#Repostathon update

The ‘editorials’ portion of my repostathon (details here) is at an end, with yesterday’s 2010 piece on “Director’s Cuts, Extended Cuts, Harder Cuts, Extreme Cuts — whatever label the marketing boys & girls slap on them, Longer Versions You Didn’t See In The Cinema”. As I put so much work into its header image, here it is again:

I culled twenty different DVD and Blu-ray covers for that. Twenty. (Actually, 23 or 24, because some didn’t really work.)

Anyway.

Tomorrow: the next phase commences, recapping 2007 in full.

Exciting times.

Haiku Review

Ev’ry August film
reviewed in haiku form. (And
you thought drabbles short!)

I can’t even remember what gave me the idea, but the other day I started writing haiku-sized reviews of films I’d watched, and before I knew it had written one for every film from August. So, in what may or may not become a new regular feature, I’m going to share them with you. You lucky, lucky people.

Technically a haiku is more than just the 5-7-5 syllable structure most people know: it should be about nature, and (to quote Wikipedia) “the essence of haiku is ‘cutting’… often represented by the juxtaposition of two images or ideas and a kireji (‘cutting word’) between them.” Obviously these haiku have nothing to do with the first of those conditions; as to the second, well, it comes and goes. At times, I’ve tried; others, less so. Hopefully none are just 17-syllable sentences split in three. Nonetheless, I don’t promise poetic quality with these.


Contagion
Gwyneth Paltrow eats,
whole world at risk of grim death.
Scares ’cause it could be.

End of Watch
Cops film selves, sort of.
Inconsistent P.O.V.
undermines reel-ism.

Inherent Vice [review]
Pynchon’s comedy
filmed by P.T. Anderson.
Laughs for weed users.

Interstellar [review]
Two-Thousand-And-One,
A Space-Time Anomaly.
Mainly, spectacle.

Justice League: The New Frontier
Uncommon premise
raises expectations, but
promise is squandered.

Life of Pi [review]
Tiger on a boat:
CG extravaganza!
Better than the truth.

Monsters: Dark Continent [review]
Genre transplanted,
but soldiers pose same quand’ry:
aren’t we the monsters?

Seeking a Friend for the End of the World
This: way the world ends —
not with a bang or whimper,
but a love story.

Shallow Grave
Danny Boyle’s debut.
Cold cash leads friends to distrust
and dismemberment.

Sherlock Holmes (1922) [review]
Moriarty v.
Barrymore. Gillette-derived
slight Sherlock silent.

Shivers
Amateur work by:
biologist, kills neighbours;
Cronenberg, upsets.

Space Station 76 [review]
Groovy future fun,
undercut by theme of frac-
tured relationships.

The Story of Film: An Odyssey
Epic history,
too personalised for some.
Piqued insight abounds.

Stranger by the Lake
French gays have the sex
with a killer in their midst.
A slow-burn beauty.

The Theory of Everything [review]
Eddie Redmayne won
awards, but the film’s heart is
Felicity Jones.

The Thing (2011) [review]
Under prequel’s guise,
computers doodle a mere
Carpenter rehash.

The Haiku Review may return next month. We’ll see how things go.

The Millennial Monthly Update for August 2015

After last month was all centennial, because I reached 2015’s #100, this month is millennial, because I made it to 1,000 Films in a Decade Eight Years and Eight Months.

More on that soon, as well as all this:


Shallow Grave#103 Space Station 76 (2014)
#104 The Thing (2011)
#105 Shallow Grave (1994)
#106 Sherlock Holmes (1922), aka Moriarty
#107 Life of Pi (2012)
#108 Contagion (2011)
#109 Justice League: The New Frontier (2008)
#110 Interstellar (2014)
#111 End of Watch (2012)
Stranger by the Lake#112 The Story of Film: An Odyssey (2011)
#113 Inherent Vice (2014)
#114 The Theory of Everything (2014)
#115 Monsters: Dark Continent (2014)
#116 Shivers (1975)
#117 Stranger by the Lake (2013), aka L’inconnu du lac
#118 Seeking a Friend for the End of the World (2012)


  • As you may have noticed, this month I reached my 1,000th film. More about that here.
  • Before that, there was a countdown — with pictures! Thrilling stuff. It’s archived here.
  • As #1000 was 15-hour documentary The Story of Film, it took over a few extra slots in my schedule. If I’d been watching regular-length films instead, August’s tally would be four or five films larger.
  • No WDYMYHS films this month — just The Story of Film adding more ideas for future iterations!


In October 2014 I commented that, at best, “one of 2015’s last films will be #1000”. Hahahaha, how times have changed! “One of 2015’s last films”? Oh no, dear sir (“dear sir” in this instance being “me 11 months ago”) — there are still four months of 2015 to go!

In fairness to past-me, the three previous occasions on which I’d reached a #112 (2007, 2010, 2014) were all in November. It just continues 2015’s extraordinary run, though: this month, it passed 2013 to become my fourth most successful year, even with four months still to go. #118 is further than I’ve ever reached by the end of October, never mind August.

As for this August in itself, a tally of 16 makes it the 15th month in a row to reach double figures. It easily passes the August average (previously 10.57, now 11.25) and is just above 2015’s rolling average (currently at 14.75). It’s the third month this year to reach 16, and the fifth ever, which makes it part of a five-way tie for my third highest-tallying month ever. It’s also the 10th month in a row to best the same period a year ago, when August 2014 totalled 15. That may be the end of that though: September will have to be my second highest-totalling month ever to beat its 2014 counterpart. Of course, if I can keep up my current pace — and without a schedule-hogging behemoth like The Story of Film to stand in the way — that’s not an impossible expectation.

Last August, I pointed out how inaccurate August was for predicting the final tally… but then used those inaccurate predictions to spot a new pattern and offer a revised prediction. Which, naturally, I completely obliterated: having predicted a final total of 115-120, I reached 136. Nonetheless, there’s no fun in offering no predictions — and I’ve been remarkably consistent with my viewing this year, actually — so here we go regardless.

To be honest, whatever I forecast is good news. Four more months of my ten-film-minimum goal has 2015 becoming my best-ever year before the end of October, and a final tally of at least 158. If my rolling average of 14.75 holds I’ll make it even further, to #177, and if I can continue my year-on-year monthly increase (with, as mentioned, September being the greatest challenge) then I’ll pass #178. I’ve been forecasting a finish in the 170s ever since February, so, to be honest, I’ll be a bit disappointed if I don’t make that. And all of these numbers are slight increases on their counterparts from last month, so perhaps #180+ isn’t out of the question…



The 3rd Monthly Arbitrary Awards

Favourite Film of the Month
It’s a toughie this month — lots of films I really enjoyed, including five I gave full marks to. Five! (If you were going to look to see which, know that I haven’t posted reviews for four of them yet.) But the one that most surprised me, and created the strongest emotional connection to boot, was Seeking a Friend for the End of the World.

Least Favourite Film of the Month
Conversely, not many poor films this month. That said, there were a couple I found to be below par, but none felt like they squandered their potential quite as much as Justice League: The New Frontier.

Space-Set CGI That Looked Most Like Models (Pleasingly)
Space Station 76.

Space-Set Models That Looked Most Like Reality (Pleasingly)
Interstellar.

The Audience Award for Most-Viewed New Post of the Month
It always helps give hits a boost if someone else promotes a post. In August, thanks to a tweet by the film’s producers, the most-viewed post was Space Station 76.


Ben-Hur (1925) A Silent Film Review @ Movies Silently
For her 200th silent film review, Fritzi has penned a “mammoth” about the first feature-length adaptation of Lew Wallace’s novel, including a comparison to the more-famed 1959 adaptation. “Mammoth” is the word: by my quick count it clocks in at over 12,000 words! I confess I haven’t even read all of it yet, but I think we can trust it to be worth every syllable.

The highest ranked feature length narrative film on Letterboxd for each year 2014-1920
An interesting way of looking at film history, shared by Letterboxd’s own Twitter courtesy of someone on Reddit who since deleted their name. The gallery can still be viewed here, though.

The Last Unicorn (1982) Review @ Cinema Parrot Disco
This month’s lesson is “don’t judge a film by its cover”, because The Last Unicorn looks like some dated, cheesy, little-girl-y crap, but table9mutant’s review makes it sound awesome, and there are lots of other pretty pictures to cement the point.

My Top 7 James Bond Opening Title Sequences @ Film Grimoire
Who doesn’t love a Bond title sequence? Here, Anna explains her top seven picks (in honour of 007, of course), and while I can’t say I agree with all of them (Quantum of Solace? No thanks) it’s still a good read.

My Top Ten Drew Struzan Movie Art Pieces @ Cinema Parrot Disco
What movie fan doesn’t love the work of Drew Struzan (even if you don’t know his name), the renowned poster artist who created enduring imagery for a host of ’80s and ’90s films, and whose style tends to influence at least one poster for every major movie still, even as they’ve moved on to nought but photo montage. Here, table9mutant takes on the tough job of selecting favourites from Struzan’s extensive oeuvre.

Peculiar opening credit text @ Dial M For Movies
Rhett Bartlett mounts a collection of opening-credit oddities, things “the film maker feels they must tell the audience” right at the start. My personal favourite is the first, from The Old Dark House: “We explain this to settle all disputes in advance…”

The Serpent and the Rainbow @ Vinnieh
The sad news of the death of horror auteur Wes Craven reached us yesterday, but this is an incidental tribute. A carry-over from last month, this write-up by Vinnie meant Craven’s true story-inspired tale of voodoo in Haiti really piqued my interest. It seems it was recently released on a poor UK Blu-ray, though a Shout Factory release is expected in the US early in 2016, which will no doubt be excellent.

Shaun the Sheep Movie (2015) A Silent Film Review @ Movies Silently
The Wallace & Gromit spin-off’s spin-off movie opened to much acclaim here way back in February, but finally made it across the pond at the start of August. Here, Fritzi offers her typically irreverent take on why it really is a true silent movie. No, really.

Straight Outta Compton (2015) [Review] @ movieblort
It’s not an area of music I know much (read: anything) about, nor especially care for, but movieblort has me sold on why this biopic about the rise and fall of hip-hop group N.W.A. will be worth a look.

The Western Godfather @ True West
Bending the “articles from the past month” rule, but this interview — of Kurt Russell by Henry Cabot Beck — was too interesting not to share. In it, Russell reveals for the first time some of the truth behind the filming of Tombstone. The piece is nearly nine years old now, so I’m sure aficionados are well aware of its contents; but if you’ve not come across it before, it’s rather fascinating.



This is the last archive review summary. My dedicated effort to re-post all my old reviews began in July 2014, and 14 months later they’re finished. (After the reviews: what comes after the reviews.)


With all the reviews up, it’s now on to the rest of my unposted posts. More details in the first. (The one with the mop.)



Films I Hadn’t Heard of Before Watching The Story of Film
But Now Really Want to See

Mark Cousins’ documentary features somewhere north of 500 films. Kudos to anyone who’s seen all of them (especially if it was before the documentary came along and automatically became a checklist for some people). For us mere mortals, however, it’s a mix of ones we’ve seen, ones we want to see, ones we’re merely aware of, and a whole load of stuff we’ve never even heard of. The series also has a propensity to make you really want to see the films it features — not just ones you already knew you wanted to get round to it, but out-of-the-blue discoveries. So in tribute to the latter, I present this month’s highly personal (when isn’t it?) top five.

  1. Napoleon (1927)
    A cheat, because I have heard of Abel Gance’s 5½-hour biopic about the diminutive French general, but I’ve kind of ignored it because it’s hard for normal folk to see: Kevin Brownlow’s acclaimed restoration has never been released on any home format, only screening at festivals and the like (with two intermissions — one for dinner!), apparently due to some dubious copyright claim by Francis Ford Coppola. Shame.
  2. Cairo Station (1958)
    Cousins has a tendency to label films “the first great [insert name of place] film”, and I believe this was his pick for Africa; certainly for Egypt. Patrick Heenan in The International Dictionary of Films and Filmmakers may seem to disagree, but he does concur that it has “visual brilliance”.
  3. Black Girl (1966)
    Another thing Cousins has a tendency to do is give away the ending of films he covers. I suppose the only way to examine a work’s full meaning or worth is to discuss it in its entirety, and any truly great film is going to withstand having its plot revealed. Indeed, it may only have been Cousins’ full explanation of Black Girl that made it so intriguing.
  4. The Emperor’s Naked Army Marches On (1987)
    And the same could be said of this Japanese documentary, which follows a former soldier as he attempts to find out the truth about what happened to some of his comrades during World War 2, and unearths some very, very dark secrets. Sounds to me like a film about a kind of paranoia being vindicated.
  5. Hyenas (1992)
    Three of these films are from Africa, which possibly says as much about Western awareness of African cinema as it does about the inherent quality of that continent’s output. This Senegalese comedy-drama explores consumerism in a way that apparently “brings human folly and cynicism into sharp focus”.

…and there are so many, many more. Whatever you think of the documentary as a whole (and opinions are certainly mixed), as a showcase for great cinema it may be unparalleled.


After three months where the new-style titles of these progress reports actually signified something, the parade of meaningless monthly update adjectives begins…

And I’ll probably watch some films and write about them, too.

Archive Reposts: Mop-up & More

After 14 months of dedicated effort, yesterday’s repost of my Sunrise review means I’ve finally reached the end of my archive reposts… at least as far as reviews are concerned. There are a few posts left to go until I’ve fully re-uploaded all my priceless older content, and I’ve split them into the following categories:

  • Editorials — a handful of article-like pieces and ephemera that I’ve written down the years, which I’ll be reposting next at a similar rate to reviews (i.e. aiming for one per day). There will be about 19 of these.
  • Progress reports — via 23 ‘weekly’ posts in 2007, then sporadically from 2008, and then (finally) monthly from May 2010, I shared updates on my progress. I’ll be re-posting what remains of these after the editorials are done. There are 57, so it’ll take a couple of months… though some are so short and pointless (and only being reposted because of my completist drive) that sometimes I may dump a couple per day.
  • End-of-year summaries — full lists, top tens, statistics, and all the rest for 2007 to 2010 aren’t here yet. These will be the final things to be reposted (and no doubt the most worthwhile), at a rate of one year per day.

Then, finally, after all that, I’ll finally be done, finally.

Except for…

  • Miscellaneous crap — my thorough record of everything I’ve ever posted means there are a few other bits & bobs, most of which aren’t worth re-sharing (your mileage my vary on whether that’s also true for everything else I’m reposting). For instance, this includes the first time I had to repost all of 2007 — no one needs that recapping again, again. Any that I deem I want to keep online, for whatever reason, are in with the editorials; the rest shall disappear into the ether.

…but as I’m not reposting those, it’s not really an “except for”, is it? Anyway…

As you can see, it actually adds up to quite a few posts (84, to be exact), but it should still all be over sometime in November. As my goal was to get the reposting finished before 2016 started, that makes me happy.

Also, I shall be calling it the “repostathon”, because why not?

100 Films in a Year’s 1,000th film is…

Basic maths tells us that, in theory, 100 films in a year should result in 1,000 films in a decade. Patently, this is not the case: after eight years, seven months and sixteen days of my self-imposed titular challenge, I have viewed my 1,000th film.

And it is Mark Cousin’s 15-hour documentary, The Story of Film: An Odyssey.

Normally I’d leave such an announcement for my monthly update, but the next one’s a fortnight away and this is a special occasion. Also, I wanted to take a moment to address a few issues this choice might kick up, which also pads out this otherwise rather slight post.*

Firstly, for anyone who might have forgotten/never bothered to read the ‘rules’ (I don’t blame you), this is my 1,000th official/counted/main list film. That only includes films I’d never seen before, or alternative cuts that are significantly modified from the version I’d previously seen. This is why there are over 1,000 reviews on this blog but I’ve only now reached #1000, because I’ve also reviewed every not-that-different alternate cut I’ve seen in that time, as well as covering a handful of other movies.

Secondly, you may well be thinking, “but that’s a TV series, you cheeky so-and-so!” Well, yes and no. It’s true that it premiered on UK TV, and so that’s the form most people will have experienced it in, whether when it aired on More4 here or on TCM in the US or on another local broadcaster. But, ever since the time of its UK debut it’s been screened at various film festivals around the world (look, several pieces of evidence), and it’s in this form that it’s presented on its DVD release: not as 15 episodic chunks, but as a 15-hours-and-15-minutes whole (which has to be split across five discs). So yes, it is a TV series; but also, it’s a film. And it’s enough of a film for me to count it.

(See also today’s archive repost, a piece I wrote in 2008 titled “What makes a film a film?”)

So there we have it: long before I reach a decade of this malarkey, I’m 1,000 films done. Well, I haven’t actually finished it yet (c’mon, it’s 15 hours! I’ve made a start), but my point near enough stands. Yay me!

The full countdown to #1000 can be revisited here.
The Story of Film: An Odyssey will be reviewed in due course.

* Do the explanations exist to fill out the post, or does the post exist as a home for the explanations? Deep thoughts, man. ^

A pair of shorts for summer ³

Time flies: it’s five years since I last did a “pair of shorts for summer” post. But these things linger long in my memory, and so the series (I say “series” — I did two) is revived this year… but only with reposts.

So, we have the two previous “pair of shorts for summer” posts (a pair of pairs!), and the final two archive repost shorts (a new old pair! Or something.) Or, in its own way, 2x2x2 — 2³! I do think these things through y’know (well, sort of).

OK, I agree it’s not really worth getting excited over. But several of the shorts featured are actually very good, so there’s that.

The Centennial Monthly Update for July 2015

It’s a month of mixed emotions here at 100 Films, not least thanks to it being the earliest I’ve ever made it to #100.

But before even that, this month’s menu:


What Do You Mean You Haven't Seen…?

This month I was, happily, faced with the choice about what should be 2015’s #100. Fundamentally this doesn’t matter, of course — it’s just another thing watched, which just so happens to be the 100th new thing I’ve watched since a point in time we have decided marks the beginning of a new time-cycle (…just to suck all the romance out of it, there). Given the aim and title of this blog, however, of course #100 takes on significance. In a last-week-of-December scramble-to-the-finish situation, which film is #100 doesn’t matter so much as the very existence of a #100 does; in the more leisurely situation of reaching that point in July, however, there’s time to reflect and consider what film will join the likes of Citizen Kane, The Hurt Locker and Lawrence of Arabia in the 100 Films #100 Club. And I mention this in the WDYMYHS section, rather than Viewing Notes or Analysis or something, because the natural choice for such an accolade seemed to be a WDYMYHS film. So from the list of what was left, I selected the movie I felt most likely (based on its reputation and so on and so forth) to chime with my own tastes — the movie I most felt ‘should’ wind up being a personal favourite.

But first — I’m behind on WDYMYHS, so have been intending to watch multiple selections within a month for a while now, and this month I finally managed it. So before the glory of #100, another WDYMYHS graced my list at #97: John Carpenter’s The Thing. I thought there was a lot to like, but I didn’t love it.

Then on to #100 — the movie I felt most likely to love, that I should find a personal favourite. I have to say, it’s the kind of film I started WDYMYHS for — the very point of the exercise is to make me watch films like this; ones I’ve been meaning to for years, have been led to believe that I will love, but for whatever reason haven’t had a pressing enough reason to get round to. So that’s what led to Terry Gilliam’s Brazil being 2015’s #100. Thank goodness, it lived up to the hype. Naturally I watched the “final cut” he created for Criterion (is any other version readily available these days? Apart from the “avoid except for academic interest” “Love Conquers All” version Criterion bundle in, that is), which I might think is a little on the long side, but, well, I still greatly enjoyed it.

Anyway, that’s 100 done. Hurrah! And with that said, of course July wasn’t just about those two films…


July's viewing
Scanners
#91 Returning to Jedi (2007)
#92 Necessary Evil: Super-Villains of DC Comics (2013)
#93 Scanners (1981)
#94 Song of the Sea (2014)
#95 The Death of “Superman Lives”: What Happened? (2015)
#96 The Voices (2014)
Brazil#96a X-Men: Days of Future Past – The Rogue Cut (2014/2015)
#97 The Thing (1982)
#98 Lilo & Stitch (2002)
#99 TMNT (2007)
#100 Brazil (1985)
#101 Salvation Boulevard (2011)
#102 RED 2 (2013)


Viewing Notes

  • I backed The Death of “Superman Lives” documentary on Kickstarter a couple of years ago now and have been patiently waiting for it to turn up ever since, so it was kinda weird when half the internet (not to mention Proper Film Magazines ‘n’ that) was talking about it a few weeks ago. At some point I’ll post a proper review, but if you’re interested in its topic then it’s definitely worth a look.
  • Utterly meaningless, but it’s also the first film I’ve watched this year that’s title begins with ‘D’. Odd for such a common letter. (The only other unrepresented letters at this point are Q, U, Y and Z. And X, technically, as Days of Future Past isn’t on the main list.)


Analysis

July 2015 was a month of mixed results. On the one hand, watching 12 new films ticks a number of boxes: it smashes July’s low average (previously 5.86, now 6.63); as that might indicate, it’s also the highest July ever; it continues my at-least-10-per-month-all-year goal; and it’s the ninth month in a row to show an increase year-on-year.

On the other hand, it’s the lowest-tallying month of 2015 so far, and only the second month to fall short of the yearly average (which still rounds up to 15). That said, not included is that I spent time this month re-watching the Lord of the Rings trilogy, in its extended form to boot. Add that to The Rogue Cut and you get 16 films for the month — much more normal (well, normal for 2015). So, y’know, swings and roundabouts.

And, as mentioned, I made it to #100 — that excuses plenty in my book. It’s the earliest I’ve ever reached it, the previous best being September 9th. That was all the way back in my first year, 2007, making it perhaps the only record 2014 didn’t claim. This year has been rather good by my standards, so it’s one I don’t foresee breaking again. I mean, if I had five consecutive best-ever months (i.e. better than I’ve ever done, x5) then I could squeeze it in by the end of May. Well, you never know.

Over in prediction corner, if I can keep up my ten-minimum for another five months, as desired, 2015 will end no lower than #152. Remember, my previous best is 136, so that alone would leave me feeling pretty darn chuffed. Bolder estimates: my pace so far has me reaching #175; if I could consistently reclaim the 2015 mode average (which is 15), I’d hit #177; if I can manage to continue the year-on-year monthly increases (an increasingly tough task, as the end of 2014 was so strong), I get as far as #178. A finish anywhere northwards of #170 is a 25% improvement on my previous best, so that’d be more than grand.


The Arbies
The 2nd Monthly Arbitrary Awards

Favourite Film of the Month
A few films this month were good but didn’t quite live up to my expectations, which makes this feel like a pretty clear choice: it’s Brazil again.

Least Favourite Film of the Month
It’s taken me eight years to get round to it, so I clearly can’t’ve been that fussed, but I really wanted to enjoy TMNT. I didn’t not enjoy it, per se, but it wasn’t all I wanted it to be either.

Best Portrayal of a Dog, Cat, Deer, Fish and Bunny Monkey
Ryan Reynolds, your superhero sins are forgiven. (Also, the Comic-Con Deadpool trailer looked great, so that too.)

Most Evil Alien
The Thing from The Thing, or Stitch from Lilo & Stitch? Stitch from Lilo & Stitch, or the Thing from The Thing? Oh, it’s a tough call! Ok, Stitch does redeem himself (itself?), so I guess the Thing edges it.

The Audience Award for Most-Viewed New Post of the Month
This award goes to another award — my Liebster Award! Maybe y’all want to know about me more than I thought you did.


Reviews


Archive Reviews


In Memoriam

Just a couple of weeks ago, I commented here on the enduringness of our elderly dog, Rory. Sadly, not very long after that post, his long-standing health problems meant it was time for us to choose to say goodbye.

I know non-pet-owners often don’t ‘get it’ when a beloved pet passes away — I grew up in a very non-pet-y home, so I’ve been that person in the past. However, it’s a terrible wrench, even when it’s been inevitable for a while and you know you made the right decision.

Rory was a rescue, found as a stray, with enough health issues that we’ve been taking him to the vet essentially non-stop since we got him. He certainly went through the ringer even with us, starting with a dreadful skin condition, which eventually cleared up entirely after years of uniquely-formulated treatment. He lost the tip of one ear in an assault by another dog, and had his neck punctured in another (both encounters entirely unprovoked!) Then there was the more regular old-age ailment of arthritis; and, two-and-a-half years ago, he slipped a disc and his gall bladder packed up at the same time, leading to a tense Christmas/New Year spent at a specialist vet hospital (and to me not making it to 100 films in 2012).

Experienced owners in the family said they’d never seen a dog be so ill and pull back, but pull back he did, and for another couple of years to boot. He’d been judged too old and fragile to endure a back operation, so he lived with that slipped disc for those years, on pain killers of course, but he kept on. He was a little fighter, right to the end. In his last week, his spine problems finally reached a point where he could only stand for short periods intermittently, even for his beloved food, and that really meant it was time.

We’ll never know what happened to Rory in the years before he knew us, but — in spite of his catalogue of woes — we gave him six years, one month and one day of loving happiness. I don’t believe in an afterlife, but if there is one, I do believe dogs are far more deserving of it than any of us humans. I’m sure Rory would enjoy being able to run free again, in between eating copious amounts of bacon and sausage. It breaks my heart that I’ll never see him again, but at least he’s at peace and out of pain.

(“From around the blogosphere”, the list of 5, and so on, will all return next month.)


Next month…

With the thrill of #100 passed, there’s a whole new level of excitement…

#1000 is coming.

The countdown begins imminently, as 2015’s #103 (i.e. the very next new film that I watch) will be the blog’s #991.

Expect banners, people.

Liebster Award

Michele at Timeless Hollywood has kindly nominated me for a Liebster Award (or, as spellcheck insists on rendering it, “Leicester Award”).

For those not in the know, a Liebster Award is bestowed from blogger to blogger as a kind of peer appreciation. There are actually a bunch of variations — this person took it upon themselves to write some official rules. Not entirely sure what makes them qualified to do such a thing, but they did it anyway, and now that post sits right at the top of the Google search results, so I guess it worked for them.

Anyway, The Rules:

  1. Answer my nominator’s 11 questions;
  2. Nominate 11 additional bloggers;
  3. Ask 11 questions to my nominees;
  4. Share 11 additional facts about myself.

I’m not sure why it has so much to do with the number 11. Having seen various other bloggers complete the award, #2 seems to be particularly flexible in this regard. I suspect I shall be too.

But first! 11 questions must be answered, in my usual longwinded style:

1) What onscreen couple has the best chemistry?
A relatively recent discovery for me, but I’m going to go with William Powell and Myrna Loy in the Thin Man films.

2) If one lost film could be found, what would it be?
Would it be a cheat to pick some Doctor Who episodes? It would, wouldn’t it? Especially as Who is in a better state than silent cinema, where up 75-90% of films are estimated to be lost. Of course, there’s Hitchcock’s second feature, The Mountain Eagle, and the first British Sherlock Holmes film, an adaptation of A Study in Scarlet (which always seems to be given short shrift when it’s filmed, Catch My Soulso I wouldn’t hold much hope of that being any better), but the film that most intrigued me when looking into this was from the ’70s: #10 on this list, Patrick McGoohan’s first (and only) film as director, Catch My Soul. Turns out it’s since been found, though the chances of anyone else seeing it look shaky. Still, it does exist, so I go back to the first two.

3) If you could choose one silent comedian between Charlie Chaplin, Buster Keaton, Harold Lloyd or Roscoe “Fatty” Arbuckle, who is your favorite and why?
I confess, I haven’t seen enough of any for this to be a fair contest. From what I have seen, however, The Great Dictator was my favourite work, so I’ll go for Chaplin. (Also for compatriotism.)

4) Who is your favorite swashbuckler?
Does someone who usually (always?) played the villain in such movies count? Basil Rathbone, arguably best known for his portrayal of Sherlock Holmes, was a skilled fencer in real life, shown to great effect in The Adventures of Robin Hood, The Mark of Zorro, The Court Jester (even if that mostly isn’t him), and a few other films that I really must see.

5) What is your favorite biography or autobiography?
The Writer's Tale - The Final ChapterIt’s not an autobiography per se, but Doctor Who: The Writer’s Tale by Russell T Davies and Benjamin Cook kind of is, as it chronicles Davies’ experience running Doctor Who (and its spin-offs) in 2008 to 2010. You may think “I’m not a Doctor Who fan, this has no relevance to me,” but you’d be wrong. Anyone who’s had a desire to write in a professional capacity, especially for the screen, must read this book — it’s the experience of writing for TV and running a TV show, just with Doctor Who as a case study. And it’s immensely readable, making its surprising length (particularly in the extended The Final Chapter paperback version — length-wise, it’s literally a whole extra book bundled in) fly by.

6) Have you ever participated in a blogathon and if so what did you enjoy most about it?
I’ve participated in a few now (three, to be precise). Each time, I found the knowledge that I was likely exposing my writing to a much wider readership than normal led me to up my game in terms of the research and thought I put into my posts (and consequently their length, too). Which is not to say I don’t just do that anyway (sometimes), but there was a kind of pressure to do well. Good pressure.

7) If you could buy any memorabilia, what would it be?
Let’s be properly extravagant and say a James Bond Aston Martin DB5. I’m not even a ‘car person’, but c’mon, the DB5!

The car's Martin. Aston Martin.

8) In your opinion, who is the biggest pioneer in the film industry (past or present)?
I mean, where do you begin? But here’s a slightly more obscure one: Garrett Brown. Who? The inventor of the Steadicam, that’s who. It looks like the Steadicam might be about to be replaced by the even greater flexibility afford by drones, but still, it was (is) awesome while it lasted.

9) What decade had the best films?
I’m quite fond of all eras of film, so I decided to be empirical about this: I looked at my list of favourite movies and totted up the decades. Turns out the 2000s have it, just pipping the 1990s. Probably says more about when I grew up than anything else, mind.

10) Is there any actor/actress you feel hasn’t gotten the recognition they deserve?
Maybe it’s just because I’m more immersed in modern film, but no one ever seems to talk about Ray Milland. I discovered him for myself through films like Ministry of Fear, The Thief and The Lost Weekend, and I really ought to seek out more of his work because he’s great in all of those.

11) What actor/actress should receive an Oscar that hasn’t?
Michael “The Queen / Frost/Nixon / The Damned United / etc” Sheen.

The many faces of Michael Sheen

Next! 11 5 bloggers shall be nominated. (I’m not stingy, I’d do more, but a bunch of blogs I thought of just had one.) Anyway, in alphabetical order:

(You’ll notice a fair degree of crossover with blogs I highlighted in my June update. Not a coincidence.)

Next! The 11 questions they must answer:

1) Have you ever walked out of a cinema part way through a film?
2) Favourite current TV series?
3) Favourite silent film?
4) Favourite David Fincher film?
5) Favourite film soundtrack?
6) Who’s the best James Bond?
7) Which is the longest-running film series that you’ve seen every movie in?
8) Which film have you watched the most?
9) Which film do you love that everybody else hates?
10) Is there a line from a film that you use a lot in everyday life?
11) How much wood would a woodchuck chuck if woodchuck would chuck wood?

A woodchuck, yesterday

And finally! 11 random facts about my good self:

1) I am currently mostly listening to Muse’s Drones and Nightwish’s Endless Forms Most Beautiful.

2) I have two dogs, Rory and Poppy, both rescues.

3) Part of the reason for adopting Poppy was to help with the transition when Rory… you know… because he’d been on his last legs for years. 18 months later, he’s still going, bless ‘im.

4) I kind of work on the principle that my personal life has little to do with my film-related blogging (which, in many ways, is an invalid stance, but that’s a whole other debate), so this is proving tricky…

5) I get kind of ‘attached’ to sayings — not deliberately, but I think I use certain phrases a lot, even if just for a while. Maybe we all do? I’m sure there are plenty of examples in my reviewing (there are certainly words I revert to often); in real life, “there’s a first time for everything” is regularly applicable and “better safe than sorry” is virtually my motto. Whether I listen to it or not is another matter.

List of lists of lists

6) I make lots of lists, about all sorts — mainly films, DVDs and Blu-rays, especially ones to be watched. Each time I watch a film for this blog, it has to be added to, removed from, or rated on up to 21 separate lists and websites.

7) To make sure I don’t miss any, I have a list of those lists.

8) I am inordinately chuffed with the top menu on this blog, which I rebuilt t’other week to include most of my categories and streamline the review lists. Check out Film Noir (under Categories > Genres) in particular. Sub-submenus!

9) I love pizza. I don’t know if this is attributable to a childhood love of Teenage Mutant Ninja Turtles or just because it’s awesome. Anyway, I’ve been trying to eat more healthily and haven’t had a pizza for five months. Five months. You’re driving me back towards pizza, Liebster Facts.

Pizza is totally more addictive

10) Most people my age and nationality call it Teenage Mutant Hero Turtles, because that’s how they rebranded it over here (I really don’t know what the British / the BBFC had against ninjas and their weaponry). It’s always been Ninja to me because, at the time I was into Turtles, I spent nearly two years living in Saudi Arabia. (Who knew that fact was going somewhere broadly interesting, right?) (Obviously, they used the correct title in Saudi.)

11) I have no idea what a woodchuck is.*

So there you go. Thanks again to Michele of Timeless Hollywood, and I look forward to reading my nominees’ answers.

* I wrote that before I looked up the picture above, so this fact is now a lie.

The New-Look Monthly Update for June 2015

Say hello to the new-look, bigger-than-ever 100 Films monthly update! Well, partially new look — much is the same, but there are some exciting new regular categories, and image-header-things. I had some ideas; I’ve introduced them all at once. (They excited me, anyway.)

First new regular: a contents list!


What Do You Mean You Haven't Seen…?

Just one WDYMYHS film watched this month (so I’m still two behind) — it’s Martin Scorsese’s beloved boxing biopic (that I should’ve watched in 2013 but failed to), Raging Bull. I would make a brief comment on what I thought of it, but we’ll come to that in the Arbies…


June's viewing

Kingsman#75 Changing Lanes (2002)
#76 Kingsman: The Secret Service (2015)
#77 The Expendables 3 (Extended Version) (2014)
#78 Ladyhawke (1985)
#79 Now You See Me (2013)
#80 The Interview (2014)
#81 Safety Not Guaranteed (2012)
#82 Superman vs. The Elite (2012)
John Wick#83 Rush (2013)
#84 Whiplash (2014)
#85 Meet the Robinsons (2007)
#86 Before Dawn (2012)
#87 The Guest (2014)
#88 Raging Bull (1980)
#89 John Wick (2014)
#90 Fury (2014)


Viewing Notes

  • Meet the Robinsons is the 47th official Walt Disney Animated Classic, and the 39th I’ve seen. 15 to go…
  • I have a whole new format and I make this entire section look pointless with one “oh, by the way” bit of trivia, which is less than I normally have to say here, I feel. Ah well, what can you do?


Analysis

2015 continues apace with 16 new films watched this month. That smashes the June average of 7.14 — indeed, reaching #90 singlehandedly drags it up over a whole film, to 8.25. It’s the highest June ever, which also means it’s the 8th month in a row to beat last year’s equivalent (June 2014 had 11). It’s the 13th month in a row in which I watched more than 10 new films, and is tied with January as both the highest month of 2015 and the third-highest month ever (also tied with May & August 2010). That means that, at 2015’s halfway point, its monthly average is exactly 15.

Most excitingly of all, however, is that I’m now all but guaranteed to reach #100 in July. I’d have to fail my ten-films-per-month goal not to, and I’ve been doing really well with that so have plenty of incentive not to let it slip. More on what reaching #100 in July ‘means’ next month (hopefully!)

Over in Prediction Corner: assuming I uphold my ten-per-month minimum, this year will reach at least #150, which would be my best year by some 14 films. In other words, we should know if 2015 is a new Best Year Ever by November at the latest. (Unless I mess up ten-per-month but then still pass 136 in December, of course.) Meanwhile, in the world of averages… well, we’re halfway through the year, so such a prediction would see my tally exactly double, clocking in at a quite extraordinary 180. (Extraordinary for me, anyhow — stow it, you “365 films in a year” people!)

I’ve been posting these regular monthly updates for over five years now, and in all that time they’ve been very much focused on numbers and stats — how many films have I watched, how does that compare to the past, what does it suggest for the future, etc. And that’s fair enough — as progress reports, it’s kinda their point to report my progress. But I’ve decided it’s about time to introduce some opinion into the mix, to liven things up a bit. So I proudly present…


The Arbies
The 1st Monthly Arbitrary Awards

So named because what I watch in any given month is pretty arbitrary, so the pool of contenders is a total whim rather than a genuine competition. Plus, each month two of the five categories are going to be arbitrarily chosen, just to compound the point. You’ll get the idea as we go along.

That’s Arbie on the right, by-the-way. In case that wasn’t obvious. (Turns out Arbie is also the name of the mascot of the Royal Bank of Canada. I don’t think anyone’s going to get us confused though, so on I go.)

For June 2015, the awards go to…

Favourite Film of the Month
I watched a number of very good films this month, several of them strong contenders for my year-end top ten, but when it came to the crunch there was a clear winner here: as anyone who read my review yesterday likely suspects, it’s The Guest.

Least Favourite Film of the Month
Although there were a couple of weak and/or disappointing movies amongst my viewing this month, and some I certainly liked less than this winner (or, rather, loser), for the greatest discrepancy between “expectation” and “what I actually thought of it”, this goes to Raging Bull.

The Most ’80s Soundtrack You’ve Ever Heard
Most months The Guest would have this sewn up, but oh no, not when Ladyhawke’s around. Can you imagine anyone doing a fantasy movie without a Howard Shore-esque orchestral epic soundtrack nowadays? Me either. In the ’80s, on the other hand… well, they sure did love their synthesisers.

Most “Oh, I Didn’t Know They Were In It” Cameo Appearance
If all you’ve seen of John Wick is the Keanu Reeves-centric posters, it’s probably riddled with moments such as these. Me, I somehow knew most of them, so this award goes to Jason “should’ve played James Bond at some point” Isaacs popping up in Fury as some kind of commander for a little bit. The Blu-ray has nearly an hour of deleted scenes; to my surprise, “the rest of Jason Isaacs’ role” doesn’t seem to be among them.

The Audience Award for Most-Viewed New Post of the Month
Because if I didn’t limit it to new posts, this would be Harry Potter every month (across 2014 and 2013 (the year they were first published), my reviews of Philosopher’s Stone and Chamber of Secrets accounted for 33.5% of all my page views).
This month: thanks primarily to being retweeted by a Keanu Reeves fan twitter, the victor is Man of Tai Chi.


from around the blogosphere…

I am shockingly bad at getting round to reading other people’s blogs, and when I do it’s often in fits and starts (as anyone who’s ever received half-a-dozen ‘likes’ from me on things they posted a month ago can attest). In the interest of being a better human being, then, I thought I’d start collating particularly interesting pieces from elsewhere and share them here, for whatever that’s worth.

There’s no particular rhyme or reason to my choices, just a handful of pieces that struck a particular chord for me this month. For one thing, there’s a pair of coincidently-thematically-similar pairings from the same two blogs. One of those is up first:

1976, the year it all started… @ the ghost of 82
ghostof82 tackles the emotions of what makes us love movies in the first place, through his own experience with Jaws in ’76.

Jurassic Park (1993) @ Films on the Box
Mike touches on a similar topic from a different angle: how films that are cinema-defining for a generation can appear to those outside said generation.

Evangelion June 22, 2015 @ Heather Anne Campbell
Monday 22nd June 2015 was “Evangelion Day”, the day on which the first episode of anime series Neon Genesis Evangelion takes place. In this write-up, Heather Anne Campbell explains what the series means to her and, in the process, outlines some of the reasons it’s so good and has endured for so long.

Ten of the Best – Noir Directors @ Ride the High Country
Whenever I read Colin’s blog I come away with a raft of new films I want to see. You can only imagine how many got added to my list after this well-considered overview.

Miracle Mile (1988) Review @ Cinema Parrot Disco
Who doesn’t love stumbling across something they’ve never heard of that turns out to be right up their street? No idea if I’d like Miracle Mile, or even if/when I’ll have a chance to see it, but table9mutant’s review has me suitably intrigued. And is it just me or are the ’80s everywhere at the minute?

Movies Silently’s Top Ten Talkies @ Movies Silently
Talking of, a) recommendations, and b) the ’80s, silent cinema doyenne Fritzi took a detour from her regular stomping ground with this list (technically from last month, but rules were made to be bent). Any list of favourites that includes Mystery Men is a good’un in my book, but the aforementioned ’80s recommendation is her #2 choice, medieval fantasy Ladyhawke. As you may’ve noticed above, it even managed to find its way to the top of my “must watch” pile (a rare feat). Full review in due course, but for now suffice to say I very much enjoyed it. I even thought the score had its moments.

RIP Christopher Lee @ Films on the Box
Finally, the second pairing I mentioned, on a sadder note. First, Mike pays fitting tribute to one of the great screen icons.

Remembering the Music of James Horner @ the ghost of 82
Last but not least, a personal tribute to composer James Horner.


Reviews


Archive Reviews


5 Iconic Music Themes

Film music has changed a lot down the years, but it’s been a pretty constant important element. Plenty of it is forgettable background noise, but some stands out so much it becomes famed in its own right. I recently re-watched the original Star Wars trilogy, inspiring this month’s top five: three film themes — plus two from other mediums — that, to me, are some of the most iconic of all.

  1. Doctor Who by Ron Grainer
    Doctor WhoDiddly-dum diddly-dum diddly-dum ooo-weee-ooo… For generations of British children, that’s the sound of Saturday night adventure. I guess to some people it’s just a children’s TV theme, but they’re wrong: it was a genuinely pioneering, important example of burgeoning electronic music (honestly). As a composition it’s surprisingly versatile: Delia Derbyshire’s original arrangement is still chillingly unsettling 52 years on; Murray Gold’s 2005 version (arguably perfected in the Series Four version) is an equally-perfect orchestral blockbuster.
  2. Star Wars (Main Theme) by John Williams
    Star WarsDooo-dooo dododo-dooodo dododo-dooodo dododo-doo… You could probably fill this list twice over with John Williams compositions — Indiana Jones, Jaws, Superman, Jurassic Park, more recently Hedwig’s Theme from Harry Potter, and so on — but undoubtedly the most iconic of them all is his main theme to George Lucas’ space-fantasy saga. Running it a close second is the same series’ Imperial March, perhaps the greatest villain’s theme ever. All together now: dum dum dum dum-dudum dum-dudum…
  3. James Bond Theme by Monty Norman
    Casino Royale teaserDang da-dang-dang da-da-da dang da-dangdang da-da-da daa-daa da-da-daa… A 53-year-old surf rock tune should by all rights be horribly dated, but I guess true cool endures. While the version used in the films has barely changed, there are an abundance of variations for trailers, etc. My personal favourite is the one created by Pfeifer Broz. Music for the Casino Royale trailer in 2006. The climactic use of a choir is one of those “how did it take someone 43 years to think of this?!” moments.
  4. The Fellowship Theme by Howard Shore
    FellowshipDooo-dooo dododooo, do-do-doo do-do-doo do-do-doo do do doo… The only one here that isn’t a title theme, but it’s indelibly part of the Lord of the Rings franchise — it has no reason to appear in The Hobbit trilogy, but I spent most of those eight hours missing it. It reoccurs throughout the trilogy (of course it does), but perhaps the purest version can be found in The Ring Goes South from the Fellowship soundtrack. “Only Peter Jackson and Howard Shore can make 9 people walking past a rock look epic.”
  5. The Secret of Monkey Island by Michael Land
    The Secret of Monkey IslandDoo-doo dodododo-doo do-do-do-doo… I’m certain this will be less familiar than any of the above to most people but, honestly, to me (and, I think, many other people who played the LucasArts games) it’s as iconic as anything else I’ve mentioned, including all of those other John Williams ones. The original was rendered in the style of its era — a digital MIDI thing — but it endured throughout the series and was transformed into some lusher orchestral versions. Try the version from the 2009 special edition, for instance.

I’m already full of incredulousness at myself for leaving out Indiana Jones. Or Back to the Future. Or Mission: Impossible. And it may’ve been composed by committee, but I love the main theme from Pirates of the Caribbean (find it cleanly in the first film’s He’s a Pirate). And if we’re allowing TV themes, what about Games of Thrones? I mean, this is pretty much what I hear every time I watch the show. And also… oh, we’ll be here forever. What are you favourites?


Next month…

#100! Probably. Hopefully.

It was Evangelion Day on Monday and I missed it but here are some reposts

Monday 22nd June 2015 reportedly marked the day on which the first episode of anime masterpiece Neon Genesis Evangelion takes place, and I completely missed that until Wednesday.

To belatedly mark it, however, this weekend I’m going to re-post my reviews of the four Evangelion films that have so far made their way to British discs (the fifth, Evangelion 3.33, is long-awaited thanks to a whole kerfuffle over the subtitle translation. Last I heard, we can expect it in early 2016).

Today: the two films that recapped/re-concluded the original series back in the ’90s, here covered in two short reviews from 2007.

Tomorrow: the first half of the Rebuild of Evangelion project, a reconfiguration / restoration / remake of the TV series as a tetralogy of films. (See the exciting placeholder images, which will excitingly turn into real links tomorrow, below.)

Neon Genesis Evangelion: Death & Rebirth

Neon Genesis Evangelion: The End of Evangelion

Evangelion: 1.11 You Are (Not) Alone.

Evangelion: 2.22 You Can (Not) Advance.