Peter Collinson | 94 mins | TV | 1.66:1 | Italy, West Germany, France, Spain & UK / English | PG / PG
The third English-language screen adaptation of Agatha Christie’s famed mystery, one of the best-selling novels of all time, relocates the action to the middle of a desert but is otherwise a word-for-word remake of the 1965 version — though it does lose the gloriously ’60s “Whodunnit Break”. (Both versions were made by the same producer, who would later remake it again in the ’80s.)
It’s interesting, therefore, that this lacks the atmosphere or tension of that version. I don’t think it’s just because I’m now more familiar with the story (having seen not only the ’65 version a couple of years ago, but also the new BBC adaptation that was on last Christmas) — it feels rushed at times, like a summary of the novel rather than a full retelling. Considering the screenplay is nearly identical to the ’65 version (merely tweaked to reflect the relocation), I can only assume that’s down to the way director Peter Collinson chooses to handle certain sequences. For example, in this version I never bought the relationship between youngsters Hugh and Vera, and sequences like the group searching the cellars contain no real sense of menace.
The cast is made up of recognisable faces from ’60s/’70s European cinema, led by Oliver Reed and Richard Attenborough, but also including the likes of Herbert Lom, Gert “Goldfinger” Fröbe, and Adolfo “Emilio Largo” Celi. Not that anyone’s bad, but there’s the sense they were probably there to earn a bit of cash while having a nice exotic holiday, and making a film on the side.
As a précis of the storyline, with some nicely photographed locations (the Iranian hotel they filmed in looks fairly stunning), this isn’t half bad. However, there are at least two better screen adaptations of the novel, and if what I’ve heard of the 1945 film and ’80s Russian adaptation are to be believed, I guess this comes pretty far down the chain.