Tom Hanks (Philadelphia, Saving Private Ryan)
Bill Paxton (Tombstone, Twister)
Kevin Bacon (Footloose, The Woodsman)
Gary Sinise (Forrest Gump, Snake Eyes)
Ed Harris (The Right Stuff, The Truman Show)
The third manned mission to land on the Moon launches to little public interest… but that all changes when an accident cripples the spacecraft. Not only will the three astronauts on board not be landing on the Moon, but they might not be able to make it back to Earth…
Everybody — from the three men who may die in space, to the spurned astronaut who locks himself in the simulator to find a solution, to the dozens of mission commanders and tech guys who work round the clock to keep the astronauts alive and bring them home.
NASA Director: “This could be the worst disaster NASA’s ever faced.”
Gene Kranz: “With all due respect, sir, I believe this is gonna be our finest hour.”
After surviving days in space on dwindling power, slingshotting the craft round the moon, and adjusting course last-minute to actually aim at Earth, the crippled remains of Apollo 13 enter the atmosphere. There will be three minutes of radio silence before they know if the astronauts have survived reentry. Everyone watches and waits. Silence. Three minutes is reached. Silence. Three minutes thirty seconds passes… In the command center, at the astronauts’ home, at Jay Lovell’s school, everyone waits. Four minutes passes… Goodness, it’s shamelessly manipulative filmmaking, but if your hair isn’t on end and you aren’t practically on your feet cheering with everyone else, you truly are immune.
Gravity used a shedload of groundbreaking tech and computer graphics to simulate zero-G. 20 years earlier, Apollo 13 wasn’t so lucky, so how did they do it? In part, for real. Sets were built inside NASA’s (in)famous ‘Vomit Comet’, an airplane that flies in parabolic arcs to give astronauts an experience of zero-G, but only for 23 seconds at a time. With such a small window, shots to be achieved were carefully planned out, and cast and crew endured over 500 arcs in 13 days to film the necessary footage.
Truly Special Effect
The lift-off sequence, a combination of models and CGI without a single frame of stock footage, is iconic. For me, at least, the shot tracking down the side of the craft as the supports pull away is as indelible an image of an Apollo launch as any documentary footage.
The film was followed by 12-part HBO series From the Earth to the Moon, which tells the entire story of the US’s quest to put a man on the moon, from the creation of NASA to the end of the Apollo programme. It’s really good.
2 Oscars (Sound, Film Editing)
7 Oscar nominations (Picture, Supporting Actor (Ed Harris), Supporting Actress (Kathleen Quinlan), Adapted Screenplay, Art Direction-Set Decoration, Visual Effects, Original Score)
2 BAFTAs (Special Effects, Production Design)
3 BAFTA nominations (Cinematography, Editing, Sound)
1 Saturn nomination (Action/Adventure Film)
Nominated for the Hugo for Best Dramatic Presentation.
What the Critics Said
“In the end, this failed mission seems like the most impressive achievement of the entire space program: a triumph not of planning but of inspired improvisation.” — Terrence Rafferty, The New Yorker
What the Public Say
“filmmakers combined elements most go to the movies for — drama, comedy, suspense, thrills, and tug of the heart. After reading Lost Moon I’ve come to appreciate the William Broyles Jr. and Al Reinert screenplay the more. Given the archival detail Lovell and Kluger documented, getting a good portion of it into a 140-minute movie was its own remarkable feat.” — le0pard13, It Rains… You Get Wet
What could have been one of the US space program’s greatest tragedies turned out to be one of its greatest successes, a sensation that is conveyed by Ron Howard’s thrilling rendition of events. The film is too emotionally manipulative for some palates, but by and large it works magnificently for me. Bonus points are earnt for rejecting sycophancy in favour of depicting the people involved as human beings who endured and triumphed in extraordinary circumstances.
#5 will be… reached at 88mph.