Blindspot 2025

This is my 13th year doing a version of Blindspot, so I’m not sure my customary introduction to the concept is still necessary. But in case there are still people who haven’t heard of it: this is a challenge in which you pick twelve films you’ve never seen but feel you should have (your blindspots) and watch one per month throughout the year.

Regular readers will know that my Blindspot selection process is often tortuously complicated. I don’t just pick twelve films I feel like watching, but compile various “great films” lists and use them to concoct some kind of ranking. Not so this year. I’m still using other people’s opinions, I’ve just made it very simple: every film on the list is the most popular one I’ve not seen (according to Letterboxd) from each decade since the origin of feature films.

In chronological order, they are…


Intolerance

1910s
Intolerance

1920s
Häxan

Häxan
Freaks

1930s
Freaks

1940s
Cat People

Cat People
Rebel Without a Cause

1950s
Rebel Without a Cause

1960s
The Graduate

The Graduate
Eraserhead

1970s
Eraserhead

1980s
Kiki’s Delivery Service

Kiki's Delivery Service
Girl, Interrupted

1990s
Girl, Interrupted

2000s
The Notebook

The Notebook
Midsommar

2010s
Midsommar

2020s
Saltburn

Saltburn

Normally I close out this post with a lengthy explanation of my process, but, um, I’ve already covered that this year. I suppose I should preemptively add that, yes, I’m aware the very first feature-length film was released in 1906; but few followed until the 1910s, so I still feel fine with this basic concept.

To finish, a bit of… trivia? I don’t know. Anyway: I did consider making this year’s selection simply the all-time most popular films I’ve not seen (that’s sort of what Blindspot is, after all), but Letterboxd skews incredibly recent in that regard. I mean, if I’d taken those twelve, two-thirds would have been from 2023–2024, and the oldest would have been from 2012. That’s the kind of thing I have the 50 Unseen category for.


The 100 Films in a Year Challenge 2025

For the 19th year in a row, I’m going to try to watch 100 films in a year. And for the fourth year in a row, I’ve made it much more complicated than that. I don’t know if I can still call it “new-style” at this point, but nonetheless, here I go again with the, er, more-recent-style 100 Films in a Year Challenge.

This year, I feel a renewed sense of confidence in this Challenge actually having a point, thanks to finally completing it in 2024. I mean, if I kept failing it, why keep doing it? Surely that would mean it just doesn’t work? But now I’ve done it, I’ve proved to myself I was right: it’s not an unreasonable exercise. (Talking entirely about myself, here. I’m sure the kind of people who routinely watch 300 or 400 or 500 or more films year after year would have no problem dashing this off in amongst their viewing.)

You might think that, having apparently hit upon the right formula after three years of trying, I wouldn’t make any changes to the Challenge for 2025. And… you’d sort of be right. That wasn’t my motivation, but I have got a balance of categories that I’m happy with. So, no brand-new categories this year, although I have completely changed the rules for one (and another almost got replaced — read on to find out which); plus, a couple of others have changed their specific theme, as always.

But enough of being vague — let’s get into this year’s categories and their rules.


First, the one rule that applies across all categories: a film can only count once. Sounds obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film with a general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) between 1st January 2025 and 31st December 2025. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2025’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Twelve films, specifically chosen and named in advance, that I should have already seen. Meant to be watched one per month, but I typically fail at that and have to play catch up. This year’s twelve are discussed in a dedicated post here.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, these are twelve specifically chosen films meant to be watched one per month, but here my selections are based around a theme. This year’s theme, and the twelve films selected, are discussed in a dedicated post here.

Failures

x12. Every month, I list my “failures”: brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes I catch up on some of them the next month. Often I don’t. Making them a Challenge category helps with this. A maximum of one per month counts; if I miss one, I catch up on that specific month later.

50 Unseen

x10. Any unwatched film from one of my year-end ’50 Unseen’ lists. It’s likely to be dominated by films from 2024’s list as I catch up on what I missed last year, but anything from the previous 18 years is eligible. (If you’re interested, there’s a complete list of candidates here.)

Genre

x10. Any films from within a specified genre — or, arguably, a sub-genre: I’m not focusing on anything broad like “Action” or “Comedy” here, but something relatively specific. Previous choices have included film noir, gialli, and martial arts movies. This year, it’s back to Italy for poliziotteschi.

Series Progression

x10. I considered replacing this category (not just for the sake of it — I had a specific idea), but it fills a gap the other categories don’t reach (and my replacement wouldn’t have been so unique). Besides, Letterboxd tells me I still have 33 series underway, so it’s a worthwhile cause. The rules haven’t changed: any instalment of a film series I’m already watching qualifies; if I start a new series, the first film can’t count but any further films can.

Wildcards

x10. For 2025, I’m turning the Wildcard category on its head, because it now has only one rule: films can’t have qualified in any other category. If I watch two brand-new releases in January? Sorry, that second one just doesn’t count. If I’ve filled up Series Progression and then watch an eleventh film? Nope, no doing. This is a way to capture (and encourage) my viewing of anything and everything not covered by the other categories. (With such simple qualification criteria, there’s every chance I’ll burn through these ten slots fairly quickly. I considered introducing a second rule to mitigate that, but decided to see how it goes in 2025 and maybe I’ll tighten it up for 2026, if that would be productive.)


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2024: Final Standing

As the challenge tracker page will soon be replaced with a version keeping tabs on 2025’s effort, here’s an archive of how it looked at the very end of 2024.

The most noteworthy thing: it’s complete! For the first time since I revamped my Challenge in 2022, I’ve actually managed to get all the way to 100.

I’ll write more about that in the days to come. For now, here are the films that got me there…


On this page, I’ll track my progress with The 100 Films in a Year Challenge 2024. Learn more about the challenge here.

New Films

  1. Lift (2024)
  2. The Kitchen (2023)
  3. Dune: Part Two (2024)
  4. I.S.S. (2023)
  5. Murder and Cocktails (2024)
  6. Argylle (2024)
  7. Beverly Hills Cop: Axel F (2024)
  8. Robot Dreams (2023)
  9. The Fall Guy (2024)
  10. Lee (2023)
  11. Inside Out 2 (2024)
  12. The Holdovers (2023)

Rewatches

  1. Spider-Man: Into the Spider-Verse [3D] (2018)
  2. Dune: Part One [3D] (2021)
  3. Spawn: Director’s Cut (1997/1998)
  4. Shadow of the Thin Man (1941)
  5. The Thin Man Goes Home (1945)
  6. Sleepless in Seattle (1993)
  7. Moana [3D] (2016)
  8. Hamilton (2020)
  9. Cutthroat Island (1995)
  10. Erin Brockovich (2000)
  11. First Knight (1995)
  12. Wallace & Gromit: The Curse of the Were-Rabbit (2005)

Blindspot

  1. Only Yesterday (1991)
  2. The Innocents (1961)
  3. My Darling Clementine (1946)
  4. Where Is the Friend’s House? (1987)
  5. Yi Yi (2000)
  6. Army of Shadows (1969)
  7. Scenes from a Marriage (1974)
  8. Rio Bravo (1959)
  9. Rosemary’s Baby (1968)
  10. Possession (1981)
  11. The Cranes Are Flying (1957)
  12. Le Trou (1960)

What Do You Mean You Haven’t Seen…?

  1. In the Name of the Father (1993)
  2. Wild Tales (2014)
  3. My Father and My Son (2005)
  4. 12th Fail (2023)
  5. A Separation (2011)
  6. Like Stars on Earth (2007)
  7. The Best Years of Our Lives (1946)
  8. Incendies (2010)
  9. The Wages of Fear (1953)
  10. Hotel Rwanda (2004)
  11. To Kill a Mockingbird (1962)
  12. Spider-Man: Across the Spider-Verse (2023)

Failures

  1. Chicken Run: Dawn of the Nugget (2023)
  2. Ambulancen (2005)
  3. Black Tight Killers (1966)
  4. American Fiction (2023)
  5. Strays (2023)
  6. Four Flies on Grey Velvet (1971)
  7. Alice (1988)
  8. The Man from U.N.C.L.E. (2015)
  9. Desperado (1995)
  10. Host (2020)
  11. The Seventh Victim (1943)
  12. Look Back (2024)

50 Unseen

  1. Barbie (2023)
  2. Bottoms (2023)
  3. RRR (2022)
  4. Maestro (2023)
  5. The Monuments Men (2014)
  6. No Hard Feelings (2023)
  7. Dungeons & Dragons: Honour Among Thieves (2023)
  8. The Menu (2022)
  9. Fast X (2023)
  10. Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

Genre: Martial Arts

  1. The Best of the Martial Arts Films (1990)
  2. The Inspector Wears Skirts (1988)
  3. The Inspector Wears Skirts Part II (1989)
  4. The Mystery of Chess Boxing (1979)
  5. Kung Fu Hustle (2004)
  6. The Swordsman of All Swordsmen (1968)
  7. Encounter of the Spooky Kind (1980)
  8. Dreadnaught (1981)
  9. Duel to the Death (1983)
  10. Dragons Forever (1988)

Series Progression

  1. Jackass Forever (2022)
  2. Despicable Me 3 [3D] (2017)
  3. The Fourth Square (1961)
  4. And Life Goes On (1992)
  5. Song of the Thin Man (1947)
  6. October Moth (1960)
  7. Man at the Carlton Tower (1961)
  8. The Triumph of Sherlock Holmes (1935)
  9. Road to Bali (1952)
  10. Clue of the Silver Key (1961)

Wildcards

  1. The Super Mario Bros. Movie (2023) — additional Failure from March
  2. Wicked Little Letters (2023) — additional Failure from July
  3. Godzilla Minus One (2023) — additional 50 Unseen
  4. Frozen II (2019) — additional Series Progression
  5. The Batman (2022) — additional 50 Unseen
  6. Golem (1980) — additional Failure from August
  7. Attempt to Kill (1961) — additional Series Progression
  8. Man Detained (1961) — additional Series Progression
  9. The Guest (2014) — additional Rewatch in October
  10. Blitz (2024) — additional New Film in November

Blindspot 2024

This is my 12th year doing a version of Blindspot, so I’m not sure my customary introduction to the concept is still necessary. But just in case: this is a challenge in which you pick 12 films you’ve never seen but should have (your blindspots) and watch them one per month over the next year. It’s a great way of ensuring you watch films that you might otherwise not get round to. Or intending to get round to them, anyway, as I’ve failed to complete the list on various occasions. Always a shame, but not the end of the world.

Anyway, below are my 12 picks for 2024, followed by an unnecessarily long-winded explanation of why I chose them. But to jump ahead of myself slightly: the picks all come from a ranked list, and so are presented here in their order from that list, highest to lowest.


Rosemary's Baby

Rosemary’s Baby

Yi Yi

Yi Yi
Army of Shadows

Army of Shadows

Only Yesterday

Only Yesterday
Le Trou

Le Trou

My Darling Clementine

My Darling Clementine
Rio Bravo

Rio Bravo

The Innocents

The Innocents
Where Is the Friend's House?

Where Is the
Friend’s House?

Scenes from a Marriage

Scenes from a Marriage
The Cranes Are Flying

The Cranes Are Flying

Possession

Possession

Traditionally, my methodology for choosing my 12 films has been some degree of complicated and thus merited explanation. (“Merited” in the sense that my procedures interest me, even if they don’t interest anyone else.) Last year, I simplified things greatly by basing it around Sight and Sound’s then-new list of greatest films. With this year’s WDYMYHS also being drawn from a list of highly-acclaimed all-timers, I was certain I’d need to return to making Blindspot’s selection process a complicated one.

Well, why make work for yourself when others have already done it? You see, the first step in my Blindspot process is to decide on and/or find lists that are going to contribute to the rankings that will decide this year’s 12. (I could just use the same list(s) year on year, but that would mean I just select the next 12 each time, which seems dull.) Normally one of the first to go in the mix is the IMDb Top 250, but that was ruled out thanks to WDYMYHS, so where else to start? I do have a couple of other go-tos, but then I remembered a list from Letterboxd: The 1001 Greatest Films, ranked as objectively as possible. I won’t regurgitate the whole rationale behind that list here (you can read the introduction at the link for that), but, suffice to say, it’s a list that has already combined multiple other lists with a view to creating a ‘definitive’ greatest films list. (The popular 1,000-film list curated by They Shoot Pictures, Don’t They? has long had a similar aim, but that has certain baked-in biases that this one aims to correct.) Job done!

Well, not quite. I didn’t just take the list as final gospel — as well as ruling out films I’d already seen (obviously), I applied a few of my own rules to reach my final selection. Firstly, I limited it to things I already own or have near-permanent access to on streamers (I don’t normally trust them to keep content, but the Netflix Ghibli deal seems pretty solid). This was a common decider back when I first started WDYMYHS/Blindspot, but after a few years it seemed prudent to ignore it. I’ve brought it back again now because I’ve got a ludicrous number of films on disc I’ve never watched, so why not start with them rather than downloading even more? It’s not as if I was having to go to the dregs of the list just to include stuff in my collection, either.

Next, my most commonly enforced rule: one film per director. Normally that would have meant including A Brighter Summer Day at the expense of Yi Yi, but I decided to apply another rule I’ve used fairly regularly: no films that I’d failed to watch the year before. So out went A Brighter Summer Day, which I should’ve watched in 2023, and in goes Yi Yi (which I should’ve watched in 2022, but hey, can’t go excluding stuff forever). It also meant ditching Le Samouraï in favour of Army of Shadows. If I were ranking this in terms of my personal anticipation, Le Samouraï would’ve been higher; but the list is the list — if I wanted to make this “any 12 films I want to see”, I could’ve done that as my selection process.

Then, a few bits of housekeeping. Firstly, ruling out films that were also on the WDYMYHS list, as I’d settled on that one first. That took out three: The Wages of Fear, The Best Years of Our Lives, and A Separation. I suppose I could’ve left them on to help further complete the IMDb Top 250 (a ‘guaranteed’ 15 instead of only the 12 that WDYMYHS ‘guarantees’), but, eh. I also ruled out Apur Sansar because it’s the third film in a trilogy and I’ve only seen the first one. I’m not going to watch them out of order, and I didn’t want to commit myself to watching 13 films for a 12-film challenge. I also could have included Werckmeister Harmonies, because I do have a copy (one I went to the effort of bodging together myself from multiple DVD-era sources, to get in-sync subtitles), but there’s reportedly a 4K restoration on the way, so it seems prudent to wait for that to enjoy the film properly. I could’ve included it on the list anyway, as I did with The Hitcher, but look how that worked out. (For those who don’t remember, The Hitcher was on a 2022 list, assuming a promised release from Second Sight would definitely be out that year, but we’re now in 2024 and it’s still not been announced beyond “we’re working on it”.)

Finally, the list includes a couple of movie-adjacent TV series that fell within my catchment zone; specifically, Dekalog and Berlin Alexanderplatz. I’ve often discussed on this blog the blurred line between TV and film, so I didn’t remove them out of snobbery, more out of practicality. I mean, last year I failed to watch nine-hour Shoah, so having either one of ten-hour Dekalog or fifteen-hour Berlin Alexanderplatz on the list would likely be a failure in waiting, but having both? Maybe I could’ve attempted one, but it would’ve been inconsistent to only include one when they both qualified. The final decider was this: if I watched either of them under normal circumstances, I wouldn’t count them on the blog (because, y’know, they’re TV series, not films), so I shouldn’t really count them just because they happen to be on a list.

In the end, to get my final 12, I had to go through 36 films — ruling out twice as many as I included. Most of those (15) were simply because I didn’t own them. The remaining nine, I’ve already mentioned. As some kind of insight into those 36 films’ overall standings, the first one I rejected, A Brighter Summer Day, is in the list’s top ten (7th, to be precise), but only four of my final selection are in the top 100, and I had to go as deep as 193rd to finish my 12. Still, it’s always the way: the more acclaimed films you’ve seen, the further you have to go for your next ‘blindspot’.


The 100 Films in a Year Challenge 2024

They say the definition of insanity is doing the same thing over and over again and expecting a different result. Nonetheless, here I go for a third time with the new-style 100 Films in a Year Challenge, despite having failed to complete it the first two times. Hopefully, another hoary old saying will apply: third time lucky.

There are two reasons to be optimistic. First, it’s not exactly the same each year — it’s (mostly) new films, and I’ve also tweaked the categories… although not necessarily to make them easier, because of the second reason: I’ve almost got there both years so far. Okay, in 2022 I stopped pretty far short at #89, but that was because 100 became unattainable and so I didn’t keep trying to close the gap. In 2023, I stuck at it a bit longer, reaching #92. In both cases, better time management earlier in the year could have made a huge difference in terms of completing the challenge. Indeed, in both years I met my old-style challenge (“watch any 100 films I’ve never seen”) with relative ease.

I’m hoping that in 2024 I’ll finally learn from my mistakes and pull my finger out earlier in the year — though I did try to do that in 2023, with limited success, so we’ll have to see how it goes.


Now, this year’s categories and their rules.

First, the one rule that applies across all categories: a film can only count once. Sounds kinda obvious, but the categories are not mutually exclusive: I could rewatch a film from a series I’m halfway through that’s in this year’s genre, and thus it could qualify in three categories — but it can only be counted in one of them.

New Films

x12. Any film that’s general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) is between 1st January 2024 and 31st December 2024. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2024’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Unlike most other categories, these 12 films are specifically chosen and named in advance. They’re all films I feel I should have seen, or that “great movies” lists tell me I should have seen. Designed to be watched one per month, but doesn’t have to be. You can read about this year’s 12 in their own post here.

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, in that these are 12 specifically chosen films to be watched one per month, but my selections here are based around a theme. This year’s theme: the IMDb Top 250. Wait — 250 films?! No, don’t be silly. But it’s not exactly 12, either. For a full explanation, look here.

Failures

x12. Every month, I list my “failures” — brand-new releases, additions to streamers, and disc purchases that I failed to watch in the previous month. Sometimes, I catch up on some of them the next month. Often, I don’t. Making them a Challenge category helps force my hand. A maximum of one per month counts, but rolls over if necessary.

50 Unseen

x10. This year’s only entirely-new category, although it’s broadly similar to “failures” in that it’s an incentive to watch films I missed — in this case, from previous years (my annual “50 Unseen” lists) rather than just the previous month.

50 Unseen replaces Physical Media. It was a nice idea to try to make me watch more DVDs that I’ve owned for decades, or 3D Blu-rays that I simply haven’t got round to, and I still support that as a goal; but, in reality, I foresaw that category in 2024 filling up with Edgar Wallace Mysteries and/or random freshly-purchased 4Ks. I wanted to find space here for my 50 Unseen, and Physical Media seemed the best category to lose for now. If I ever get my series watches in hand, hopefully I can replace Series Progression with a new version of Physical Media sometime in the future.

Genre

x10. Any films from within a specified genre. Unlike most of the above categories, these can be watched at any time — maybe I’ll spread them throughout the year; maybe I’ll binge them all back to back. Most likely it’ll be somewhere between the two. This year’s genre: martial arts.

Series Progression

x10. Any instalment in one of the many film series I’m already watching (there’s a Letterboxd list of them here). If I start a new series, the first film can’t count, but any further films can.

Wildcards

x10. Slots that can be used to add a film or films to any other category, provided the category’s own requirements have already been met (e.g. no 11th Genre film until I’ve filled the original ten, but I could use a wildcard for a second New Film in January).


As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2023: Final Standing

As the challenge tracker page will soon be replaced with a version keeping tabs on 2024’s effort, here’s an archive of how it looked at the very end of 2023.

Sadly, it’s incomplete, for the second year running — you can see where I fell short in red below. Some of those lengthy Blindspot films were always going to prove a challenge, and in the end they were one I didn’t surmount in time; and I kept thinking I’d do some kind of giallo marathon, but never quite got round to it.

Oh well. Maybe I’ll finally get all the way to 100 in 2024…


On this page, I’ll track my progress with The 100 Films in a Year Challenge 2023. Learn more about the challenge here.

New Films

  1. Shotgun Wedding (2022)
  2. Die Hart (2023)
  3. Murder Mystery 2 (2023)
  4. Operation Fortune: Ruse de Guerre (2023)
  5. Air (2023)
  6. John Wick: Chapter 4 (2023)
  7. Indiana Jones and the Dial of Destiny (2023)
  8. Greatest Days (2023)
  9. Flora and Son (2023)
  10. The Pigeon Tunnel (2023)
  11. Quiz Lady (2023)
  12. You Hurt My Feelings (2023)

Rewatches

  1. Streets of Fire (1984)
  2. The Sign of Four: Sherlock Holmes’ Greatest Case (1932)
  3. John Wick: Chapter 3 – Parabellum (2019)
  4. West Side Story (2021)
  5. The Thin Man (1934)
  6. Moneyball (2011)
  7. Black Dynamite (2009)
  8. The Imitation Game (2014)
  9. Spy (2015)
  10. Sing Street (2016)
  11. Doctor Who (1996)
  12. Little Shop of Horrors (1986)

Blindspot

  1. Black Girl (1966)
  2. Tropical Malady (2004)
  3. Fear Eats the Soul (1974)
  4. Killer of Sheep (1978)
  5. Cléo from 5 to 7 (1962)
  6. Au hasard Balthazar (1966)
  7. Beau Travail (1999)
  8. Close-Up (1990)
  9. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975)
  10. Shoah
  11. A Brighter Summer Day
  12. Pierrot le Fou

What Do You Mean You Haven’t Seen…?

  1. Gun Crazy (1950)
  2. Ace in the Hole (1951)
  3. Scarlet Street (1945)
  4. In a Lonely Place (1950)
  5. Night and the City (1950)
  6. The Asphalt Jungle (1950)
  7. Sweet Smell of Success (1957)
  8. Nightmare Alley (1947)
  9. The Killers (1946)
  10. Shadow of a Doubt (1943)
  11. Out of the Past (1947)
  12. Mildred Pierce (1945)

Failures

  1. The Magician (1926)
  2. A Night at the Opera (1935)
  3. Confess, Fletch (2022)
  4. Red Eye (2005)
  5. The Shiver of the Vampires (1971)
  6. Escape Room: Tournament of Champions (2021)
  7. Roald Dahl’s Matilda the Musical (2022)
  8. 65 (2023)
  9. The Pied Piper (1986)
  10. Nothing Sacred (1937)
  11. From Beijing with Love (1994)
  12. A Haunting in Venice (2023)

Genre: Giallo

  1. The Girl Who Knew Too Much (1963)
  2. Blood and Black Lace (1964)
  3. The Bird with the Crystal Plumage (1970)
  4. The Possessed (1965)
  5. The Cat o’ Nine Tails (1971)
  6. 5 to go…
  7. 4 to go…
  8. 3 to go…
  9. 2 to go…
  10. 1 to go…

Series Progression

  1. Fantasia (1940)
  2. Star Trek IV: The Voyage Home (1986)
  3. John Wick: Chapter 2 (2017)
  4. Clerks II (2006)
  5. The Lord of the Rings: The Two Towers — Extended Edition (2002/2003)
  6. The Lord of the Rings: The Return of the King — Extended Edition (2003/2004)
  7. After the Thin Man (1936)
  8. Another Thin Man (1939)
  9. Santo vs. Infernal Men (1961)
  10. Santo vs. the Zombies (1962)

Physical Media

  1. The Goddess (1934)
  2. Everything Everywhere All at Once (2022)
  3. Police Story (1985)
  4. John Wick (2014)
  5. Clue of the Twisted Candle (1960)
  6. The Lord of the Rings: The Fellowship of the Ring — Extended Edition (2001/2002)
  7. Marriage of Convenience (1960)
  8. Murder on the Orient Express (2017)
  9. Urge to Kill (1960)
  10. Death on the Nile (2022)

Wildcards

  1. 7500 (2019) — additional January rewatch
  2. The Banshees of Inisherin (2022) — additional Failure from December 2022
  3. Glass Onion (2022) — additional June rewatch
  4. Mission: Impossible – Dead Reckoning Part One (2023) — additional July new film
  5. Oppenheimer (2023) — another July new film
  6. Living (2022) — additional Failure from June
  7. Fisherman’s Friends: One and All (2022) — additional September rewatch
  8. The Man Who Was Nobody (1960) — Series Progression #11
  9. Road to Utopia (1945) — Series Progression #12
  10. Partners in Crime (1961) — Physical Media #11

What Do You Mean You Haven’t Seen These Films Noirs?

My name for Blindspot before someone else created Blindspot, “What Do You Mean You Haven’t Seen…?” (WDYMYHS for short) works in the same way: 12 films I should have seen but haven’t, watched one a month throughout the year. (And these, too, contribute to my 100 Films in a Year Challenge.) To differentiate the pair, I now use Blindspot to focus on Great Movies™ I should have seen, whereas WDYMYHS takes a particular ‘theme’ each year. Last year, it was 1986. This year, it’s film noir.

If you’re getting déjà vu, it’s because in 2022 film noir was the theme of my Challenge’s ‘Genre’ category. Why the jump from Genre to WDYMYHS? What makes that different? Well, when it was just a genre I was free to watch any noirs, and so I tended towards ones that were short or to hand, to facilitate easy viewing. That meant I didn’t make significant headway into the many highly-acclaimed noirs I’ve not seen. So, this year’s selection redresses the balance by being a list of some of the most important noirs I’ve never seen.

First, the 12 films I’ve chosen, in alphabetical order. Afterwards, I’ll write a little about how and why I decided these are “important” noirs.


Ace in the Hole

Ace in the Hole

The Asphalt Jungle

The Asphalt Jungle

Gun Crazy

Gun Crazy

In a Lonely Place

In a Lonely Place

The Killers

The Killers

Mildred Pierce

Night and the City

Night and the City

Nightmare Alley

Nightmare Alley

Out of the Past

Out of the Past

Scarlet Street

Scarlet Street

Shadow of a Doubt

Shadow of a Doubt

Sweet Smell of Success

Sweet Smell of Success


Normally it’s Blindspot’s selection process that gets very technical while WDYMYHS is a bit more intuitive, but this year it’s the latter that has used various lists in an attempt to define its 12 films. Not that I got insanely technical with it — no need for Excel spreadsheets and formulae here. Instead, I cross-referenced a handful of key lists, and that got me results I was happy enough with.

First, long-time readers of this blog may remember me referencing the book Pocket Essentials: Film Noir at one time or another in the past. It was the first book I bought after my interest in noir was piqued; a small, slim volume that’s mostly made up of a massive list of noir films. It’s still my go-to reference after watching a noir — to see if it’s in there, and see if there’s a rating (you can’t blame the book’s sole author for not having seen them all). Indeed, even though I now own some large and beautiful noir-related books (Taschen’s Film Noir: 100 All-Time Favorites immediately comes to mind, a book I really should spend more time with), Pocket Essentials is the only book I’ve referred to in forming this list. Before beginning that exhaustive list of every noir they could manage, the book highlights seven key titles for analysis. I’ve seen six of them, meaning the seventh — Alfred Hitchcock’s Shadow of a Doubt — went straight into my WDYMYHS selection.

For the remaining 11, I looked to four lists. First up was TSPDT’s 100 Essential Noirs. (On TSPDT’s site, these 100 have been subsumed into the ongoing 1,000 Noir Films project. You can find lists of just the initial 100 on iCheckMovies and Letterboxd.) With a whopping 72 films I’d never seen (thus proving my point that there are many “essential” noirs I still need to see), I made it a requirement that a film had to be on this list to be included.

The next two lists, which I considered equally, were IMDb’s Film-Noir Top 50 and the top 25 noirs of the ‘Czar of Noir’, Eddie Muller. Although both those lists are ranked, I ignored that in favour of which films were on both lists. Despite not having seen 30 films on the IMDb list and 20 on Muller’s, there were, as it turned out, just nine overlaps. They included the #1 film on Muller’s list, In a Lonely Place, but not my highest-ranked unseen film on IMDb’s, 6th placed White Heat; nor, indeed, the film ranked 2nd by Muller, Criss Cross. Funny stuff like that happens when you use multiple lists, which is part of why I do it so often.

Anyway, adding those nine got me to ten. This is where the fourth and final list came in — though it wasn’t a list as such, more using other opinions as a decider. Going back to the 100 Essential Noirs, I sorted it by the ratings of Letterboxd users, and included the top two that weren’t already in. Those were Ace in the Hole (the 2nd highest that I hadn’t seen on both IMDb’s list and by Letterboxd ratings, but not on Muller’s list) and Mildred Pierce. The aforementioned White Heat missed out by one place.

Or maybe it didn’t. Well, I mean, it did; but I also mean, maybe it will still end up included. I say that because, while normally Blindspot and WDYMYHS wouldn’t qualify for wildcards in my 100 Films Challenge (they’re lists of 12 films taking up 12 slots — there aren’t any to be wildcards), this year there sort of are spare films. In the case of Blindspot 2023, because it’s entirely based around the Sight & Sound poll, films from the rest of the list are allowed as wildcards. For WDYMYHS, as being on the 100 Essential Noirs was an entry requirement, I think the rest of that list should be eligible for wildcards. That’s quite a lot of possibilities (60, to be precise), but I probably won’t actually get round to any of them, so hey, why not?


Blindspot 2023

This is my 11th year doing a version of Blindspot (not to mention that various other bloggers do it too… or used to. Do other people still do this? Is there a whole world of it going on that I’m somehow cut off from? Or am I a lone proponent, still plugging ahead with a near-decade-old fad, because I really like it? I don’t know…)

Anyway, if you somehow still don’t know what it is or how it works, the premise is simple: choose 12 films you should have seen but haven’t, then watch one a month throughout the year. (My 12 also contribute to my 100 Films in a Year Challenge.)

Some people just choose their 12 films. I normally do it via an elaborate system of compiling “great movies” lists in various configurations to spit out some general consensus of which 12 well-regarded films I should watch next, rejigging which lists are included and how they’re factored in to provide new results each year. But 2023 is a bit different, thanks to a significant event last month: the publication of a new edition of Sight & Sound’s decennial 100 Greatest Movies poll, one of — nay, the most widely respected list of its kind among cinephiles. There were 27 films I hadn’t seen on the latest edition of the list — more than enough to fuel my Blindspot selections for this year.

I’ll explain how I whittled those 27 down (it wasn’t a long process, but it’s more than just “the top 12”) after listing the films themselves. In the order they ranked in Sight & Sound’s poll, this year I must watch…


Jeanne Dielman…

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Beau Travail

Beau Travail

Cléo from 5 to 7

Cléo from 5 to 7

Close-Up

Close-Up

Au hasard Balthazar

Au hasard Balthazar

Shoah

Shoah

Killer of Sheep

Killer of Sheep

Fear Eats the Soul

Fear Eats the Soul

A Brighter Summer Day

A Brighter Summer Day

Pierrot le Fou

Pierrot le Fou

Tropical Malady

Tropical Malady

Black Girl

Black Girl


With just 12 slots but 27 films I hadn’t seen, obviously I had to pare the list down somehow. One method would’ve been to just take the 12 highest ranked — they’re meant to be the best of the best, after all. But that didn’t allow for the fact that, to be blunt, there were films further down the list that I was more interested in seeing. Another method would’ve been to run the 27 films through one of my usual list-of-lists calculations and see which 12 emerged victorious. But in a year where I’d simplified the selection process, it seemed silly to overcomplicated it again.

So, here’s what happened: I already owned some of the films on disc; when the list came out, after I had a look at it, there were a couple of highly-ranked films that I’d already been considering purchasing, so I ordered them; and there were a few more that, for whatever reason, I felt compelled to, um, download. When I stopped to take stock of this flurry of activity, the number of films in my possession added up to 13. They weren’t necessarily the films I had envisioned being in my final 12 (for starters, two from the top 50 were missing), but there we were.

The only remaining question: which to ditch? It was nearly Au hasard Balthazar. I wasn’t sure I’m ready for the “a donkey’s miserable life” movie. I’m still not. But this seemed as good a time as any to bite the bullet and get it seen. What about approaching it from the other angle — which had to be included? Well, I don’t think I’m going to like Jeanne Dielman, but I’ve felt I should watch it for some time now… and, more importantly, it’s #1 — of course #1 had to go in! Then there’s the ones I already owned on disc: Shoah, A Brighter Summer Day, and Black Girl (also Yi Yi, but that was on last year’s list, so I ruled it out on the presumption I’d watch it in December. Oops). Then, the ones I’d freshly ordered: Beau Travail and Close-Up. Even if I hadn’t bought them, both are among the top four I hadn’t seen.

That just left narrowing the remaining seven downloads to six. I could talk you through my process, such as it was, on a film by film basis, but in the end it came down to a gut feeling. You can already see which films made it in — the loser, for what it’s worth, was Douglas Sirk’s Imitation of Life. I couldn’t really tell you why; it’s just what I decided.

One other thing: I can’t usually have wildcards from Blindspot — it’s a list of 12 films taking up 12 slots; there aren’t any to be wildcards. But this year is an exception in that respect, too: I figure that, as the entire list is chosen from Sight & Sound’s list, then the 15 unchosen films were the only other eligible options, and therefore they could be eligible for wildcard slots. Disagree? Tough, it’s my game. Will I actually watch any of them, when getting through the 12 actual picks can be challenge enough some years? Maybe not. But the possibility is there.


Before we leave Blindspot behind and head to “What Do You Mean You Haven’t Seen…?” (or, if you’ve come to this post second, before you head back to your life), here’s a dash of additional info. You see, just because these 12 films were all taken from the Sight & Sound list, that doesn’t mean they don’t contribute towards my completion of other lists — unsurprisingly, there’s some degree of overlap between different “great films” lists. So, in case you were curious (because I was), other key lists that some of these films appear on (at time of writing) include…

TSPDT’s The 1,000 Greatest Films (16th edition) — all 12, ranging from 34th (Au hasard Balthazar) to 869th (Black Girl).

BBC’s The 100 Greatest Foreign-Language FilmsJeanne Dielman; Beau Travail; Cléo from 5 to 7; Close-Up; Au hasard Balthazar; Shoah; Fear Eats the Soul; A Brighter Summer Day; Pierrot le Fou.

BBC’s The 100 Greatest Films Directed by WomenJeanne Dielman; Beau Travail; Cléo from 5 to 7.

iCheckMovies’s Most FavoritedJeanne Dielman; Close-Up; A Brighter Summer Day.

Letterboxd’s Top 250 Narrative Feature FilmsJeanne Dielman; A Brighter Summer Day.

IMDb’s Top 250 — nothing (can’t say I’m surprised).


The All-New 100 Films in a Year Challenge, Mk.II

Alright, here we go: after spending the first week of 2023 wrapping up 2022, it’s finally time to move on to the new year.

For the 17th year in a row, I’m going to attempt to watch 100 films in a year. But, for the second year in a row, that’s not just any old 100 films: following on from last year’s grand re-envisioning of the challenge, it’s 100 films that fulfil certain categories and criteria. Those categories and criteria have undergone some changes, however — hence Mk.II.

When I conceived of this new-style challenge, it was always my intention to vary the categories somewhat year by year (there was a reason last year’s goal of watching 12 film noirs came in a category called “Genre”, not “Film Noir”), but actually undertaking it for a year has thrown up a few pointers about how it could work better, or cases in which the rules needed to be clearer. Consequently, some of this year’s categories are mere refinements on what went before, while others are the same but with new contents, and a couple have been replaced wholesale for the sake of variety.


The one rule that applies across all categories: a film can only count once. Sounds kinda obvious, but the categories are not mutually exclusive — I could watch a DVD of a film in this year’s genre that’s also part of a series, and technically that could count in any one of three categories. Similarly, if I rewatch a film that I’ve already counted, the rewatch can’t count. As a separate viewing, it sort of still fulfils the criteria, but I feel it’s better to have 100 totally unique films. (It also means I can accurately track my progress in a list on Letterboxd, whereas I couldn’t if repeats were allowed.)

With that said, this year’s categories are…

New Films

x12. Any film that’s general release date (i.e. not festival screenings, etc) in the UK (i.e. not in the US, nor any other country) is between 1st January 2023 and 31st December 2023. Maximum one per month (but rolls over if I fail to watch one).

Rewatches

x12. Any film I’ve seen before (unless it’s already been counted in 2023’s Challenge). Maximum one per month (with rollovers, as above).

Blindspot

x12. Films I feel I should have seen, or that “great movies” lists tell me I should have seen. Not just any old films, but 12 films specifically chosen and named in advance. Designed to be watched one per month, but doesn’t have to be. I’ll name this year’s 12 in their own post soon. Teaser: the recent publication of Sight & Sound’s once-a-decade poll has had a significant bearing on this year’s choices…

What Do You Mean You Haven’t Seen…?

x12. Similar to Blindspot, in that they’re 12 specifically chosen films to be watched one per month, but these are all based around a theme. This year’s theme: film noir. “Hold up,” I hear you say, “wasn’t film noir a different category last year?” Why yes, it was 2022’s Genre. What’s different about it being 2023’s WDYMYHS theme? I’ll explain when I name the 12 specific films in their own post, soon.

Failures

x12. Every month, I list my “failures” — new releases or purchases that I failed to watch in the previous month. Sometimes, I catch up on some of them. Often, I don’t. Making it a Challenge category will hopefully force my hand. As with new films and rewatches, it’s a maximum of one per month, but rolls over if necessary.

Genre

x10. Any films from within a specified genre. Unlike most of the above categories, these can be watched at any time — maybe I’ll spread them throughout the year; maybe I’ll binge them all back to back. Most likely it’ll be somewhere between the two. This year’s genre: giallo.

Series Progression

x10. Any instalment in a film series I’m already watching (there’s a Letterboxd list of them here). If I start a new series, either by accident or choice, the first film can’t count, but any further films can. I thought about replacing this category, but while I’ve still got so many series on the go, I wanted to keep the incentive to push on with them.

Physical Media

x10. Last year, I had a whole category dedicated to DVDs, because I’ve got so many of them that I’ve never watched. Frankly, it’s a category I thought I’d change — but I have so many unwatched discs, it needs to stick around if it’s to make any serious dent in its purpose. However, I’ve widened it this year, because I also have a massive pile of unwatched 3D and UHD Blu-rays. So, not any physical media counts, just those three formats. I know that makes the category title inaccurate, but “DVDs and 3D Blu-rays and 4K Ultra HD Blu-rays” seemed unwieldy. As with genre and series films, these can be watched at any time.

Wildcards

x10. Last year, every category had 12 films, leaving an awkward four spare. My solution was to make them ‘wildcards’ that could be added to any category, thus turning a bug into a feature. That feature had the potential to be so useful that I’ve expanded it.

You see, towards the end of 2022, the Challenge was dictating my viewing more than I would like. I wanted to catch up on recent releases, and also watch some Christmassy fare, but none of those films would have qualified for the Challenge, and I still had a couple of dozen films left to complete it, so I felt forced to watch DVDs and film noirs and so on instead. Okay, that’s partly my own fault for not getting on with them earlier in the year; but this new-style Challenge was always going to be a work in progress, so I thought that, for Year Two, I’d build in a potential fix. Hence: the revised wildcard category.

As you can see, I’ve more than doubled the quotient, and I’m removing the limit of one wildcard per category (as there are only eight other categories, that wouldn’t work anyway). These ‘new’ wildcards still need to be attached to an existing category, but it can happen as often per category as I want (provided the category’s requirements have already been met, e.g. no 11th Genre film until I’ve filled the original ten). I imagine, therefore, that these will mostly get used on additional new films, perhaps rewatches and failures, but who knows? We’ll see how it goes… and change it again for 2024, if needs be.


All that make sense? If not, let me remind you that you don’t really need to worry about any of this — it’s only me who has to work it out.

As the year goes on, you can follow my progress on the Challenge Tracker page, and also via my monthly reviews; or there’s always my Letterboxd for the guaranteed most up-to-date status of my film logging.

100 Films in a Year Challenge 2022: Final Standing

As the challenge tracker page will soon be replaced with a version keeping tabs on 2023’s effort, here’s an archive of how it looked at the very end of 2022 — sadly incomplete, after I chose to abandon it. Hopefully I’ll fare better in 2023.


On this page, I’ll track my progress with The All-New 100 Films in a Year Challenge. Learn more about the challenge here.

New Films

  1. Mass (2021)
  2. The Misfits (2021)
  3. Django & Django (2021)
  4. Death on the Nile (2022)
  5. Chip ’n Dale: Rescue Rangers (2022)
  6. Apollo 10½: A Space Age Childhood (2022)
  7. Ambulance (2022)
  8. Prey (2022)
  9. Persuasion (2022)
  10. Scream (2022)
  11. See How They Run (2022)
  12. Doctor Who Am I (2022)

Rewatches

  1. Gosford Park (2001)
  2. A Room with a View (1985)
  3. West Side Story (1961)
  4. The Father (2020)
  5. On the Town (1949)
  6. Top Gun (1986)
  7. Calamity Jane (1953)
  8. Batman: Dead End (2003)
  9. Paddington 2 (2017)
  10. The Two Faces of January (2014)
  11. Enola Holmes 2 (2022)
  12. Avatar (2009)

Blindspot

  1. L’avventura (1960)
  2. Los Olvidados (1950)
  3. A Man Escaped (1956)
  4. High and Low (1963)
  5. To Be or Not to Be (1942)
  6. Paris, Texas (1984)
  7. Mirror (1975)
  8. La Grande Illusion (1937)
  9. Come and See (1985)
  10. A Woman Under the Influence (1974)
  11. Les Enfants du Paradis (1945)
  12. Yi Yi

What Do You Mean You Haven’t Seen…?

  1. Flight of the Navigator (1986)
  2. She’s Gotta Have It (1986)
  3. Cobra (1986)
  4. Hannah and Her Sisters (1986)
  5. Pretty in Pink (1986)
  6. A Better Tomorrow (1986)
  7. Mona Lisa (1986)
  8. The Mission (1986)
  9. Howard the Duck (1986)
  10. Manhunter (1986)
  11. The Name of the Rose
  12. The Transformers: The Movie

Decades

  1. Broken Blossoms (1919)
  2. The Navigator (1924)
  3. Shot in the Dark (1933)
  4. Penny Serenade (1941)
  5. The Monolith Monsters (1957)
  6. Carry On Spying (1964)
  7. The Hobbit (1977)
  8. Dirty Rotten Scoundrels (1988)
  9. In the Line of Fire (1993)
  10. Barbie as The Princess and the Pauper (2004)
  11. Voyage of Time: An IMAX Documentary (2016)
  12. Free Guy (2021)

DVDs

  1. Meat Loaf: In Search of Paradise (2007)
  2. Tintin and the Temple of the Sun (1969)
  3. The Flying Deuces (1939)
  4. Mifune: The Last Samurai (2015)
  5. Tintin and the Lake of Sharks (1972)
  6. Clerks (1994)
  7. Walk the Line (2005)
  8. The Mindscape of Alan Moore (2003)
  9. The Blues Brothers (1980)
  10. 3 to go…
  11. 2 to go…
  12. 1 to go…

Genre: Film Noir

  1. Escape in the Fog (1945)
  2. My Name Is Julia Ross (1945)
  3. Johnny Gunman (1957)
  4. Repeat Performance (1947)
  5. He Walked by Night (1948)
  6. The Guilty (1947)
  7. Killer’s Kiss (1955)
  8. The Killing (1956)
  9. Christmas Holiday (1944)
  10. I Wouldn’t Be in Your Shoes (1948)
  11. Mr. Soft Touch (1949)
  12. 1 to go…

Series Progression

  1. Jackass Number Two (2006)
  2. Encanto (2021)
  3. Scream 2 (1997)
  4. The Sign of Four: Sherlock Holmes’ Greatest Case (1932)
  5. Scream 3 (2000)
  6. Scre4m (2011)
  7. Star Trek III: The Search for Spock (1984)
  8. Quatermass 2 (1957)
  9. Jackass 3D (2010)
  10. 3 to go…
  11. 2 to go…
  12. 1 to go…

Wildcards

  1. Munich: The Edge of War (2021) — additional ‘New Film’ in April
  2. Scream (1996) — additional ‘Rewatch’ in June
  3. The Thrill of It All (1963) — additional ‘Decade’ for the 1960s
  4. Where will it go?