Blindspot 2026

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This is my 14th year doing a version of Blindspot, so perhaps my customary introduction to the concept is totally unnecessary… but just in case there are still people who haven’t heard of it, this is a challenge in which you pick twelve films you’ve never seen but feel you should have (your blindspots) and watch one per month throughout the year.

In chronological order, this year’s films are…


Different from the Others

1910s
Anders als die Andern

1920s
The Phantom Carriage

The Phantom Carriage
Dr. Jekyll and Mr. Hyde

1930s
Dr. Jekyll and Mr. Hyde

1940s
Suspicion

Suspicion
Hiroshima Mon Amour

1950s
Hiroshima Mon Amour

1960s
Belle de Jour

Belle de Jour
Sorcerer

1970s
Sorcerer

1980s
Poltergeist

Poltergeist
The Prince of Egypt

1990s
The Prince of Egypt

2000s
The Royal Tenenbaums

The Royal Tenenbaums
The Great Gatsby

2010s
The Great Gatsby

2020s
Poor Things

Poor Things

For many of the previous 13 years, my Blindspot selection process has been tortuously complicated. I don’t think I’ve ever simply picked twelve films I feel like watching (which is how I’ve seen other people make their selection — perfectly reasonably). Instead, I usually compile various “great films” lists, rank and weight them in various imaginative ways, and thus concoct some kind of ranking-of-rankings to generate 12 new picks. I long ago ruled out relying on the same methodology every year, because that way it’s never surprising and never refreshed — I’d just be working down a very long list, year by year.

Last year, I made things a lot simpler: I looked on Letterboxd for the most popular film I’d not seen from each decade since the origin of feature films, and there was my list. I enjoyed that ‘history of cinema’ approach so much, I decided to repeat it this year. But, as I said, I don’t like to just take the next film on any given list, so I mixed it up slightly. By default, the decade search on Letterboxd displays 18 films (three rows of six). So, having filtered it to the ones I’d not seen, I randomised the selection by rolling a d20 (because rolling dice is fun).

If you’re curious, the rolls were as follows…

Decade Roll
1910s 11
1920s 3
1930s 12
1940s 6
1950s 20
1960s 8
1970s 14
1980s 5
1990s 14
2000s 4
2010s 4
2020s 5

“But, hold on a minute,” you might say, “a d20 has 20 sides, and your selection lists only had 18 films — what happened on a 19 or 20?” A perfectly reasonable and well-observed question. And, as you can see, a 20 was indeed rolled. Of course, I’d thought of a solution in advance, because it was likely the situation would arise (there being a 1-in-10 chance of rolling 19 or 20 on a d20, and there being 12 rolls). The solution was… more dice rolls (because rolling dice is fun).

Or, rather, one more roll, as it only happened once. As a 19 or 20 is a high success, I limited it to the top row (i.e. the six most popular films) and rolled a d6*… and on that, I got a 1 — meaning the 1950s is the only decade for which I’m watching the most popular unseen film, i.e. the one I would’ve watched if I had just picked the next film on the list. Which is fine — the point of randomising the choice wasn’t to stop it ever being the next film on the list, just prevent it being definitively and only that.

* (I appreciate that this system would make no sense in a game (why is 1–6 the optimal result but 19 or 20 results in another 1–6?!), but this isn’t a game, it’s a random number generator, so it’s fine.)


The 20th 100 Films in a Year Challenge

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For the 20th year in a row, I’m going to attempt to watch 100 films in a year.

Except, as regular readers will know, it’s a bit more complicated than that nowadays. Just watching any old 100 films each year became a matter of course — the “challenge” aspect died off entirely when I was regularly reaching 200+ films for a few years. So, a few years ago, I reimagined it into what is, effectively, a series of smaller, more specific film-watching challenges, which altogether add up to 100 films in a year.

(Alongside this, I also aim to watch ten new films a month, for a total of 120 a year. My lifestyle and habits have changed in the past few years, so that’s also more of a challenge than it once would have been. Indeed, I failed to do it last year. And I’m about 90% sure I’m going to immediately fail it for 2026 by not getting there in January. At least it’ll take any pressure off for the rest of the year.)

This is the fifth iteration of my new-style Challenge, and each year so far I’ve made some changes — removed and added categories; modified the qualification rules within a category; etc. That was part of my conception of this new version: that it wouldn’t stand still; it wouldn’t become something I could learn ‘how’ to do and repeat ad infinitum. However, I’ve settled on a category lineup that I’m so happy with I don’t want to change it… so I’m not going to. That said, there are certain categories (three of the nine, to be precise) that change their theme or makeup every year anyway, meaning an element of changeability does persist.

So, let’s see what that the 100 Films in a Year Challenge involves for its 20th edition…


First, the one rule that applies across all categories: a film can only count once. That might sound obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film with a general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) between 1st January 2025 and 31st December 2025. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2026’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Twelve films, specifically chosen and named in advance, that I should have already seen. Meant to be watched one per month, but I typically fail at that and have to play catch up. This year’s twelve will be revealed in a dedicated post tomorrow.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, these are twelve specifically chosen films meant to be watched one per month, but here my selections are based around a theme. This year’s theme, and the twelve films selected, will be revealed in a dedicated post tomorrow.

Failures

x12. Every month, I list my “failures”: brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes I catch up on some of them the next month; often I don’t. Making them a Challenge category helps with this. A maximum of one per month counts. If I miss one, I catch up on that specific month later.

50 Unseen

x10. Any unwatched film from one of my year-end ’50 Unseen’ lists. It’s likely to be dominated by films from 2025’s list as I catch up on what I missed last year, but anything from the previous 19 years is eligible. (If you’re interested, there’s a complete list of candidates here.)

Genre

x10. Any films from within a specified genre — or, arguably, a sub-genre: I’m not focusing on anything broad like “Action” or “Comedy” here, but something relatively specific. Previous choices have included film noir, gialli, poliziotteschi, and martial arts movies. This year, it’s classic 3D — by which I mean, any film originally released in 3D before the current Avatar-initiated era. (Okay, it’s not really a “genre”, but then neither is film noir if you want to get picky about it.)

Series Progression

x10. Any instalment of a film series I’m already watching. If I start a new series, the first film can’t count but any further films can. (If you’re curious, there’s a list of film series I’m in the middle of here. At time of writing, there’s 36.)

Wildcards

x10. Any film that can’t have qualified in another category at any point. For example, I couldn’t watch two brand-new releases in January and count the second one here, or watch ten classic 3D films and then count an eleventh here.


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2025: Final Standing

As 2026 looms, here’s a record of how the challenge tracker page for 2025 looked at the end of the year — in a word: complete.

That makes this the second year in a row I’ve achieved my goal, after two years of failing to do so. Frankly, the most surprising thing about this is that I’m entering the fifth year of my new-style challenge — it still feels like I’ve only recently switched over. It was during the fifth year of the original challenge that I began the move to WordPress, the blog’s fourth home. It felt like I’d been doing this for so long at the time, but with hindsight, I was just getting started. Funny old thing, time, isn’t it?

Anyway, before I digress too far, here’s that list. As ever, more about all this in the days to come.


On this page, I’ll track my progress with The 100 Films in a Year Challenge. Learn more about the challenge here.

New Films

  1. Bank of Dave 2: The Loan Ranger (2025)
  2. Macbeth (2025)
  3. A Real Pain (2024)
  4. Havoc (2025)
  5. Mission: Impossible – The Final Reckoning (2025)
  6. Predator: Killer of Killers (2025)
  7. Heads of State (2025)
  8. The Thursday Murder Club (2025)
  9. KPop Demon Hunters (2025)
  10. The Woman in Cabin 10 (2025)
  11. Hedda (2025)
  12. Jay Kelly (2025)

Rewatches

  1. Oliver & Company (1988)
  2. Snake Eyes (1998)
  3. The Man with the Golden Gun (1974)
  4. How to Train Your Dragon [3D] (2010)
  5. Mission: Impossible – Dead Reckoning Part One (2023)
  6. 28 Days Later (2002)
  7. Stargate (1994)
  8. 7 Women and a Murder (2021)
  9. Bride of Frankenstein (1935)
  10. Monsieur Hulot’s Holiday (1953)
  11. Top Hat (1935)
  12. How to Train Your Dragon 2 [3D] (2014)

Blindspot

  1. Eraserhead (1977)
  2. Freaks (1932)
  3. Intolerance: Love’s Struggle Throughout the Ages (1916)
  4. Cat People (1942)
  5. The Graduate (1967)
  6. Saltburn (2023)
  7. The Notebook (2004)
  8. Girl, Interrupted (1998)
  9. Rebel Without a Cause (1955)
  10. Häxan (1922)
  11. Midsommar (2019)
  12. Kiki’s Delivery Service (1989)

What Do You Mean You Haven’t Seen…?

  1. Fist of Fury (1972)
  2. Steamboat Bill, Jr. (1928)
  3. The Lodger: A Story of the London Fog (1927)
  4. Saboteur (1942)
  5. Spartacus (1960)
  6. The Untouchables (1987)
  7. The Wolf Man (1941)
  8. Project A (1983)
  9. The City of Lost Children (1995)
  10. Tenebrae (1982)
  11. Le Samouraï (1967)
  12. Out of Sight (1998)

Failures

  1. Run Lola Run (1998)
  2. Róise & Frank (2022)
  3. Lifeforce (1985)
  4. The Black Watch (1929)
  5. Trancers (1984)
  6. Hardware (1990)
  7. The Invisible Swordsman (1970)
  8. Gwen and the Book of Sand (1985)
  9. An Aleutian Adventure (1920s)
  10. Crime Hunter: Bullets of Rage (1989)
  11. Superman (2025)
  12. The Men of Sherwood Forest (1954)

50 Unseen

  1. Anna Karenina (2012)
  2. Empire of Light (2022)
  3. Deadpool & Wolverine (2024)
  4. I Saw the TV Glow (2024)
  5. 28 Weeks Later (2007)
  6. Paddington in Peru (2024)
  7. The Power of the Dog (2021)
  8. The Wild Robot (2024)
  9. 9 (2009)
  10. Drive-Away Dolls (2024)

Genre: Poliziotteschi

  1. Milano Calibro 9 (1972)
  2. Revolver (1973)
  3. Illustrious Corpses (1976)
  4. Shoot First, Die Later (1974)
  5. Live Like a Cop, Die Like a Man (1976)
  6. The Italian Connection (1972)
  7. The Tough Ones (1976)
  8. Slap the Monster on Page One (1972)
  9. Street Law (1974)
  10. The Boss (1973)

Series Progression

  1. Ice Age: Collision Course (2016)
  2. Silver Blaze (1937)
  3. Never Back Losers (1961)
  4. The Sinister Man (1961)
  5. Kizumonogatari Part 2: Nekketsu (2016)
  6. Kizumonogatari Part 3: Reiketsu (2017)
  7. Funeral in Berlin (1966)
  8. Backfire! (1962)
  9. Candidate for Murder (1962)
  10. The Road to Hong Kong (1962)

Wildcards

  1. Death Goes to School (1953)
  2. The Six Triple Eight (2024)
  3. Vendetta for the Saint (1969)
  4. Long Story Short (2021)
  5. Grand Theft Hamlet (2024)
  6. Marty (1955)
  7. Sherlock Holmes and the Deadly Necklace (1962)
  8. Hooray for Hollywood (1976)
  9. Joe’s Bed-Stuy Barbershop: We Cut Heads (1983)
  10. Mobile Suit Gundam (1981)

Blindspot 2025

This is my 13th year doing a version of Blindspot, so I’m not sure my customary introduction to the concept is still necessary. But in case there are still people who haven’t heard of it: this is a challenge in which you pick twelve films you’ve never seen but feel you should have (your blindspots) and watch one per month throughout the year.

Regular readers will know that my Blindspot selection process is often tortuously complicated. I don’t just pick twelve films I feel like watching, but compile various “great films” lists and use them to concoct some kind of ranking. Not so this year. I’m still using other people’s opinions, I’ve just made it very simple: every film on the list is the most popular one I’ve not seen (according to Letterboxd) from each decade since the origin of feature films.

In chronological order, they are…


Intolerance

1910s
Intolerance

1920s
Häxan

Häxan
Freaks

1930s
Freaks

1940s
Cat People

Cat People
Rebel Without a Cause

1950s
Rebel Without a Cause

1960s
The Graduate

The Graduate
Eraserhead

1970s
Eraserhead

1980s
Kiki’s Delivery Service

Kiki's Delivery Service
Girl, Interrupted

1990s
Girl, Interrupted

2000s
The Notebook

The Notebook
Midsommar

2010s
Midsommar

2020s
Saltburn

Saltburn

Normally I close out this post with a lengthy explanation of my process, but, um, I’ve already covered that this year. I suppose I should preemptively add that, yes, I’m aware the very first feature-length film was released in 1906; but few followed until the 1910s, so I still feel fine with this basic concept.

To finish, a bit of… trivia? I don’t know. Anyway: I did consider making this year’s selection simply the all-time most popular films I’ve not seen (that’s sort of what Blindspot is, after all), but Letterboxd skews incredibly recent in that regard. I mean, if I’d taken those twelve, two-thirds would have been from 2023–2024, and the oldest would have been from 2012. That’s the kind of thing I have the 50 Unseen category for.


The 100 Films in a Year Challenge 2025

For the 19th year in a row, I’m going to try to watch 100 films in a year. And for the fourth year in a row, I’ve made it much more complicated than that. I don’t know if I can still call it “new-style” at this point, but nonetheless, here I go again with the, er, more-recent-style 100 Films in a Year Challenge.

This year, I feel a renewed sense of confidence in this Challenge actually having a point, thanks to finally completing it in 2024. I mean, if I kept failing it, why keep doing it? Surely that would mean it just doesn’t work? But now I’ve done it, I’ve proved to myself I was right: it’s not an unreasonable exercise. (Talking entirely about myself, here. I’m sure the kind of people who routinely watch 300 or 400 or 500 or more films year after year would have no problem dashing this off in amongst their viewing.)

You might think that, having apparently hit upon the right formula after three years of trying, I wouldn’t make any changes to the Challenge for 2025. And… you’d sort of be right. That wasn’t my motivation, but I have got a balance of categories that I’m happy with. So, no brand-new categories this year, although I have completely changed the rules for one (and another almost got replaced — read on to find out which); plus, a couple of others have changed their specific theme, as always.

But enough of being vague — let’s get into this year’s categories and their rules.


First, the one rule that applies across all categories: a film can only count once. Sounds obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film with a general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) between 1st January 2025 and 31st December 2025. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2025’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Twelve films, specifically chosen and named in advance, that I should have already seen. Meant to be watched one per month, but I typically fail at that and have to play catch up. This year’s twelve are discussed in a dedicated post here.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, these are twelve specifically chosen films meant to be watched one per month, but here my selections are based around a theme. This year’s theme, and the twelve films selected, are discussed in a dedicated post here.

Failures

x12. Every month, I list my “failures”: brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes I catch up on some of them the next month. Often I don’t. Making them a Challenge category helps with this. A maximum of one per month counts; if I miss one, I catch up on that specific month later.

50 Unseen

x10. Any unwatched film from one of my year-end ’50 Unseen’ lists. It’s likely to be dominated by films from 2024’s list as I catch up on what I missed last year, but anything from the previous 18 years is eligible. (If you’re interested, there’s a complete list of candidates here.)

Genre

x10. Any films from within a specified genre — or, arguably, a sub-genre: I’m not focusing on anything broad like “Action” or “Comedy” here, but something relatively specific. Previous choices have included film noir, gialli, and martial arts movies. This year, it’s back to Italy for poliziotteschi.

Series Progression

x10. I considered replacing this category (not just for the sake of it — I had a specific idea), but it fills a gap the other categories don’t reach (and my replacement wouldn’t have been so unique). Besides, Letterboxd tells me I still have 33 series underway, so it’s a worthwhile cause. The rules haven’t changed: any instalment of a film series I’m already watching qualifies; if I start a new series, the first film can’t count but any further films can.

Wildcards

x10. For 2025, I’m turning the Wildcard category on its head, because it now has only one rule: films can’t have qualified in any other category. If I watch two brand-new releases in January? Sorry, that second one just doesn’t count. If I’ve filled up Series Progression and then watch an eleventh film? Nope, no doing. This is a way to capture (and encourage) my viewing of anything and everything not covered by the other categories. (With such simple qualification criteria, there’s every chance I’ll burn through these ten slots fairly quickly. I considered introducing a second rule to mitigate that, but decided to see how it goes in 2025 and maybe I’ll tighten it up for 2026, if that would be productive.)


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2024: Final Standing

As the challenge tracker page will soon be replaced with a version keeping tabs on 2025’s effort, here’s an archive of how it looked at the very end of 2024.

The most noteworthy thing: it’s complete! For the first time since I revamped my Challenge in 2022, I’ve actually managed to get all the way to 100.

I’ll write more about that in the days to come. For now, here are the films that got me there…


On this page, I’ll track my progress with The 100 Films in a Year Challenge 2024. Learn more about the challenge here.

New Films

  1. Lift (2024)
  2. The Kitchen (2023)
  3. Dune: Part Two (2024)
  4. I.S.S. (2023)
  5. Murder and Cocktails (2024)
  6. Argylle (2024)
  7. Beverly Hills Cop: Axel F (2024)
  8. Robot Dreams (2023)
  9. The Fall Guy (2024)
  10. Lee (2023)
  11. Inside Out 2 (2024)
  12. The Holdovers (2023)

Rewatches

  1. Spider-Man: Into the Spider-Verse [3D] (2018)
  2. Dune: Part One [3D] (2021)
  3. Spawn: Director’s Cut (1997/1998)
  4. Shadow of the Thin Man (1941)
  5. The Thin Man Goes Home (1945)
  6. Sleepless in Seattle (1993)
  7. Moana [3D] (2016)
  8. Hamilton (2020)
  9. Cutthroat Island (1995)
  10. Erin Brockovich (2000)
  11. First Knight (1995)
  12. Wallace & Gromit: The Curse of the Were-Rabbit (2005)

Blindspot

  1. Only Yesterday (1991)
  2. The Innocents (1961)
  3. My Darling Clementine (1946)
  4. Where Is the Friend’s House? (1987)
  5. Yi Yi (2000)
  6. Army of Shadows (1969)
  7. Scenes from a Marriage (1974)
  8. Rio Bravo (1959)
  9. Rosemary’s Baby (1968)
  10. Possession (1981)
  11. The Cranes Are Flying (1957)
  12. Le Trou (1960)

What Do You Mean You Haven’t Seen…?

  1. In the Name of the Father (1993)
  2. Wild Tales (2014)
  3. My Father and My Son (2005)
  4. 12th Fail (2023)
  5. A Separation (2011)
  6. Like Stars on Earth (2007)
  7. The Best Years of Our Lives (1946)
  8. Incendies (2010)
  9. The Wages of Fear (1953)
  10. Hotel Rwanda (2004)
  11. To Kill a Mockingbird (1962)
  12. Spider-Man: Across the Spider-Verse (2023)

Failures

  1. Chicken Run: Dawn of the Nugget (2023)
  2. Ambulancen (2005)
  3. Black Tight Killers (1966)
  4. American Fiction (2023)
  5. Strays (2023)
  6. Four Flies on Grey Velvet (1971)
  7. Alice (1988)
  8. The Man from U.N.C.L.E. (2015)
  9. Desperado (1995)
  10. Host (2020)
  11. The Seventh Victim (1943)
  12. Look Back (2024)

50 Unseen

  1. Barbie (2023)
  2. Bottoms (2023)
  3. RRR (2022)
  4. Maestro (2023)
  5. The Monuments Men (2014)
  6. No Hard Feelings (2023)
  7. Dungeons & Dragons: Honour Among Thieves (2023)
  8. The Menu (2022)
  9. Fast X (2023)
  10. Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

Genre: Martial Arts

  1. The Best of the Martial Arts Films (1990)
  2. The Inspector Wears Skirts (1988)
  3. The Inspector Wears Skirts Part II (1989)
  4. The Mystery of Chess Boxing (1979)
  5. Kung Fu Hustle (2004)
  6. The Swordsman of All Swordsmen (1968)
  7. Encounter of the Spooky Kind (1980)
  8. Dreadnaught (1981)
  9. Duel to the Death (1983)
  10. Dragons Forever (1988)

Series Progression

  1. Jackass Forever (2022)
  2. Despicable Me 3 [3D] (2017)
  3. The Fourth Square (1961)
  4. And Life Goes On (1992)
  5. Song of the Thin Man (1947)
  6. October Moth (1960)
  7. Man at the Carlton Tower (1961)
  8. The Triumph of Sherlock Holmes (1935)
  9. Road to Bali (1952)
  10. Clue of the Silver Key (1961)

Wildcards

  1. The Super Mario Bros. Movie (2023) — additional Failure from March
  2. Wicked Little Letters (2023) — additional Failure from July
  3. Godzilla Minus One (2023) — additional 50 Unseen
  4. Frozen II (2019) — additional Series Progression
  5. The Batman (2022) — additional 50 Unseen
  6. Golem (1980) — additional Failure from August
  7. Attempt to Kill (1961) — additional Series Progression
  8. Man Detained (1961) — additional Series Progression
  9. The Guest (2014) — additional Rewatch in October
  10. Blitz (2024) — additional New Film in November

Blindspot 2024

This is my 12th year doing a version of Blindspot, so I’m not sure my customary introduction to the concept is still necessary. But just in case: this is a challenge in which you pick 12 films you’ve never seen but should have (your blindspots) and watch them one per month over the next year. It’s a great way of ensuring you watch films that you might otherwise not get round to. Or intending to get round to them, anyway, as I’ve failed to complete the list on various occasions. Always a shame, but not the end of the world.

Anyway, below are my 12 picks for 2024, followed by an unnecessarily long-winded explanation of why I chose them. But to jump ahead of myself slightly: the picks all come from a ranked list, and so are presented here in their order from that list, highest to lowest.


Rosemary's Baby

Rosemary’s Baby

Yi Yi

Yi Yi
Army of Shadows

Army of Shadows

Only Yesterday

Only Yesterday
Le Trou

Le Trou

My Darling Clementine

My Darling Clementine
Rio Bravo

Rio Bravo

The Innocents

The Innocents
Where Is the Friend's House?

Where Is the
Friend’s House?

Scenes from a Marriage

Scenes from a Marriage
The Cranes Are Flying

The Cranes Are Flying

Possession

Possession

Traditionally, my methodology for choosing my 12 films has been some degree of complicated and thus merited explanation. (“Merited” in the sense that my procedures interest me, even if they don’t interest anyone else.) Last year, I simplified things greatly by basing it around Sight and Sound’s then-new list of greatest films. With this year’s WDYMYHS also being drawn from a list of highly-acclaimed all-timers, I was certain I’d need to return to making Blindspot’s selection process a complicated one.

Well, why make work for yourself when others have already done it? You see, the first step in my Blindspot process is to decide on and/or find lists that are going to contribute to the rankings that will decide this year’s 12. (I could just use the same list(s) year on year, but that would mean I just select the next 12 each time, which seems dull.) Normally one of the first to go in the mix is the IMDb Top 250, but that was ruled out thanks to WDYMYHS, so where else to start? I do have a couple of other go-tos, but then I remembered a list from Letterboxd: The 1001 Greatest Films, ranked as objectively as possible. I won’t regurgitate the whole rationale behind that list here (you can read the introduction at the link for that), but, suffice to say, it’s a list that has already combined multiple other lists with a view to creating a ‘definitive’ greatest films list. (The popular 1,000-film list curated by They Shoot Pictures, Don’t They? has long had a similar aim, but that has certain baked-in biases that this one aims to correct.) Job done!

Well, not quite. I didn’t just take the list as final gospel — as well as ruling out films I’d already seen (obviously), I applied a few of my own rules to reach my final selection. Firstly, I limited it to things I already own or have near-permanent access to on streamers (I don’t normally trust them to keep content, but the Netflix Ghibli deal seems pretty solid). This was a common decider back when I first started WDYMYHS/Blindspot, but after a few years it seemed prudent to ignore it. I’ve brought it back again now because I’ve got a ludicrous number of films on disc I’ve never watched, so why not start with them rather than downloading even more? It’s not as if I was having to go to the dregs of the list just to include stuff in my collection, either.

Next, my most commonly enforced rule: one film per director. Normally that would have meant including A Brighter Summer Day at the expense of Yi Yi, but I decided to apply another rule I’ve used fairly regularly: no films that I’d failed to watch the year before. So out went A Brighter Summer Day, which I should’ve watched in 2023, and in goes Yi Yi (which I should’ve watched in 2022, but hey, can’t go excluding stuff forever). It also meant ditching Le Samouraï in favour of Army of Shadows. If I were ranking this in terms of my personal anticipation, Le Samouraï would’ve been higher; but the list is the list — if I wanted to make this “any 12 films I want to see”, I could’ve done that as my selection process.

Then, a few bits of housekeeping. Firstly, ruling out films that were also on the WDYMYHS list, as I’d settled on that one first. That took out three: The Wages of Fear, The Best Years of Our Lives, and A Separation. I suppose I could’ve left them on to help further complete the IMDb Top 250 (a ‘guaranteed’ 15 instead of only the 12 that WDYMYHS ‘guarantees’), but, eh. I also ruled out Apur Sansar because it’s the third film in a trilogy and I’ve only seen the first one. I’m not going to watch them out of order, and I didn’t want to commit myself to watching 13 films for a 12-film challenge. I also could have included Werckmeister Harmonies, because I do have a copy (one I went to the effort of bodging together myself from multiple DVD-era sources, to get in-sync subtitles), but there’s reportedly a 4K restoration on the way, so it seems prudent to wait for that to enjoy the film properly. I could’ve included it on the list anyway, as I did with The Hitcher, but look how that worked out. (For those who don’t remember, The Hitcher was on a 2022 list, assuming a promised release from Second Sight would definitely be out that year, but we’re now in 2024 and it’s still not been announced beyond “we’re working on it”.)

Finally, the list includes a couple of movie-adjacent TV series that fell within my catchment zone; specifically, Dekalog and Berlin Alexanderplatz. I’ve often discussed on this blog the blurred line between TV and film, so I didn’t remove them out of snobbery, more out of practicality. I mean, last year I failed to watch nine-hour Shoah, so having either one of ten-hour Dekalog or fifteen-hour Berlin Alexanderplatz on the list would likely be a failure in waiting, but having both? Maybe I could’ve attempted one, but it would’ve been inconsistent to only include one when they both qualified. The final decider was this: if I watched either of them under normal circumstances, I wouldn’t count them on the blog (because, y’know, they’re TV series, not films), so I shouldn’t really count them just because they happen to be on a list.

In the end, to get my final 12, I had to go through 36 films — ruling out twice as many as I included. Most of those (15) were simply because I didn’t own them. The remaining nine, I’ve already mentioned. As some kind of insight into those 36 films’ overall standings, the first one I rejected, A Brighter Summer Day, is in the list’s top ten (7th, to be precise), but only four of my final selection are in the top 100, and I had to go as deep as 193rd to finish my 12. Still, it’s always the way: the more acclaimed films you’ve seen, the further you have to go for your next ‘blindspot’.


The 100 Films in a Year Challenge 2024

They say the definition of insanity is doing the same thing over and over again and expecting a different result. Nonetheless, here I go for a third time with the new-style 100 Films in a Year Challenge, despite having failed to complete it the first two times. Hopefully, another hoary old saying will apply: third time lucky.

There are two reasons to be optimistic. First, it’s not exactly the same each year — it’s (mostly) new films, and I’ve also tweaked the categories… although not necessarily to make them easier, because of the second reason: I’ve almost got there both years so far. Okay, in 2022 I stopped pretty far short at #89, but that was because 100 became unattainable and so I didn’t keep trying to close the gap. In 2023, I stuck at it a bit longer, reaching #92. In both cases, better time management earlier in the year could have made a huge difference in terms of completing the challenge. Indeed, in both years I met my old-style challenge (“watch any 100 films I’ve never seen”) with relative ease.

I’m hoping that in 2024 I’ll finally learn from my mistakes and pull my finger out earlier in the year — though I did try to do that in 2023, with limited success, so we’ll have to see how it goes.


Now, this year’s categories and their rules.

First, the one rule that applies across all categories: a film can only count once. Sounds kinda obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film that’s general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) is between 1st January 2024 and 31st December 2024. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2024’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Unlike most other categories, these 12 films are specifically chosen and named in advance. They’re all films I feel I should have seen, or that “great movies” lists tell me I should have seen. Designed to be watched one per month, but doesn’t have to be. You can read about this year’s 12 in their own post here.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, in that these are 12 specifically chosen films to be watched one per month, but my selections here are based around a theme. This year’s theme: the IMDb Top 250. Wait — 250 films?! No, don’t be silly. But it’s not exactly 12, either. For a full explanation, look here.

Failures

x12. Every month, I list my “failures” — brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes, I catch up on some of them the next month. Often, I don’t. Making them a Challenge category helps force my hand. A maximum of one per month counts, but rolls over if necessary.

50 Unseen

x10. This year’s only entirely-new category, although it’s broadly similar to “failures” in that it’s an incentive to watch films I missed — in this case, from previous years (my annual “50 Unseen” lists) rather than just the previous month.

50 Unseen replaces Physical Media. It was a nice idea to try to make me watch more DVDs that I’ve owned for decades, or 3D Blu-rays that I simply haven’t got round to, and I still support that as a goal; but, in reality, I foresaw that category in 2024 filling up with Edgar Wallace Mysteries and/or random freshly-purchased 4Ks. I wanted to find space here for my 50 Unseen, and Physical Media seemed the best category to lose for now. If I ever get my series watches in hand, hopefully I can replace Series Progression with a new version of Physical Media sometime in the future.

Genre

x10. Any films from within a specified genre. Unlike most of the above categories, these can be watched at any time — maybe I’ll spread them throughout the year; maybe I’ll binge them all back to back. Most likely it’ll be somewhere between the two. This year’s genre: martial arts.

Series Progression

x10. Any instalment in one of the many film series I’m already watching (there’s a Letterboxd list of them here). If I start a new series, the first film can’t count, but any further films can.

Wildcards

x10. Slots that can be used to add a film or films to any other category, provided the category’s own requirements have already been met (e.g. no 11th Genre film until I’ve filled the original ten, but I could use a wildcard for a second New Film in January).


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2023: Final Standing

As the challenge tracker page will soon be replaced with a version keeping tabs on 2024’s effort, here’s an archive of how it looked at the very end of 2023.

Sadly, it’s incomplete, for the second year running — you can see where I fell short in red below. Some of those lengthy Blindspot films were always going to prove a challenge, and in the end they were one I didn’t surmount in time; and I kept thinking I’d do some kind of giallo marathon, but never quite got round to it.

Oh well. Maybe I’ll finally get all the way to 100 in 2024…


On this page, I’ll track my progress with The 100 Films in a Year Challenge 2023. Learn more about the challenge here.

New Films

  1. Shotgun Wedding (2022)
  2. Die Hart (2023)
  3. Murder Mystery 2 (2023)
  4. Operation Fortune: Ruse de Guerre (2023)
  5. Air (2023)
  6. John Wick: Chapter 4 (2023)
  7. Indiana Jones and the Dial of Destiny (2023)
  8. Greatest Days (2023)
  9. Flora and Son (2023)
  10. The Pigeon Tunnel (2023)
  11. Quiz Lady (2023)
  12. You Hurt My Feelings (2023)

Rewatches

  1. Streets of Fire (1984)
  2. The Sign of Four: Sherlock Holmes’ Greatest Case (1932)
  3. John Wick: Chapter 3 – Parabellum (2019)
  4. West Side Story (2021)
  5. The Thin Man (1934)
  6. Moneyball (2011)
  7. Black Dynamite (2009)
  8. The Imitation Game (2014)
  9. Spy (2015)
  10. Sing Street (2016)
  11. Doctor Who (1996)
  12. Little Shop of Horrors (1986)

Blindspot

  1. Black Girl (1966)
  2. Tropical Malady (2004)
  3. Fear Eats the Soul (1974)
  4. Killer of Sheep (1978)
  5. Cléo from 5 to 7 (1962)
  6. Au hasard Balthazar (1966)
  7. Beau Travail (1999)
  8. Close-Up (1990)
  9. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975)
  10. Shoah
  11. A Brighter Summer Day
  12. Pierrot le Fou

What Do You Mean You Haven’t Seen…?

  1. Gun Crazy (1950)
  2. Ace in the Hole (1951)
  3. Scarlet Street (1945)
  4. In a Lonely Place (1950)
  5. Night and the City (1950)
  6. The Asphalt Jungle (1950)
  7. Sweet Smell of Success (1957)
  8. Nightmare Alley (1947)
  9. The Killers (1946)
  10. Shadow of a Doubt (1943)
  11. Out of the Past (1947)
  12. Mildred Pierce (1945)

Failures

  1. The Magician (1926)
  2. A Night at the Opera (1935)
  3. Confess, Fletch (2022)
  4. Red Eye (2005)
  5. The Shiver of the Vampires (1971)
  6. Escape Room: Tournament of Champions (2021)
  7. Roald Dahl’s Matilda the Musical (2022)
  8. 65 (2023)
  9. The Pied Piper (1986)
  10. Nothing Sacred (1937)
  11. From Beijing with Love (1994)
  12. A Haunting in Venice (2023)

Genre: Giallo

  1. The Girl Who Knew Too Much (1963)
  2. Blood and Black Lace (1964)
  3. The Bird with the Crystal Plumage (1970)
  4. The Possessed (1965)
  5. The Cat o’ Nine Tails (1971)
  6. 5 to go…
  7. 4 to go…
  8. 3 to go…
  9. 2 to go…
  10. 1 to go…

Series Progression

  1. Fantasia (1940)
  2. Star Trek IV: The Voyage Home (1986)
  3. John Wick: Chapter 2 (2017)
  4. Clerks II (2006)
  5. The Lord of the Rings: The Two Towers — Extended Edition (2002/2003)
  6. The Lord of the Rings: The Return of the King — Extended Edition (2003/2004)
  7. After the Thin Man (1936)
  8. Another Thin Man (1939)
  9. Santo vs. Infernal Men (1961)
  10. Santo vs. the Zombies (1962)

Physical Media

  1. The Goddess (1934)
  2. Everything Everywhere All at Once (2022)
  3. Police Story (1985)
  4. John Wick (2014)
  5. Clue of the Twisted Candle (1960)
  6. The Lord of the Rings: The Fellowship of the Ring — Extended Edition (2001/2002)
  7. Marriage of Convenience (1960)
  8. Murder on the Orient Express (2017)
  9. Urge to Kill (1960)
  10. Death on the Nile (2022)

Wildcards

  1. 7500 (2019) — additional January rewatch
  2. The Banshees of Inisherin (2022) — additional Failure from December 2022
  3. Glass Onion (2022) — additional June rewatch
  4. Mission: Impossible – Dead Reckoning Part One (2023) — additional July new film
  5. Oppenheimer (2023) — another July new film
  6. Living (2022) — additional Failure from June
  7. Fisherman’s Friends: One and All (2022) — additional September rewatch
  8. The Man Who Was Nobody (1960) — Series Progression #11
  9. Road to Utopia (1945) — Series Progression #12
  10. Partners in Crime (1961) — Physical Media #11

What Do You Mean You Haven’t Seen These Films Noirs?

My name for Blindspot before someone else created Blindspot, “What Do You Mean You Haven’t Seen…?” (WDYMYHS for short) works in the same way: 12 films I should have seen but haven’t, watched one a month throughout the year. (And these, too, contribute to my 100 Films in a Year Challenge.) To differentiate the pair, I now use Blindspot to focus on Great Movies™ I should have seen, whereas WDYMYHS takes a particular ‘theme’ each year. Last year, it was 1986. This year, it’s film noir.

If you’re getting déjà vu, it’s because in 2022 film noir was the theme of my Challenge’s ‘Genre’ category. Why the jump from Genre to WDYMYHS? What makes that different? Well, when it was just a genre I was free to watch any noirs, and so I tended towards ones that were short or to hand, to facilitate easy viewing. That meant I didn’t make significant headway into the many highly-acclaimed noirs I’ve not seen. So, this year’s selection redresses the balance by being a list of some of the most important noirs I’ve never seen.

First, the 12 films I’ve chosen, in alphabetical order. Afterwards, I’ll write a little about how and why I decided these are “important” noirs.


Ace in the Hole

Ace in the Hole

The Asphalt Jungle

The Asphalt Jungle

Gun Crazy

Gun Crazy

In a Lonely Place

In a Lonely Place

The Killers

The Killers

Mildred Pierce

Night and the City

Night and the City

Nightmare Alley

Nightmare Alley

Out of the Past

Out of the Past

Scarlet Street

Scarlet Street

Shadow of a Doubt

Shadow of a Doubt

Sweet Smell of Success

Sweet Smell of Success


Normally it’s Blindspot’s selection process that gets very technical while WDYMYHS is a bit more intuitive, but this year it’s the latter that has used various lists in an attempt to define its 12 films. Not that I got insanely technical with it — no need for Excel spreadsheets and formulae here. Instead, I cross-referenced a handful of key lists, and that got me results I was happy enough with.

First, long-time readers of this blog may remember me referencing the book Pocket Essentials: Film Noir at one time or another in the past. It was the first book I bought after my interest in noir was piqued; a small, slim volume that’s mostly made up of a massive list of noir films. It’s still my go-to reference after watching a noir — to see if it’s in there, and see if there’s a rating (you can’t blame the book’s sole author for not having seen them all). Indeed, even though I now own some large and beautiful noir-related books (Taschen’s Film Noir: 100 All-Time Favorites immediately comes to mind, a book I really should spend more time with), Pocket Essentials is the only book I’ve referred to in forming this list. Before beginning that exhaustive list of every noir they could manage, the book highlights seven key titles for analysis. I’ve seen six of them, meaning the seventh — Alfred Hitchcock’s Shadow of a Doubt — went straight into my WDYMYHS selection.

For the remaining 11, I looked to four lists. First up was TSPDT’s 100 Essential Noirs. (On TSPDT’s site, these 100 have been subsumed into the ongoing 1,000 Noir Films project. You can find lists of just the initial 100 on iCheckMovies and Letterboxd.) With a whopping 72 films I’d never seen (thus proving my point that there are many “essential” noirs I still need to see), I made it a requirement that a film had to be on this list to be included.

The next two lists, which I considered equally, were IMDb’s Film-Noir Top 50 and the top 25 noirs of the ‘Czar of Noir’, Eddie Muller. Although both those lists are ranked, I ignored that in favour of which films were on both lists. Despite not having seen 30 films on the IMDb list and 20 on Muller’s, there were, as it turned out, just nine overlaps. They included the #1 film on Muller’s list, In a Lonely Place, but not my highest-ranked unseen film on IMDb’s, 6th placed White Heat; nor, indeed, the film ranked 2nd by Muller, Criss Cross. Funny stuff like that happens when you use multiple lists, which is part of why I do it so often.

Anyway, adding those nine got me to ten. This is where the fourth and final list came in — though it wasn’t a list as such, more using other opinions as a decider. Going back to the 100 Essential Noirs, I sorted it by the ratings of Letterboxd users, and included the top two that weren’t already in. Those were Ace in the Hole (the 2nd highest that I hadn’t seen on both IMDb’s list and by Letterboxd ratings, but not on Muller’s list) and Mildred Pierce. The aforementioned White Heat missed out by one place.

Or maybe it didn’t. Well, I mean, it did; but I also mean, maybe it will still end up included. I say that because, while normally Blindspot and WDYMYHS wouldn’t qualify for wildcards in my 100 Films Challenge (they’re lists of 12 films taking up 12 slots — there aren’t any to be wildcards), this year there sort of are spare films. In the case of Blindspot 2023, because it’s entirely based around the Sight & Sound poll, films from the rest of the list are allowed as wildcards. For WDYMYHS, as being on the 100 Essential Noirs was an entry requirement, I think the rest of that list should be eligible for wildcards. That’s quite a lot of possibilities (60, to be precise), but I probably won’t actually get round to any of them, so hey, why not?