♫ Diddly-dum diddly-dum diddly-dum ooo-wee-ooo… ♫
If you somehow missed the news, Doctor Who hit the big six-oh this month. (It feels like only a couple of years since I was reviewing the 50th anniversary special. You don’t need a TARDIS to reach the future at astonishing speed — life will just do it for you.) As a lifelong Whovian, naturally I’ve devoted a fair amount of time to celebrating that milestone — something I’ve mentioned before in these monthly reviews, because it’s surely had an effect on my film viewing, simply by dint of eating up so much of my free time. (Were my time my own, I would’ve been able to syphon off a smaller amount for my Who celebrations; but gotta put bread on the table ‘n’ all that.) To give you an idea of just how much more Doctor Who-ing I’ve been doing than film watching, this month I’ve included a section all about it, and it’s taken over the header image too.
Before I come to that, it’s business as usual. I did still manage to watch some films; and with this having been the penultimate month of the year, obviously my Challenge is getting towards the pointy end. Am I within sight of completing it this year? Well, let’s take a look…
This month’s viewing towards my yearly challenge
#81 Quiz Lady (2023) — New Film #11
#82 Doctor Who (1996) — Rewatch #11
#83 The Killers (1946) — WDYMYHS #9
- I watched three feature films I’d never seen before in November.
- Two of them counted towards my 100 Films in a Year Challenge, along with one rewatch.
- And that rewatch was how Doctor Who even managed to invade my Challenge viewing! #82 is perhaps better known by one of its official subtitles: The Movie (on DVD and Blu-ray releases) or The TV Movie (on novelisations and its iPlayer listing) — but, of course, the onscreen title is simply Doctor Who. Does a TV movie count as a movie? Especially as it was produced as a “backdoor pilot”, i.e. although officially a one-off, the intention was it would lead to a series. Well, back in 2008, I counted the 24 TV movie (which they made between seasons 6 and 7, and whose story leads directly into season 7), so if that counts, this one has no problem, right? Well, I make the rules (literally), so I say it does (especially as it’s ‘only’ a rewatch, a designation I feel a little more lax around).
- If you really object, maybe just imagine I counted my rewatch of The Day of the Doctor instead — another feature-length TV special really, but one that actually had a theatrical release, so is arguably even more of a film (certainly, I counted it as one back in 2013).
- This month’s WDYMYHS film was Robert Siodmak’s film of Ernest Hemingway’s short story The Killers. It’s been filmed at least twice more since this, but it’s hard to see why they bothered when the original is so good.
- Nothing from Blindspot, though, which leaves me with a helluva lot to catchup next month — not least because three of the four outstanding films run over three hours each.
- From last month’s “failures”, I failed to watch anything. Oh dear.
- All told, that means I go into December with 17 films left to complete my Challenge. The most films I’ve watched in a month fullstop this year was 17 (hurrah!), but my monthly average is closer to 10½ (boo!), and all the inevitable Christmassy family stuff to come means I won’t really have a full month left to finish it off. Oh dear…
- Last year I abandoned the Challenge at #89, so I’m hoping to at least surpass that. Six films is certainly a more feasible goal than 17.
The 102nd Monthly Arbitrary Awards
Favourite Film of the Month
My WDYMYHS film noirs have been doing very well in this category so far in 2023, and that continues this month, with The Killers being a pretty easy pick. With three WDYMYHS films left to hopefully squeeze in next month, the category might have another victory yet to come.
Least Favourite Film of the Month
Well, this feels harsh. I only have three films to choose from this month, and I liked them all. I guess the loser, almost by default, is the 2015 version of Far from the Madding Crowd. It’s a good film, but not as exceptional as The Killers, and not as entertaining as Quiz Lady.
The Audience Award for Most-Viewed New Post of the Month
As has been the case almost all year now, just two posts battle it out for this award this month: my October review and my October ‘failures’. Neither challenge the upper echelons of the overall chart, either (still dominated by old TV reviews, the first two Harry Potters, and — bizarrely — a little-seen Chilean film that I only saw because we were screening it at a festival I worked on). Anyway, of the two posts in contention, it was the overall October review that narrowly, but definitively, came out on top this time.
As I mentioned at the start, I thought I’d just include a rundown of all the watching, reading, and listening I’ve been doing to mark Doctor Who‘s 60th birthday, as an indication of just how much time I gave over to this — time I’d often (though, in fairness, not always) have spent watching films. These are more-or-less in the order I progressed through them, which is more-or-less in chronological order within the Whoniverse (as it’s now officially called).
To briefly outline what was going on here: I wanted to choose one piece of media I’d never experienced for each official TV Doctor. That sounds kinda highfalutin’ written down, but it’s because I was keeping it broad. Doctor Who may primarily be a TV show, but it’s also existed in books, comics, audio drama, and more down the decades. I wanted to include as much of that as possible; and because there’s so much of it I’ve never seen/read/heard, I wanted to keep it all-new (to me). With that in mind, this is what I ended up with…
| Who? | What? | Why? |
|---|---|---|
| First Doctor | Marco Polo novelisation by John Lucarotti | Target novelisation of the oldest missing TV story. |
| Second Doctor | Fury from the Deep animation | 97 episodes of Doctor Who are missing apart from their soundtracks. Some have been animated to fill in the visuals. This is one of them. |
| Third Doctor | Inferno | TV story, recently voted by readers of Doctor Who Magazine as the best starring the Third Doctor. |
| Fourth Doctor | Doctor Who and the Star Beast | 1980 comic book story, originally published in DWM, by Pat Mills and Dave Gibbons, which inspired the first episode of the forthcoming 60th anniversary episodes. |
| Fifth Doctor | The Five Doctors 40th Anniversary Edition | Recently-released enhanced edition of the 20th anniversary special, with new special effects and surround sound mix. |
| Sixth Doctor | Timelash | The only Sixth Doctor TV story I’d never seen. Also considered one of the worst stories in the programme’s history, so that’s fun. |
| Seventh Doctor | Timewyrm: Genesys by John Peel | First of the New Adventures, the series of original novels that helped keep the series alive during the Wildness Years. |
| Eighth Doctor | The Scent of Blood by Andy Lane | A BBC Audio original audiobook, read by Dan Starkey. |
| War Doctor | The Day of the Doctor in 3D | The 50th anniversary special, which introduced us to the War Doctor. Obviously I’d seen it before, but never in true 3D. |
| Ninth Doctor | Ravagers | Debut box set of audio adventures for the Ninth Doctor, produced by Big Finish, who’ve been making new Who on audio for almost 25 years. |
| Tenth Doctor | Revenge of the Judoon by Terrance Dicks | Novel from the Quick Read initiative, written by Terrance Dicks, the godfather of Who fiction thanks to the mass of Target novelisations he penned. |
| Eleventh Doctor | minisodes from series 6 and 7 | 13 short episodes/scenes included as extras on the Series 6 and 7 Blu-ray releases. |
| Eleventh & Twelfth Doctors | Regeneration Impossible | As well as full-cast audio dramas, Big Finish also do short stories as audiobooks. This is one. |
| Twelfth Doctor | Dark Water / Death in Heaven in 3D | This was a bit of a bonus: the Series 8 finale (so I’d seen it before), but converted into 3D for cinema screenings (and released on Blu-ray in the US). |
| Thirteenth Doctor | The Wonderful Doctor of Oz by Jacqueline Rayner | First in a series of novels from Puffin in which various Doctors encounter classics of children’s literature. |
| Fugitive Doctor | Origins | Comic book series — not from DWM, but Titan Comics — exploring the origins of the mysterious Fugitive Doctor. |
| Spin-offs | K9 and Company | Representing the wide world of Doctor Who spinoffs, the original: a one-off special from Christmas 1981. |
| “No sir, all thirteen…” | 13 Doctors, 13 Stories anthology | Short stories / novellas that marked the show’s 50th anniversary, written by a raft of celebrity authors including Eoin Colfer, Patrick Ness, Malorie Blackman, Charlie Higson, and Neil Gaiman. |
And that doesn’t even include the stuff that’s been on TV and radio during this period — like series two of podcast drama Doctor Who: Redacted; Radio 2’s Doctor Who @ 60: A Musical Celebration concert (on both radio and TV); the archive-diving Talking Doctor Who documentary; multiple radio documentaries, covering topics like the Wilderness Years and the A-Z of fandom; the Children in Need sketch; classic serial The Daleks re-edited and colourised; the (revised) repeat of An Adventure in Space and Time; Channel 5’s cash-in documentary on the programmes’ “secrets and scandals”; and — of course — the first of the brand-new episodes starring David Tennant as the Fourteenth Doctor… and the three-and-a-half hours (yes, really, that much) of official behind-the-scenes content released in its wake.
Crikey.
There’s still more Doctor Who on the telly (two more specials with David Tennant, then Fifteenth Doctor Ncuti Gatwa debuts in a Christmas special), but it’s going to be less all-consuming going forward.
But its damage may already be done. As I mentioned at the end of my Viewing Notes, with 17 films still to go to hit 100 — and most of them very specific ones, constraining me either by type (giallo) or to a set shortlist (Blindspot and WDYMYHS) — and not even a full month to watch them in — I’m not sure it’s even physically possible to complete my Challenge for 2023.
Well, within the entire realm of physics, yes, of course it is. But within the realm of physical reality (where I also have to spend time with family, and doing my day job, and eating, and sleeping, and so on and so forth)… yeah, I’d err on the side of “it’s probably not happening, is it?”
One of Doctor Who’s most popular eras is revived this week, as David Tennant returns to the headline role for the first time since 
The first is Technophobia by Matt Fitton, which is set in our recent past (and therefore Donna’s near-future) when the new M-Pad tablet computer seems to be causing the populace to forget how to use technology. Tennant and Tate hit the ground running — it’s a cliché, but it really does sound like they’ve never been away. Their sprightly performances contain little of the stilted “I’m reading this script aloud for the first time” acting that sometimes plagues audio drama. Fitton captures the style and tone of their single TV season to a tee — if they’d done a second year together, you can well believe this as its first episode. Even Howard Carter’s incidental music is a mostly-fitting substitute for Murray Gold’s iconic work.
The middle tale is sci-fi adventure Time Reaver by Jenny T. Colgan, a best-selling romantic novelist who’s turned her hand to multiple Who projects (including a 10th Doctor and Donna novel published last week to tie-in with these dramas). For me, this was the weak link of the trilogy, though it’s by no means bad. There are some fantastic ideas, but at times their inspirations show through too clearly, and the execution is sometimes lacking. This was Colgan’s first audio drama, and dare I say it shows. Sequences like an action-packed barroom brawl are a little too ambitious to convey in an audio-only medium, and the dialogue is regularly forced to describe what’s going on. On the bright side, Mr Carter offers more magnificent sound design — the noises made by cephalopod villain Gully are immensely evocative.
The final episode is the group’s historical outing, Death and the Queen by James Goss, and it may be the best of the lot. Our intrepid duo find themselves in the kingdom of Goritania in 1780, when it comes under siege from a destructive cloud that contains Death himself. Goss mixes comedy with peril in just the right quantities to create a story that is an entertaining romp but also manages to expose different facets of the Doctor and Donna’s relationship. If Fitton has bottled the essence of RTD, here Goss evokes Steven Moffat, with a time-jumping opening ten minutes that you can well imagine on TV, but which also work perfectly in audio. Things slow a bit later on, with the dialogue sometimes going in circles — a fault of all three of these plays, actually. They could’ve benefited from a trim to fit within the TV series’ 45-minute slot, rather than allowing the freedom of not having to conform to a schedule let them to slide to 55-ish.
Ah, love a bit of Eurovision, even if the songs weren’t as good this year. Ok, you might say they never are, but there’s often one or two half-decent ones (I still listen to Conchita Wurst’s Rise Like a Phoenix sometimes, mainly because it’s the best Bond theme released in the last decade). Even then, the winner wasn’t the best of that middling bunch, though it probably had the best message. In fact, the best song of the night was the Swedish hosts’ half-time number, Eurovision-spoofing Love Love Peace Peace (watch it 
Good luck to you if you’re not watching Game of Thrones but still trying to avoid spoilers this year, with the huge and widely-covered news that [REDACTED] was [REDACTED], or that [REDACTED] killed [REDACTED], or when [REDACTED] and [REDACTED] were [REDACTED] for the first time since [REDACTED], or when [REDACTED] was [REDACTED] but [REDACTED] the [REDACTED] and [REDACTED] of [REDACTED] in the process — even if more people seemed interested in discussing her [REDACTED]s.
I can’t remember the last time I saw a new multi-camera sitcom that wasn’t either, a) a bit meta (like Miranda or Mrs Brown’s Boys), or b) a revival (like Red Dwarf X). I don’t know if that says more about the current TV landscape or the kind of things I watch, but either way it surprised me when that was the form Upstart Crow took. It’s just one element that gives it the feel of Blackadder, which I don’t mean as a criticism. Even if it feels a little dated in its execution, there are plenty of laughs — some easy, some clever — and, really, what more do you want from a comedy than to laugh? It may not be up to Blackadder’s highest highs (yet — there’s still time; you never know), but I’d wager it stands fair comparison to the classic’s comparatively-lesser instalments… which I mean to be a less critical assessment than it sounds.
This month, I have mostly been missing the second run of The Hollow Crown, the BBC’s all-star adaptation of Shakespeare’s War of the Roses plays… though as I still haven’t got round to watching the first run from 2012, that’s no real surprise. In fact, Upstart Crow aside, I’ve not yet watched any of their still-running 
100Films.co.uk 