Marla (Rosamund Pike) is a professional legal guardian, someone appointed by the courts to arrange care and legal affairs for elderly people no longer capable of doing it themselves. But her real trade lies in pinpointing wealthy people with no family who she can trick the court into placing in her care, at which point she can drain their savings and assets for her own profit. Yes, she is a thoroughly unlikeable, evil bitch. But when she pulls this con on Jennifer Peterson (Dianne Wiest), it inadvertently brings Marla to the attention of Roman Lunyov (Peter Dinklage), a powerful man who is not used to being messed with.
Already I’m edging into spoiler territory there, and there’ll be more to come, because it’s hard to discuss what’s so fundamentally wrong with I Care a Lot without digging into what occurs past some of its twists — it starts as one thing (which works), quickly becomes something else (which also works), but after about the halfway mark, it ends up diving off the deep end into a mess of implausibility. It may be stylishly made and performed, but all of that is in service of a philosophically jumbled attitude to character.
What makes the film fall apart is where it wants our loyalties to lie. I’ve often written that I’m fine with films that star unlikeable or unsupportable characters (the idea we need someone we can like/support at the centre of a work of fiction was recently described by someone as a childish impulse, and I agree to an extent), but that doesn’t give them carte blanche. As a commenter put it on iCheckMovies, “you can make a film about horrible, unredeemable characters, but you can’t also expect an audience to root for them when you put them in peril, especially when that peril is one of their own making.” This is the ‘trick’ I Care a Lot attempts to pull. It seems to think we’ll be aligned with Marla by a certain point, but we really aren’t — she absolutely deserves what’s coming to her.
Similarly, when she accuses the villains of “not playing by the rules”, it feels like the film is, again, assuming that will get us on her side; like, “yeah, she’s bad, but at least she plays by the rules, whereas the crooks are just crooks”. But I did not think that, at all. If anything, it makes her even more disingenuous. Yes, technically she’s working within the system — but she’s cheating it and bending it (breaking it, even) to make it work for her. At least the criminals are unquestionably criminals — they’re not pretending to be legit. So while intellectually we know that Roman and his chums are Bad Guys (they’re drug smugglers who don’t care if their human mules die!), in this particular storyline we are much more likely to be on their side: they’ve been wronged by Marla, they deserve their recompense. Heck, they even attempt to do it legally first — that’s more than we can say about other wronged heroes, like, say, John Wick.
Even while I Care a Lot is watchable thanks to its strong direction and highly talented cast, it’s an awkward viewing experience because it feels like we’re constantly at odds with the movie itself. That it eventually gives us what we need (via a small part for Macron Blair, which merits a metatextual “huh” in relation to the themes of his role in Blue Ruin) is scant compensation for the difficulties up to that point.
I Care a Lot was the 101st film in my 100 Films in a Year Challenge 2021.