Antoine Fuqua | 116 mins | digital (HD) | 2.39:1 | USA / English, Turkish & French | 15 / R
“Now we’re equalised, bitch.”
Sadly, that is not a line Denzel actually says in this movie. The film would be about 50% better if he did. Instead, what we get is an action-thriller where both the action and thrills are, literally, few and far between.
For those who skipped the first film, Denzel is playing Robert McCall, a former Marine and intelligence agent who retired to a life of inconspicuous normality, but has been tempted back into righting some of the wrongs of the world — or “equalizing” them, I guess. This time, an array of subplots eventually gives way to a story in which McCall sets out to avenge the murder of a friend.
I mention the subplots there because they’re the film’s biggest problem. As a result of them, it’s… so… slow… To start with, the subplots are a couple of small ‘cases’ introduced in the first half-hour, presumably to try to liven the film up because the main storyline is crawling along. Neither works. I’m not here for a pleasant drama about a Lyft driver who does kindly things for others — I want to see Denzel Washington kicking the asses of nasty buggers. The first film was noteworthy for investing more time in its supporting characters than is typical for the action-thriller genre, but this one takes that notion to extremes.
Even when the main plot does get moving, it takes over an hour to get to a ‘twist’ that’s obvious just from reading the cast list. At least it doesn’t try to save it for the end, I guess. That reveal leads to a wannabe-Taken-phone-speech declaration from Denzel, which should’ve come a lot earlier. It’s not as memorable as the Taken one (though the final line lands), but at least it’s a moment of drama and the film perks up after it — but by then we’re well over an hour in to a less-than-two-hours movie.
From there it’s a short hop, skip and jump to a climax set amidst a horrendous storm in an abandoned seaside town. It’s a nice concept and it’s solidly executed, but it’s an at-most 20-minute sequence and it’s not exceptional, just a lot more engaging than the film’s other 100 minutes, so it doesn’t really justify sitting through the rest of the movie. However, I did not realise that flour could be explosive, but turns out it can, so in that sense at least this was educational for me.
(FYI, the film was cut in the UK to get a 15 certificate, removing some of the more extreme gore (insides hanging out, a spine being severed, etc). The 4K Blu-ray release is uncut and rated 18 (presumably so they could just port the disc rather than having to faff with edits/a new transfer). On Netflix it has an 18 icon, so I guess it’s also the uncut version, should that concern you either way.)
The Equalizer 2 isn’t a terrible film, but it is quite a boring one. Not just slow paced — genuinely boring. A raft of subplots don’t really go anywhere or serve any purpose, the main story is incredibly thin, and the limited action sequences do little to balance the books.
The Equalizer 2 is available on Netflix in the UK from today.