David Lynch | 120 mins | DVD | 18 / R
My experience of David Lynch’s work has so far been limited to Dune, the first short season of Twin Peaks, and Mulholland Drive. Admittedly, a list including the latter two isn’t that bad, but it fails to encompass any of the acclaimed films that made his name.
Wild at Heart doesn’t come much closer: a quick look at IMDb reveals that it only beats Dune and the Twin Peaks movie in user ratings. I think I can see why: it’s filled with mannered performances that can seem cheaper than those in daytime soaps (I presume this is deliberate, but some people just won’t get, or like, it); characters and plot threads that meander off and seem pointless, while others don’t come to anything; plus it lacks the opaqueness that many seem to hold as the key worthy feature of Lynch’s work.
In spite of its many faults I quite liked a lot of it, so my rating falls on the generous side. I still have no idea why there were so many Wizard of Oz references though.
It’s hard to know what to make of this, because by the end it all seems a little pointless. The storyline, which follows Nicolas Cage’s paramedic across three nights in New York, is a mixture of short episodic medical incidents with longer threads that continue throughout. These connect and fall apart, feeling as episodic as the rest, and most of them don’t really lead anywhere.
The first of the silent Fantômas films (I reviewed the second 
Late silent-era drama — though you’d be forgiven for thinking it was a comedy until halfway, when the light antics of a young couple in ’20s New York give way to some increasingly dark drama (interesting trivia: seven endings were shot for distributors to choose from, some happy and some sad; all chose sad ones. However, the copy we saw (taped from an ’80s TV showing) had a happy ending).
German silent movie depicting a day in the ‘life’ of Berlin, part of the ‘city symphony’ genre that was popular around the 1920s. This makes it one of those films that is in some way Important, but sadly it’s still a bit, well, boring.
Silent movie (Universal’s first feature-length release) about white slavery in America. You don’t expect that from a 1913 film, eh?
Second instalment of the early French film serial, adapted from a long-running series of pulp novels.
100Films.co.uk 