David Frankel | 105 mins | DVD | PG / PG-13
Emily Blunt steals every scene, which is impressive alongside an Oscar-nominated Meryl Streep (that being the now-customary acting-nominee-from-a-blockbuster, est. 2004 by Mr Depp). Anne Hathaway provides the plot/emotional through-line against these performances, which is somewhat impressive when playing a lead character who morally sells out (albeit into a lifestyle that is undoubtedly desirable to the film’s intended audience).
The plot and character arcs may be pretty predictable, but it’s an above-average example of a film of this type.

Slowly paced and beautifully photographed, this is about as far from Disney’s telling of the story (in
Judi Dench puts in her fourth appearance in this list (far and away the most represented actor, I should think) in Charles Dance’s first film as writer and director.
While it might not be in quite the same league as
2007 #32
Judi Dench is clearly having a whale of a time in this 1930s-set comedy about a 70-year-old widow who starts up a nude revue.
People will tell you this is a comedy, when really it’s a comedy-drama. A TV critic once said, not wrongly, that a comedy-drama is something that isn’t especially funny nor especially dramatic so tries to do both.
George Clooney’s directorial debut is part biopic, part comedy, and part spy thriller.
Ophüls’ film noir about a mother who covers up the death of her daughter’s much older boyfriend. I think I’m perhaps erring on the side of generosity with the rating, but it is still quite a good film. Certainly it allowed me to play one of my favourite games: what would I change if I remade it? I had a few quite good ideas, actually. I’m tempted to start writing…
2007 #23