Category Archives: Misc. Attributes

Categories that don’t fall under any of the other categories of categories.

Fantômas: Juve Versus Fantômas (1913)

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aka Juve contre Fantômas

2007 #105
Louis Feuillade | 62 mins | DVD | PG

Juve Versus FantomasSecond instalment of the early French film serial, adapted from a long-running series of pulp novels.

Fantômas is a criminal adept at disguise and avoiding capture by police inspector Juve. It’s full of crazy schemes and action set pieces, which means it’s actually a great deal of fun, relatively fast-paced and densely plotted, exciting and deliberately amusing (though, as with anything this old, there are things to point and laugh at if you’re so inclined). It also looks stunning for its age, with a stable and crisp picture, which incidentally makes great use of colour tinting (for example, turning from blue to yellow when someone switches on a light).

It’s not for everyone, but if you’re interested in early cinema this is one of the most entertaining examples I’ve seen. As you may have guessed, we were shown this as part of my degree; off the back of it I’ve ordered the DVD of the full serial.

4 out of 5

I never got round to watching the rest of Fantômas, though I’ve been meaning to ever since… (story of my life.)

2007 | Weeks 41-42

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Ah, University! Work has now fully returned to interrupt all the lazing around and film-viewing I so enjoyed before; of course, studying a film module does mean there’s a guaranteed one or two new films every week, and probably quite unusual ones too. “Hurrah,” cries the statistics! “Ooh,” cries… erm… anyone who likes more unusual choices…

I do feel a tad arty this week, actually. Of the six films listed below, two are French, one German, one Japanese, two are shorts, and five are between 77 and 94 years old. That’s two weeks at the start of a University film module for you!

We begin with the two oldest of all those, both made 94 years ago. That’s no guarantee of anything, mind… well, except no spoken dialogue.

#105 Fantômas: Juve Versus Fantômas

#106 Traffic in Souls

#107 Neon Genesis Evangelion: The End of Evangelion

#108 Berlin: Symphony of a Great City

#108a À propos de Nice

#108b Skyscraper Symphony

#109 The Paleface

Miracles (1989)

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aka Qi ji / Mr. Canton and Lady Rose / Black Dragon / The Canton Godfather

2007 #104
Jackie Chan | 122 mins | DVD | PG / PG-13

MiraclesI’ve always been a bit wary of Chan’s films: he’s renowned for using comedy in his action (to help break away from the frequently-applied “new Bruce Lee” label), which isn’t really to my taste; but after we were shown an impressive clip from this in a lecture I felt I had to give it a go.

It’s 1930s Hong Kong and Chan accidentally becomes the head of a mafia-like gang. The film follows a “gang war” plot for about 40 minutes before abruptly changing tack to become an identity-based farce! It’s all a bit messy and most of the genuinely funny bits are still in Chan’s excellent action sequences, which are mind-bogglingly impressive feats of acrobatics and choreography. Of course, it’s these that we’ve come for, and the film would benefit from less pointless farcing about, a shorter running time, and more evenly distributed action sequences.

Enjoyable, but flawed.

3 out of 5

Final Fantasy VII: Advent Children (2005)

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2007 #102
Tetsuya Nomura | 101 mins | DVD | PG / PG-13

Final Fantasy VII: Advent ChildrenFor those who don’t know, this isn’t the seventh Final Fantasy film — it’s the second; though it’s not a sequel to the first; though it is a sequel, to the game Final Fantasy VII… which isn’t related to the preceding six. Just to be confusing, eh?

Advent Children is far from standalone then, but with the help of a DVD featurette and some concentration it’s possible to have an idea what’s going on. It almost doesn’t matter anyway: the main point is clearly the action, which is pretty spectacular. If you can bear the dense, plot-heavy first half (which does also contain several good sequences), the second is non-stop action, only occasionally marred by overactive camerawork. From a technical standpoint the CG is endlessly impressive (don’t expect it to be lifelike, just extremely good) and the freedom afforded by the format is well used.

I don’t know how satisfying fans would find this (I’m sure they’ve all seen it by now anyway), but for us lay-people, if you can ignore the plot (or put in some effort to follow it) and enjoy impressively executed fights and chases, there’s definite enjoyment to be had.

3 out of 5

300 (2006)

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2007 #101
Zack Snyder | 112 mins | DVD | 15 / R

300Highly stylised (and praised) adaptation of Frank Miller’s graphic novel about the battle of Thermopylae.

It’s very much a Man’s Film: long graphic battles, esteemed warrior values, mostly-naked women, heavy soundtrack… This doesn’t mean it’s without virtue: it looks stunning, and while the slow motion may be overused it creates some beautiful tableaus. There’s even room for characterisation among the soldiers; these arcs may be familiar, but for once the filmmakers seem aware of that and keep such scenes to an appropriate, deftly handled minimum.

The slight plot may be stretched a bit thin and the closing speech is sadly over-written, but 300 is nonetheless an enjoyable, and surprisingly pretty, minor epic.

4 out of 5

300 placed 9th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Starter for Ten (2006)

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2007 #99
Tom Vaughan | 92 mins | DVD | 12 / PG-13

Starter for TenA predictable British rom-com, enlivened only by a few good moments and performances, as well as the excellent ’80s soundtrack.

You’d assume the plot would focus on the characters’ aim to win University Challenge, coupled with a woefully predictable romantic subplot; sadly, it turns out the woefully predictable romance is the main plot and the quiz only turns up now and then to lend some structure. The final contest is almost entirely devoid of tension thanks to this and the other conclusions hold no surprises.

McAvoy is likeable, though held back by Brian’s near-unbearable ignorance about life. The best performances come from Benedict Cumberbatch and Rebecca Hall, both actors worth watching.

2 out of 5

Starter for Ten is on BBC Two tonight, Sunday 31st August 2014, at 10:30pm.

Great Expectations (1946)

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2007 #98
David Lean | 113 mins | DVD | PG

Great ExpectationsClassic adaptation of the acclaimed novel. While my experience of Dickens is woefully limited to screen adaptations, this tale is one of my lesser favourites; the first act and elements of the climax are wonderfully Gothic (and here beautifully directed to that effect), but it seems to lack the depth or importance of works such as Bleak House, Oliver Twist or A Christmas Carol.*

Though, aside from the dully straightforward middle, there’s little to dislike about the adaptation. John Mills is too old to convince as a 20-year-old Pip, but his performance is good and he’s ably supported. However, the main highlights are undoubtedly all in Lean’s brilliant direction.

4 out of 5

* I don’t remove anything when I repost my old reviews, but I must add that I now find this comment to be suitably embarrassing. ^

A Study in Scarlet (1983)

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2007 #97
Ian Mackenzie & Alex Nicholas | 48 mins | DVD | U

A Study in ScarletPeter O’Toole is again the voice of the famous sleuth in this disappointing animated adaptation of the first Sherlock Holmes mystery.

The adaptation is faithful to the original novel’s structure (sadly, as it’s a somewhat bizarre one, and ripe for a more interesting interpretation), but loses any elements pertaining to Holmes and Watson’s first meeting. The animation seems more basic than the other entry in this particular series that I’ve seen, and O’Toole’s performance is flatter. The rest of the cast don’t fare any better. The story itself isn’t a bad one, but after being pleasantly surprised by The Sign of Four, I just found this to be disappointing.

2 out of 5

The Black Dahlia (2006)

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2007 #94
Brian De Palma | 116 mins | DVD | 15 / R

The Black DahliaNoir-wannabe, adapted from the James Ellroy novel based on a real, unsolved case. That case is far from the focus here: from the start the apparently-central crime is anything but, meaning the biggest let-down is that events barely follow the eponymous story.

It’s one of many problems in a film that tries hard to be a proper noir but fails in almost every respect: performances (most of which wind up flat), corny dialogue, plot, pretty-but-vacant direction, and even voice-over narration. I haven’t read the novel, but apparently it’s a poor adaptation too. What you want is a ’40s-style thriller; what you get is a weak ’40s-set character drama.

2 out of 5

Gone with the Wind (1939)

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2007 #93a
Victor Fleming | 224 mins | DVD | PG / G

Gone with the WindI thought I’d seen Gone With the Wind but, watching it again, it’s clear I hadn’t properly.

This is partly because I first saw it on TV, in two halves, a week apart, each starting at 1am. I just about managed to follow the story, in between drifting off for whole chunks. Another reason is the quality of the restored print on the DVD: it looks stunning, every frame is beautiful; it’s a shame no films look like this today.

The performances are uniformly excellent, especially (of course) Vivien Leigh and Clark Gable; though special mention must be made of the fantastic Oscar-winning Hattie McDaniel as Mammy (the first African-American to be nominated for and win an Oscar, and deservedly so). The direction is brilliant, displaying styles you think weren’t invented for another 20 years; all of the design work is gorgeous; and the story is epic and expertly told, moving across genres (romance, war, melodrama, comedy) with ease.

It’s easy to see why this is the most popular film ever made. First time round I just thought it was very good; now it’s firmly one of my favourites.

5 out of 5