David Frankel | 105 mins | DVD | PG / PG-13
Emily Blunt steals every scene, which is impressive alongside an Oscar-nominated Meryl Streep (that being the now-customary acting-nominee-from-a-blockbuster, est. 2004 by Mr Depp). Anne Hathaway provides the plot/emotional through-line against these performances, which is somewhat impressive when playing a lead character who morally sells out (albeit into a lifestyle that is undoubtedly desirable to the film’s intended audience).
The plot and character arcs may be pretty predictable, but it’s an above-average example of a film of this type.

Slowly paced and beautifully photographed, this is about as far from Disney’s telling of the story (in
Judi Dench puts in her fourth appearance in this list (far and away the most represented actor, I should think) in Charles Dance’s first film as writer and director.
While it might not be in quite the same league as
I seem to recall reading that Secretary attempts to depict a realistic and sympathetic dominant/submissive relationship. Unfortunately this seems to come a bit unstuck with the feeling that the relationship is initially based in an emotionally (and physically) abusive act against a clearly vulnerable character, leaving the following events and mutually loving resolution tinged with a hint of something akin to Stockholm Syndrome, in my opinion.
To be fair to The King and I, I was a little sleepy through most of it, and, thanks to some slightly cheesy bits at the start, my mind was occasionally locked in a spoofing mode.
2007 #32
This loosely satirical comedy from the director of such diverse fare as
Judi Dench is clearly having a whale of a time in this 1930s-set comedy about a 70-year-old widow who starts up a nude revue.
