Leonid Gaidai | 92 mins | streaming (HD) | 4:3 | Soviet Union / Russian
I know: having seen the title of this film, you’re probably thinking some variation of, “so what’s that then?” Well, it’s only a better sci-fi film than Aliens, 2001, Metropolis, Blade Runner, or Solaris! It’s only a better comedy than Monty Python and the Holy Grail, Sherlock Jr., Some Like It Hot, It Happened One Night, or The Kid! Only a better adventure movie than North by Northwest, Lawrence of Arabia, The Treasure of the Sierra Madre, Indiana Jones and the Last Crusade, or The Bridge on the River Kwai! Only the best musical ever made that isn’t The Lion King, and the 8th greatest film of one of cinema’s defining decades, the ’70s — that’s what!
Well, “that’s what” according to IMDb voters, anyway, who’ve placed it in the upper echelons of all those best-of lists. In fact, it’s a Russian sci-fi comedy, adapted from a play by Mikhail Bulgakov (most famous to Western audiences now for the TV series A Young Doctor’s Notebook starring Daniel “Harry Potter” Radcliffe and Jon “Mad Men” Hamm). Apparently it’s a huge popular classic in Russia, hence why it’s scored so well on an international movie website and shot up those lists; and, because of that, it’s a moderately (in)famous film on movie-list-checking website iCheckMovies (at least, it is in the parts of it I frequent), because it’s a film you have to see if you want to complete any of the aforementioned lists.
And so I have seen it — courtesy of Mosfilm’s YouTube channel, where it’s available for free, in HD, with English subtitles — just in case this review makes you want to watch it too. Which, you never know, it might, because it’s actually kinda fun. In the end.
The plot concerns scientist Shurik (Alexsandr Demyanenko), who is trying to perfect a time machine in his apartment (as you do) but is getting grief from his busybody building supervisor Ivan Vasilievich (Yuri Yakovlev). Meanwhile, George (Leonid Kuavlev) is trying to rob a neighbouring apartment. To cut a lot of faffing short, the three of them end up transported to the past, where it turns out Ivan Vasilievich is the spitting image of Ivan the Terrible (also Yuri Yakovlev) and — to cut some more farce equally short — Ivan Vasilievich and George end up stuck in the past, pretending to be Mr Terrible and his chum, while Shurik and the real Mr Terrible are returned to the present day. More hijinks ensue!
So, you can see why its original title is the wittily understated statement Ivan Vasilievich Changes Profession, and how its English title can just about get away with being such a blatant attempt to cash-in on a popular movie.
As for the film itself, it starts off not so hot, somewhat overacted and a little hard to get a grip on what’s happening — it’s also a sequel or sorts, so perhaps launches with the idea you’ve seen the previous adventures of Shurik and so know what kind of thing to expect. But as it continues… well, maybe it’s a kind of Stockholm syndrome, but I ended up rather enjoying it. It’s not genius, but it’s a fairly amusing farce once it gets going. Very of its time as an early-’70s mainstream-style silly comedy, but what’s wrong with being of your time? It also sounds like it’s fairly faithful to Bulgakov’s original play, which is a little surprising, but there you go.
Unsurprisingly, Ivan Vasilievich is not a better film than all those ones I listed at the start. If it got wider exposure and more IMDb votes, I’m sure it would drop down lickety-split. At the same time, I’m actually quite glad I watched it: after I eventually warmed to it, it was kinda fun.