Say hello to the new-look, bigger-than-ever 100 Films monthly update! Well, partially new look — much is the same, but there are some exciting new regular categories, and image-header-things. I had some ideas; I’ve introduced them all at once. (They excited me, anyway.)
First new regular: a contents list!
Just one WDYMYHS film watched this month (so I’m still two behind) — it’s Martin Scorsese’s beloved boxing biopic (that I should’ve watched in 2013 but failed to), Raging Bull. I would make a brief comment on what I thought of it, but we’ll come to that in the Arbies…
#75 Changing Lanes (2002)
#76 Kingsman: The Secret Service (2015)
#77 The Expendables 3 (Extended Version) (2014)
#78 Ladyhawke (1985)
#79 Now You See Me (2013)
#80 The Interview (2014)
#81 Safety Not Guaranteed (2012)
#82 Superman vs. The Elite (2012)
#83 Rush (2013)
#84 Whiplash (2014)
#85 Meet the Robinsons (2007)
#86 Before Dawn (2012)
#87 The Guest (2014)
#88 Raging Bull (1980)
#89 John Wick (2014)
#90 Fury (2014)
- Meet the Robinsons is the 47th official Walt Disney Animated Classic, and the 39th I’ve seen. 15 to go…
- I have a whole new format and I make this entire section look pointless with one “oh, by the way” bit of trivia, which is less than I normally have to say here, I feel. Ah well, what can you do?
2015 continues apace with 16 new films watched this month. That smashes the June average of 7.14 — indeed, reaching #90 singlehandedly drags it up over a whole film, to 8.25. It’s the highest June ever, which also means it’s the 8th month in a row to beat last year’s equivalent (June 2014 had 11). It’s the 13th month in a row in which I watched more than 10 new films, and is tied with January as both the highest month of 2015 and the third-highest month ever (also tied with May & August 2010). That means that, at 2015’s halfway point, its monthly average is exactly 15.
Most excitingly of all, however, is that I’m now all but guaranteed to reach #100 in July. I’d have to fail my ten-films-per-month goal not to, and I’ve been doing really well with that so have plenty of incentive not to let it slip. More on what reaching #100 in July ‘means’ next month (hopefully!)
Over in Prediction Corner: assuming I uphold my ten-per-month minimum, this year will reach at least #150, which would be my best year by some 14 films. In other words, we should know if 2015 is a new Best Year Ever by November at the latest. (Unless I mess up ten-per-month but then still pass 136 in December, of course.) Meanwhile, in the world of averages… well, we’re halfway through the year, so such a prediction would see my tally exactly double, clocking in at a quite extraordinary 180. (Extraordinary for me, anyhow — stow it, you “365 films in a year” people!)
I’ve been posting these regular monthly updates for over five years now, and in all that time they’ve been very much focused on numbers and stats — how many films have I watched, how does that compare to the past, what does it suggest for the future, etc. And that’s fair enough — as progress reports, it’s kinda their point to report my progress. But I’ve decided it’s about time to introduce some opinion into the mix, to liven things up a bit. So I proudly present…
The 1st Monthly Arbitrary Awards
So named because what I watch in any given month is pretty arbitrary, so the pool of contenders is a total whim rather than a genuine competition. Plus, each month two of the five categories are going to be arbitrarily chosen, just to compound the point. You’ll get the idea as we go along.
That’s Arbie on the right, by-the-way. In case that wasn’t obvious. (Turns out Arbie is also the name of the mascot of the Royal Bank of Canada. I don’t think anyone’s going to get us confused though, so on I go.)
For June 2015, the awards go to…
Favourite Film of the Month
I watched a number of very good films this month, several of them strong contenders for my year-end top ten, but when it came to the crunch there was a clear winner here: as anyone who read my review yesterday likely suspects, it’s The Guest.
Least Favourite Film of the Month
Although there were a couple of weak and/or disappointing movies amongst my viewing this month, and some I certainly liked less than this winner (or, rather, loser), for the greatest discrepancy between “expectation” and “what I actually thought of it”, this goes to Raging Bull.
The Most ’80s Soundtrack You’ve Ever Heard
Most months The Guest would have this sewn up, but oh no, not when Ladyhawke’s around. Can you imagine anyone doing a fantasy movie without a Howard Shore-esque orchestral epic soundtrack nowadays? Me either. In the ’80s, on the other hand… well, they sure did love their synthesisers.
Most “Oh, I Didn’t Know They Were In It” Cameo Appearance
If all you’ve seen of John Wick is the Keanu Reeves-centric posters, it’s probably riddled with moments such as these. Me, I somehow knew most of them, so this award goes to Jason “should’ve played James Bond at some point” Isaacs popping up in Fury as some kind of commander for a little bit. The Blu-ray has nearly an hour of deleted scenes; to my surprise, “the rest of Jason Isaacs’ role” doesn’t seem to be among them.
The Audience Award for Most-Viewed New Post of the Month
Because if I didn’t limit it to new posts, this would be Harry Potter every month (across 2014 and 2013 (the year they were first published), my reviews of Philosopher’s Stone and Chamber of Secrets accounted for 33.5% of all my page views).
This month: thanks primarily to being retweeted by a Keanu Reeves fan twitter, the victor is Man of Tai Chi.
I am shockingly bad at getting round to reading other people’s blogs, and when I do it’s often in fits and starts (as anyone who’s ever received half-a-dozen ‘likes’ from me on things they posted a month ago can attest). In the interest of being a better human being, then, I thought I’d start collating particularly interesting pieces from elsewhere and share them here, for whatever that’s worth.
There’s no particular rhyme or reason to my choices, just a handful of pieces that struck a particular chord for me this month. For one thing, there’s a pair of coincidently-thematically-similar pairings from the same two blogs. One of those is up first:
1976, the year it all started… @ the ghost of 82
ghostof82 tackles the emotions of what makes us love movies in the first place, through his own experience with Jaws in ’76.
Jurassic Park (1993) @ Films on the Box
Mike touches on a similar topic from a different angle: how films that are cinema-defining for a generation can appear to those outside said generation.
Evangelion June 22, 2015 @ Heather Anne Campbell
Monday 22nd June 2015 was “Evangelion Day”, the day on which the first episode of anime series Neon Genesis Evangelion takes place. In this write-up, Heather Anne Campbell explains what the series means to her and, in the process, outlines some of the reasons it’s so good and has endured for so long.
Ten of the Best – Noir Directors @ Ride the High Country
Whenever I read Colin’s blog I come away with a raft of new films I want to see. You can only imagine how many got added to my list after this well-considered overview.
Miracle Mile (1988) Review @ Cinema Parrot Disco
Who doesn’t love stumbling across something they’ve never heard of that turns out to be right up their street? No idea if I’d like Miracle Mile, or even if/when I’ll have a chance to see it, but table9mutant’s review has me suitably intrigued. And is it just me or are the ’80s everywhere at the minute?
Movies Silently’s Top Ten Talkies @ Movies Silently
Talking of, a) recommendations, and b) the ’80s, silent cinema doyenne Fritzi took a detour from her regular stomping ground with this list (technically from last month, but rules were made to be bent). Any list of favourites that includes Mystery Men is a good’un in my book, but the aforementioned ’80s recommendation is her #2 choice, medieval fantasy Ladyhawke. As you may’ve noticed above, it even managed to find its way to the top of my “must watch” pile (a rare feat). Full review in due course, but for now suffice to say I very much enjoyed it. I even thought the score had its moments.
RIP Christopher Lee @ Films on the Box
Finally, the second pairing I mentioned, on a sadder note. First, Mike pays fitting tribute to one of the great screen icons.
Remembering the Music of James Horner @ the ghost of 82
Last but not least, a personal tribute to composer James Horner.
Film music has changed a lot down the years, but it’s been a pretty constant important element. Plenty of it is forgettable background noise, but some stands out so much it becomes famed in its own right. I recently re-watched the original Star Wars trilogy, inspiring this month’s top five: three film themes — plus two from other mediums — that, to me, are some of the most iconic of all.
- Doctor Who by Ron Grainer
Diddly-dum diddly-dum diddly-dum ooo-weee-ooo… For generations of British children, that’s the sound of Saturday night adventure. I guess to some people it’s just a children’s TV theme, but they’re wrong: it was a genuinely pioneering, important example of burgeoning electronic music (honestly). As a composition it’s surprisingly versatile: Delia Derbyshire’s original arrangement is still chillingly unsettling 52 years on; Murray Gold’s 2005 version (arguably perfected in the Series Four version) is an equally-perfect orchestral blockbuster.
- Star Wars (Main Theme) by John Williams
Dooo-dooo dododo-dooodo dododo-dooodo dododo-doo… You could probably fill this list twice over with John Williams compositions — Indiana Jones, Jaws, Superman, Jurassic Park, more recently Hedwig’s Theme from Harry Potter, and so on — but undoubtedly the most iconic of them all is his main theme to George Lucas’ space-fantasy saga. Running it a close second is the same series’ Imperial March, perhaps the greatest villain’s theme ever. All together now: dum dum dum dum-dudum dum-dudum…
- James Bond Theme by Monty Norman
Dang da-dang-dang da-da-da dang da-dangdang da-da-da daa-daa da-da-daa… A 53-year-old surf rock tune should by all rights be horribly dated, but I guess true cool endures. While the version used in the films has barely changed, there are an abundance of variations for trailers, etc. My personal favourite is the one created by Pfeifer Broz. Music for the Casino Royale trailer in 2006. The climactic use of a choir is one of those “how did it take someone 43 years to think of this?!” moments.
- The Fellowship Theme by Howard Shore
Dooo-dooo dododooo, do-do-doo do-do-doo do-do-doo do do doo… The only one here that isn’t a title theme, but it’s indelibly part of the Lord of the Rings franchise — it has no reason to appear in The Hobbit trilogy, but I spent most of those eight hours missing it. It reoccurs throughout the trilogy (of course it does), but perhaps the purest version can be found in The Ring Goes South from the Fellowship soundtrack. “Only Peter Jackson and Howard Shore can make 9 people walking past a rock look epic.”
- The Secret of Monkey Island by Michael Land
Doo-doo dodododo-doo do-do-do-doo… I’m certain this will be less familiar than any of the above to most people but, honestly, to me (and, I think, many other people who played the LucasArts games) it’s as iconic as anything else I’ve mentioned, including all of those other John Williams ones. The original was rendered in the style of its era — a digital MIDI thing — but it endured throughout the series and was transformed into some lusher orchestral versions. Try the version from the 2009 special edition, for instance.
I’m already full of incredulousness at myself for leaving out Indiana Jones. Or Back to the Future. Or Mission: Impossible. And it may’ve been composed by committee, but I love the main theme from Pirates of the Caribbean (find it cleanly in the first film’s He’s a Pirate). And if we’re allowing TV themes, what about Games of Thrones? I mean, this is pretty much what I hear every time I watch the show. And also… oh, we’ll be here forever. What are you favourites?
#100! Probably. Hopefully.