d add my highly amusing observation about the lead cast being a bunch of “before they weren’t famous” faces.


Other sites and blogs may get their year-end stuff out in December (or, if you’re Empire magazine, Oc-frickin’-tober), but if you write a blog that covers everything you see in a whole year, you ain’t done ’til 11:59:59pm on 31st December.

So, as usual, January will begin by looking back over 2018, in a series of lists and whatnot that I’ll post over the rest of this week. And then I’ll start this shebang all over again, for my 13th year. Lucky for some…

The Conclusory Monthly Update for December 2017

And so another year comes to an end — welcome to 2018, dear readers!

Before that, I’m going to spend the next week-ish raking over the remnants of the year just ended. First up: the month of December, and my final tally of new films watched in 2017.


#164 Murder on the Orient Express (2017)
#165 Her (2013)
#166 Atomic Blonde (2017)
#167 Men in Black 3 (2012)
#168 Your Name. (2016), aka Kimi no na wa.
#169 Star Wars: The Last Jedi (2017)
#170 Hidden Figures (2016)
#171 It’s a Wonderful Life (1946)
#172 Forbidden Planet (1956)
#173 Elf (2003)
#174 Scrooged (1988)
Star Wars: The Last Jedi
.


  • 11 new films this month sees me reach a final total of 174 for the year, my third highest ever behind 2015’s 200 and 2016’s 195.
  • But that main list total was undoubtedly decreased by putting effort into my Rewatchathon — what if I added the two totals together? Well, there’ll be more on that in my annual stats post later in the week…
  • Other than that, it’s a bit of an unremarkable monthly tally: it’s below the December average (previously 11.55, now 11.5), below the rolling average of the last 12 months (though it bests December 2016, so raises that from 14.42 to 14.5), and below the average for 2017 (previously 14.8, now finalised at 14.5).
  • Earlier this year, Empire magazine published their latest reader-voted 100 Greatest Movies list. Watching It’s a Wonderful Life means I have just 2½ to go: La La Land (yep, still not seen it), True Romance, and the film I can never remember if I saw as a kid or not, E.T.
  • This month’s Blindspot film: sci-fi classic Forbidden Planet, which is still impressive in its own way but has inevitably been out-sci-fi-ed in the last six decades.
  • This month’s WDYMYHS film was more science fiction: Her, which is basically an episode of Black Mirror. A good one, though.



The 31st Monthly Arbitrary Awards

Favourite Film of the Month
I watched a few Christmas films this year, which makes a change, and one of those is also my favourite film of the month. As it’s a long-fêted classic I was a little sceptical about how good It’s a Wonderful Life could actually be. Turns out, it’s magnificent.

Least Favourite Film of the Month
No real stinkers this month, but my least favourite was another Christmas film: Will Ferrell comedy Elf. It’s alright, but no classic.

Most Kick-Ass Women of the Month
Sure, Rey could get you good with a lightsaber, and whatever-Charlize-Theron’s-character-was-called-in-Atomic-Blonde could hand your arse to you in a single-take stairwell fight, but the women of Hidden Figures fought the patriarchy for real — and racism, too, while they were at it.

Favourite Porg of the Month
Porg, Millennium Falcon, window

The Audience Award for Most-Viewed New Post of the Month
You might think the release of a new Star Wars film would walk this, but you’d be wrong: the victory goes to my monthly TV review, which this time covered The Punisher, Detectorists, The Good Place, and so on. It’s the sixth time a TV post has won this award in 2017 — that’s half the year, folks! (The Last Jedi was of course the most-viewed film review, and by a considerable margin: out of all posts it came 6th, with the next new film post at 32nd.)


I didn’t do my review advent calendar again this year, but by coincidence I did post exactly 25 new reviews.


My Rewatchathon goal of 52 films should’ve averaged out at 4⅓ a month, but I came into December with seven left to get through. Did I manage it?

#46 The Terminator (1984)
#47 For a Few Dollars More (1965)
#48 Star Wars: The Force Awakens 3D (2015)
#49 Home Alone (1990)
#50 Pirates of the Caribbean: Salazar’s Revenge (2017)
#51 Sherlock Holmes and the Secret Weapon (1942)
#52 Airplane! (1980)

Yes, I did — but only just: I watched Airplane on December 31st.

It’s been about 25 years since I last watched Home Alone. It’s not a bad kids’ film, is it? I’d forgotten how little of it is actually the famous stuff with the burglary and the traps.

My full review of Sherlock Holmes and the Secret Weapon from 2008 is linked above, which I mostly stand by (I found Lionel Atwill’s Moriarty less underpowered now), but it’s also worth noting that this time I watched a colourised version. I jotted a couple of thoughts about that in my Letterboxd diary here.

Speaking of which, there are also a couple of notes on my Force Awakens rewatch here.


Everything kicks off again, for the 12th time.

Before that: all the stats and lists pertaining to my 2017 viewing.

The Decadal Monthly Update for December 2016

Happy New Year, dear readers!

And with that, 100 Films’ 10th year is at an end.

Well, apart from the fact that I’ll spend the next few days going on about it, and the blog’s actual 10th birthday is in February, so I’ll go on about it some more then. But in terms of films that will be watched within that first decade, here are the last dozen…


#185a Come Together (2016)
#186 Wizardhood (2016)
#187 Rogue One (2016), aka Rogue One: A Star Wars Story
#188 Disney’s A Christmas Carol (2009)
#189 Partners in Crime… (2012), aka Associés contre le crime… “L’œuf d’Ambroise”
#190 Dragon (2011), aka Wu xia
#191 Our Kind of Traitor (2016)
#192 Mr. Nobody (2009)
#193 Howl’s Moving Castle (2004), aka Hauru no ugoku shiro
#194 The Tale of Zatoichi Continues (1962), aka Zoku Zatôichi monogatari
#195 The Last Dragonslayer (2016)
#195a Suicide Squad: Extended Cut (2016)
Rogue One

Dragon

.


  • My final total for 2016: 195 new films. Slightly less than last year; way above every other year. (More on this kind of thing in the next few days.)
  • I watched exactly ten new feature films this month, making it the 31st consecutive month to reach double figures.
  • This year’s WDYMYHS / Blindspot list is rounded out by Miyazaki fantasy Howl’s Moving Castle. I’ve not even started thinking about 2017’s list yet…
  • The Jim Carrey Christmas Carol was my only Christmassy film all season — and I thought it was crap. Poor Christmas. (I guess Scrooge and It’s a Wonderful Life are going to sit on my TiVo for the next 11 months…)
  • I finally watched the second Zatoichi movie, only 38 months after the first. Hopefully this will be the start of more regular viewing, because even if I watched the rest of them at a rate of one per month it would take until the start of 2019 to finish.
  • I ended the year with the extended cut of Suicide Squad. I watched the theatrical in November but didn’t get round to reviewing it, so I guess I’ll do them both at once now.



The 19th Monthly Arbitrary Awards

Favourite Film of the Month
It had its problems, and whether it’s better or less-good than The Force Awakens is still something that’s percolating in my mind, but the film I most enjoyed this month was definitely Rogue One.

Least Favourite Film of the Month
While the French take on Agatha Christie’s Tommy and Tuppence in Partners in Crime was certainly (shall we say) off-book, I didn’t think it was a crushing disaster like Disney’s A Christmas Carol. What most amazes me about that is the number of positive reviews online, especially those that praise the animation — I thought it looked cheap and terrible. Maybe it’s just aged badly.

Most Unrealistic CGI Human Beings of the Month
Say what you will about Tarkin, it’s bloody good CGI. On the other hand, thank goodness Robert Zemeckis has returned to live-action films — after The Polar Express, Beowulf, and A Christmas Carol, I’ve had enough of his not-real-enough-to-be-in-the-uncanny-valley motion-captured ‘humans’.

Best Donnie Yen of the Month
Between being one with the Force in Rogue One and chopping off an arm to fight the original one-armed swordsman in Dragon, Donnie Yen is the best Donnie Yen in this and every other month.

The Audience Award for Most-Viewed New Post of the Month
It looked like a certain Star Wars story was going to easily bag this award, until a pair of unexpected last-minute sweeps knocked it down to third. First its place was taken by a martial arts bear’s threequel, but that too was leapfrogged — within just a single day as well — by my review of Sky1’s The Last Dragonslayer.



The final selection from my favourites includes superheroes, comic book adaptations, and superhero comic book adaptations. Plus cartoons come to life and a moody literature adaptation.


Oh, forget January — I’ve got a bunch of 2016 stuff to post yet! There’s the full list of my 2016 viewing, my bottom five, my top ten (or so), the major new films I missed, the 36 reviews I haven’t gotten round to… and, of course, the highlight of the entire year: the statistics.

Good times.

The Climactic Monthly Update for December 2015

Happy New Year’s Day, dear readers!

The quest for 100 films has little regard for it being the first day of a new year, however — it’s still the start of a new month, which means it’s time to reflect on the last. And as it’s the last month of 2015, to reveal just what my final tally actually was…


#183 Shaun the Sheep Movie (2015)
#184 Mission: Impossible – Rogue Nation (2015)
#185 Terminator Genisys (2015)
#186 A Most Wanted Man (2014)
#187 Tomorrowland: A World Beyond (2015)
#188 Begin Again (2013)
#189 Escape from Tomorrow (2013)
#190 Le Mépris (1963), aka Contempt
#191 Star Wars: The Force Awakens (2015)
#192 About Time (2013)
#193 Happy Feet Two (2011)
#194 Morning Glory (2010)
#195 Dreamgirls (2006)
#196 Aladdin and the King of Thieves (1996)
#197 AfterDeath (2015)
#198 Heaven Can Wait (1943)
#199 Slow West (2015)
#200 Dressed to Kill (1946)


  • #200 is the final Basil Rathbone Sherlock Holmes film. It’s taken me almost eight years to get through that series — longer than they took to make — so it seemed an appropriate choice for such a momentous number.
  • With four WDYMYHS films left, I managed to watch… one. That was Le Mépris. On the one hand, not watching 25% of my list is a bit of a failure. On the other, watching 75% of it means I’ve watched nine films this year that I should’ve seen but hadn’t got round to, and almost certainly wouldn’t’ve got round to without WDYMYHS. So it shall continue next year, though I’ve not decided on the selection process yet.
  • Remember back in my October update, when I mentioned re-watching the Veronica Mars movie to get 2014 finished? Bloody well didn’t bloody happen, did it! I’ll do it in January.
  • Apropos of not very much, the version of Rawhide sung by the elephant seals in Happy Feet 2 is awesome.


The headline news here is, of course, that this year I reached #200.

That’s my highest final tally ever, by 64 films — 47% higher than the next best year! You could add together my two poorest years (2009 and 2012) and you’d still be nine films short of 2015’s solo total. Anyway, more whole-year stats in my next post — for now, let’s just look at December.

This month I watched 18 new films. Most importantly, that exceeds this year’s ten-per-month goal, making 2015 the first time I’ve done it for a whole calendar year. (It’s also the 19th consecutive month.) It’s only the second-highest December ever, just behind 2008’s 19, but it does pass the December average (10.86; now 11.75) and beats December 2014’s total of 15, the 11th month this year to beat its previous equivalent (only November let the side down). In terms of 2015, it beats the monthly average of 16.67, and is actually the third highest month of the year, settling in behind the record-breaking feats of September and October.

I always end these analyses with a look ahead to the rest of the year… which is now over. So what for 2016? Having reached 200 films in a year, will I be seeking to equal it next year? Perhaps even to better it? I can confirm that…

No. No I won’t.

There are so very, very many films that I want to see — and they keep making more of the darn things! So many that even watching 200 new films isn’t enough to make a serious dent in the “to see” list. But there are also TV series I want to watch, books I want to read, audio dramas I want to listen to — not to mention movies I want to re-watch — and the film fixation engendered by a goal as vast as 200 new films in a year is counterproductive to doing anything but watching new films. So of course 100 Films will continue, and maintaining my ten-per-month streak would be nice, but if this time next year I’ve watched 200 new films and not watched many TV series, or read books, or listened to audio dramas, then I won’t be dancing a victory dance. Quite the opposite. Whatever the opposite of “dancing a victory dance” is.

In conclusion, my personal goal for next year is… well, 100 films — that’s why it’s the name of the blog. But I’ll be aiming to maintain my ten-per-month run, making the target 120+ Films in a Year. Plus lots of TV and books and audio drama and films I’ve seen before and special features and goodness knows what else. There still won’t be nearly enough time, anyway.


Thanks to the advent calendar, 44 films were reviewed this month(!) Here’s a full alphabetical account:



The 7th Monthly Arbitrary Awards

Favourite Film of the Month
It’s not been a bad month, but there aren’t a great many stand-out options here. Although I hugely enjoyed the new Star Wars, and some other 2015 blockbusters I caught up on weren’t as bad as expected, the winner is easily best-of-year contender Mission: Impossible – Rogue Nation.

Least Favourite Film of the Month
It’s not been a bad month, but there are still a few three-star-level contenders here. In the end, I decided to pick the film I felt I was most likely to never bother to watch again, and while there are a few I’m not likely to ever revisit, the least likely was AfterDeath.

Best Use of Time Travel
Was it to visit a wondrous future city of joyous technological advancement? Or to spend more precious time with your dying father? Or to send a cyborg to protect your mother from your robot enemy before your best mate arrives to stop that enemy murdering her before you’re born then trying to disable said robot enemy before it’s ‘born’? Or to get Emilia Clarke naked? How about using it to make Rachel McAdams fall in love with you in About Time. That and the dad thing.

Best Theme Tune
Oh sure, there’s John Williams on Star Wars… but of course there was. And I’ve already said how much I liked Rawhide in Happy Feet 2, but it’s not functioning as theme tune there. So the winner is composer Joe Kraemer finally giving Lalo Schifrin’s Mission: Impossible theme a suitable big-screen rendition not once but twice in Rogue Nation.

The Audience Award for Most-Viewed New Post of the Month
When you think about it, this should come as no surprise. In a month that featured 47 new posts (it sounds a little insane when you put it like that), the most-read is one that was a hive of activity for 25 days: the 100 Films Advent Calendar 2015.


…will be 31 days into 2016. Before all that, though, I’ll thoroughly look back and dissect 2015 — the largest year of 100 Films ever!

(Dog-loving regular readers will be pleased to know that (further to September’s update) Millie is still with us, and coping admirably with there already being a new Irish Wolfhound puppy in the family.)

December 2014

Friends, Romans, coun— Actually, I don’t think I get many visits from Italy, so…

Friends, readers, countrymen, lend m— Actually, apparently I get more hits from the US than the UK, so…

Friends, readers, people of the world, lend me your ears— Well, I’m not reading it to you, so…

Lend me your eyes— But not literally, that would be freaky…

Oh, let’s just get on with it:


What Do You Mean You Haven’t Seen…?

Heading in to the final month of 2014, I had two of my “one per month” films left. Well, that’s better than last year.

What’s also better than last year is how many I watched: both of them! I know it shouldn’t be an achievement to say “I watched two specific films in a month”, but, y’know.

What were they? Both acclaimed somewhat-cult-ish modern classics from the noughties: Korean vengeance thriller Oldboy, and The Bleakest Movie Ever Made™, Requiem for a Dream. Both are dark, troubling, and absolutely excellent.


December’s films in full

TintinAs well as those two, the final list for the year includes…

#122 Series 7: The Contenders (2001)
#123 Oldboy (2003), aka Oldeuboi
#124 After the Thin Man (1936)
#125 Good Will Hunting (1997)
#126 Sin City: Recut & Extended (2005)
#127 Sin City: A Dame to Kill For (2014)
#128 Bill the Galactic Hero (2014)
Requiem for a Dream#129 Another Thin Man (1939)
#130 All is Lost (2013)
#131 John Carter (2012)
#132 The Lego Movie (2014)
#133 Nativity 2: Danger in the Manger! (2012)
#134 The Adventures of Tintin: The Secret of the Unicorn (2011)
#135 Knights of Badassdom (2013)
#136 Requiem for a Dream (2000)

(The Adventures of Tintin link will be live later this morning.)


Analysis

Reaching #136 makes 2014 the biggest year ever, finally besting 2007’s total of 129. Indeed, combining the main list with unnumbered feature reviews, 2014 also beats 2007’s total-total — making this the biggest year in pretty much every respect. Did it fare similarly well in star ratings, etc? We’ll have to wait for my full statistics post to find out. (I mean “we” literally — I have no idea yet.)

For now, let’s put December 2014 in context. With a total of 15 films, it beats every stat going: the December average (previously 10.2), the 2014 average (previously 11), and the average for my particularly-good last six months (previously 12.8). It’s also the joint-second-highest month of the year, tied with August (both sitting a little behind September‘s 17).

Further, it makes seven months in a row that I’ve watched over 10 films per month — that’s the joint-longest run of double-figure months. The previous time was from September 2009 to March 2010. It’s worthy of note because the longest such run in the four-year interim was just three months. A bit of dedication in January should see another record set, then.

Finally, to briefly look forward to next year: back in October I mentioned the potential for 100 Films 2015 to reach #1000 — for all time, that is, not 1,000 Films in a Year. With this year’s final total decided, I now know that the 1,000th film will be 2015’s #112 — if I get there, of course. The average final tally for the eight years to date is 111, so it’s certainly on the cards.


This month’s archive reviews

The 25 reviews of my now-traditional Advent Calendar took up most of my posting efforts this month, but in and around that there was still time for four archive reposts:


Next time on 100 Films in a Year…

In the next few days, my review of the past year continues. First: the alphabetical full list of my viewing, along with the absolute highlight of the year (for me) — the statistics. With graphs!

December 2011

2011 is over. 2012 has just begun. But did I make it to 100 in time?


If you follow me on Twitter you know

I did! Just. Three films in the final 24 hours of the year, the last of them finishing just an hour before midnight, see me reach 100 exactly this year. Phew!

In addition to that, six of the finishing eight features listed below were watched in the final three days of the year. Not quite as close to the wire as I had it back in 2008 (11 films in six days, seven of them in the last three), but I didn’t think I was going to get there.


So, my closing salvo included…

#93 Diner (1982)
#94 Nativity! (2009)
#94a The Gruffalo’s Child (2011)
#95 Hotel for Dogs (2009)
#96 The Spider Woman (1944)
#97 Faintheart (2008)
#98 The Man from Earth (2007)
#99 Winnie the Pooh (2011)
#100 The A-Team: Explosive Extended Edition (2010)


Where does that leave us in the grand scheme of thi— well, this blog?

Thus, 2011 ties with 2008 as my third-best year. Hurrah! Though to put it another way, 2011 ties with 2008 as my second-worst year, so, y’know…

It does represent the greatest drop off in potential, though. At the halfway point of the year I was further ahead than I’d ever been — in my best-ever-year, 2007, I’d made it to #60; in my second-best-ever-year, 2010, I’d made it to #64; but this year I’d reached #68. In tied-with-this-year 2008 I’d only limped to #46. Clearly, I need to keep momentum up into the year’s back half.

But hey, 2012’s another year — who knows what’ll happen next time round!


But before all that…

Screw 2012, I’m not done with 2011 yet! There’s my great big long list of everything I’ve watched still to come, along with all those lovely statistics, and the list of films I didn’t see, and — best of all — the statistics.

Oh, I mentioned those? I love the statistics. But almost as good, my bottom five and top ten for the year.

And having to push hard to cross the finish line means I haven’t even made a start on any of that. This’ll be interesting… for me, anyway — you just have to sit tight ’til it all turns up. Probably not that much later than I usually get round to it.

Until then… Happy New Year!

2011’s summary posts are already available here and here.

December 2010

Happy New Year!

In one minute, technically. But you didn’t read this in that minute, did you.


The final tally

So here we are, the final few new films I watched in 2010. This doesn’t replace my usual pair of closing summary posts, incidentally — they’ll be along as normal at some point in the next week or two.

And, as you’ll see in just a few lines, I sadly didn’t beat my previous record of 129 films. Hey ho — I made it to 100 (and comfortably over it), and after failing last year and barely scraping through the year before, I’m more than happy with that.

Those final few films, then:


#116 The Outrage (1964)
#117 The Wolfman: Unrated Version (2010)
#118 Surrogates (2009)
#118a Verity (2010)
#119 Rambo III (1988)
#120 Miracle on 34th Street (1947)
#121 A Good Woman (2004)
#122 Iron Eagle (1986)


A cancellation

You may have noticed last month that I hinted The Lord of the Rings: The Return of the King would be the first film I watched this month, becoming #115d. “Where’d it go?” you may consequently have wondered.

Well, I did watch it, and it was set to become #115d, but once I sat down to write about all three Lord of the Ringses I found I didn’t have a great deal to say about them at this time, besides some vague introductions and/or conclusions to each article. I rather overestimated myself in adding all three to the roster for this year, I think, especially while I was toiling away on watching and reviewing to reach #130 (not to mention general real world stuff).

So those theatrical LotR reviews are gone, for now. Maybe they’ll turn up next time I watch them, though goodness knows when that might be.


Next time on the all-new 100 Films in a Year monthly update…

It all begins again as we head into 2011, for the fifth time.

500 films in 5 years? Hopefully.

130 next year? We’ll see…

2010’s summary posts will be republished in November.