Jonathan Dayton & Valerie Faris | 97 mins | DVD | 15 / R
People will tell you this is a comedy, when really it’s a comedy-drama. A TV critic once said, not wrongly, that a comedy-drama is something that isn’t especially funny nor especially dramatic so tries to do both.
Luckily, Little Miss Sunshine is frequently laugh-out-loud hilarious, from the opening dinner scene to the send-up of inherently paedophilic beauty pageants at the climax (so hilarious it almost single-handedly pushed my mark up to a five). There’s also some competent drama threaded through to make that side worthwhile. And I suspect that loveable little Abigail Breslin was more deserving of the Oscar than that irritating Jennifer Hudson.

Empire gave this film 
OK, I must confess, this one is something of a cheat — I’ve seen Crash before, and whilst some ‘director’s cuts’ can be vastly different, this one is 
George Clooney’s directorial debut is part biopic, part comedy, and part spy thriller.
Oh dear.
Doom is quite flawed in many ways. I don’t say this because I inherently dislike mindless action films (while I am perfectly aware they are not usually Great Films, I enjoy them as entertainment); I say this because Doom doesn’t really succeed at being one. It takes too long to get anywhere — I think someone thought it was building suspense, when really it’s just nothing happening.
Ophüls’ film noir about a mother who covers up the death of her daughter’s much older boyfriend. I think I’m perhaps erring on the side of generosity with the rating, but it is still quite a good film. Certainly it allowed me to play one of my favourite games: what would I change if I remade it? I had a few quite good ideas, actually. I’m tempted to start writing…
2007 #23
It’s very hard to find what to say about this film. It’s a shame the Oscars were too cowardly to nominate it for much; Greengrass probably deserved Best Director for this more than Scorsese did for
Almost the flip-side of