Ocean’s Twelve (2004)

2007 #62
Steven Soderbergh | 120 mins | DVD | 12 / PG-13

Ocean's TwelveThis all-star sequel to the 2001 Rat Pack re-make received a thorough slating from critics on release, mainly thanks to its New Wave influences (which are only clear if you’re familiar with said cinematic trend), grittier approach (it’s less shiny-glossy more grainy-film-stock — hardly Bourne-compared-to-Bond gritty), and the feeling that the cast are having more fun than the audience (this one I’ll allow).

Aside from a few steps too far in the final act (such as Julia Roberts playing Tess playing Julia Roberts (funnier if it hadn’t been so specified), and the frankly irritating twist denouement) it’s still a pretty enjoyable film. But it’s true that the first is better.

3 out of 5

Capote (2005)

2007 #61
Bennett Miller | 110 mins | DVD | 15 / R

CapoteIt is, unsurprisingly, Philip Seymour Hoffman’s Oscar-winning lead performance that dominates this movie. While the title might suggest a biopic, the film actually concentrates on the five year period in which Truman Capote researched and wrote his non-fiction novel In Cold Blood.

While this process forms the structure of the plot, the title gives away what the movie is actually ‘about’ — in and around the mechanics of the murder investigation and Capote’s work process, it’s the character of the man, and how it’s affected, that is really revealed to the viewer (in a subtler way than my blatant highlighting of it here would suggest).

4 out of 5

The ‘other’ Truman Capote movie from the mid-noughties, Infamous, is on BBC Two tonight, Friday 5th June 2015, at 11:50pm.

Kramer vs. Kramer (1979)

2007 #60
Robert Benton | 100 mins | TV | PG

Kramer vs. KramerThe acting is what shines in this multiple-Oscar-winning custody drama. Troubled wife Meryl Streep leaves husband Dustin Hoffman within the first five or so minutes (today she probably wouldn’t leave ’til the end of the first act) and suddenly busy, work-driven daddy has to look after their young son all on his lonesome.

I personally didn’t find the later courtroom scenes quite as edge-of-your-seat intense as some have, but you can’t fault the abilities of the actors. Perhaps particularly noteworthy is the kid, played by Justin Henry, though clearly it wasn’t good enough to launch a decent career for him.

5 out of 5

Pirates of the Caribbean: At World’s End (2007)

2007 #59
Gore Verbinski | 168 mins | cinema | 12A / PG-13

Pirates of the Caribbean: At World's EndCurse of the Black Pearl was a surprisingly great film. Dead Man’s Chest was a lacking attempt to recapture that glory. At World’s End is the worst subtitle of all three, but mixed in quality.

The first half hour is great fun, but then it gets weird, adds in hefty doses of over-complex plotting, and drags along fairly slowly until it finds an exciting climax a little late on. It’s not all bad — beautiful to look at, with some of the most impressive CGI ever, and there’re some good action scenes.

In the end it’s the attempts to drag what was an entertaining fantasy action film to the mythological levels of Lord of the Rings that has made both sequels inferior to the first offering.

3 out of 5

Sense and Sensibility (1995)

2007 #58
Ang Lee | 131 mins | DVD | U / PG

Sense and SensibilityA host of familiar British faces turn up in this Oscar-winning adaptation of the Austen-novel-with-the-name-like-Pride-and-Prejudice-only-not. Fans of any of the following will love this film: Jane Austen, costume drama in general, Emma Thompson, Alan Rickman, Hugh Grant, Kate Winslet.

For the rest of us, there’s still lots of enjoyment to be had. Austen’s plots may be virtually identical and you might be able to spy the endings almost from the start, but there’s fun to be had getting there. Hugh Laurie’s small supporting role is particularly worthy of mention.

4 out of 5

It’s All Gone Pete Tong (2004)

2007 #57
Michael Dowse | 86 mins | DVD | 15 / R

It’s All Gone Pete TongIf you’re into dance music/clubbing/Ibiza/etc, then this film is definitely aimed at you. As for the rest of us normal folk… well, to be honest, it’s actually a fair bit better than I was expecting!

The main reason I wanted to see it was because I’d heard it had interesting sound design; other than that, I thought a clubbing-based ‘comedy’ really wasn’t for me. Turns out it’s not as much of a ‘comedy’ as I expected, though there are some funny bits (and some mere attempts at funny bits).

By the end, there’s an odd feeling of having seen something a great deal better than expected, but still with a certain oddness that holds it back.

3 out of 5

Road to Morocco (1942)

2007 #56
David Butler | 78 mins | VHS | U

Road to MoroccoGentle, silly humour abound in this comedy, the third in the Road to… series. If you remember those plays that Morecambe & Wise used to do you’ll have a fair idea what this feels like, although with a couple of added musical numbers (and pretty good ones at that). It’s not ‘great cinema’ and it won’t be to everyone’s taste, but it makes for a light, fun way to spend not much more than an hour.

3 out of 5

Chinatown (1974)

2007 #55
Roman Polanski | 131 mins | download | 15 / R

ChinatownPolanski’s post-noir thriller follows J.J. Gittes, a private eye who begins investigating another cheating husband case but ends up drawn into a conspiracy that he can’t hope to beat.

It’s often held up as an example of a perfectly structured screenplay, and the carefully considered reveal of character and plot throughout makes it easy to see why. It’s also packed with imagery and subtext for those who want it, but if that’s not your thing it still makes for a darn good thriller with a few neat twists.

5 out of 5

Spider-Man 3 (2007)

2007 #54
Sam Raimi | 139 mins | cinema | 12A / PG-13

Spider-Man 3Spider-Man 3 carries the distinct air of a group of people trying to recapture former glories, and the fun they had achieving them, and failing on both counts. There are hints at the things that made the first two (especially the second) movies so good, but they’re relatively poorly executed.

The pacing is shot to shreds, scenes and plot points need rearranging, the villains are less engaging, Venom is shockingly underused, the climax virtually comes out of the blue, and emo-Parker is just plain embarrassing (at first people at least laughed at him in the street, but then there’s the jazz club sequence…) I also spent much of it wondering where most of the massive budget had gone. Yes, there’s the odd action sequence (often with not-that-impressive CGI, it must be said), but much of the film focuses on the ‘human drama’ side of things, much more so than the first two (which were relatively heavy on it for summer movies) and with much less effect. It’s only really in the finale that the budget shows, as if they saved it all up to pour out then.

I’ve wittered on again, in a way I haven’t since Hidden, and all with complaints… but here’s why: the Spider-Man movies were great and, while this one has a relatively ambiguous ending in some respects, this is in so many ways clearly designed as a trilogy-ender. And it disappoints; and it disappoints in the worst possible way, because there are some great germs of ideas here… it just feels like they’ve filmed the second draft instead of letting it be fully polished. It’s a huge shame.

3 out of 5

West Side Story (1961)

2007 #53
Robert Wise & Jerome Robbins | 146 mins | DVD | PG

West Side Story“Everything’s free in America,” goes the famous line; but this film is probably more accurately summed up in its following line: “For a small fee in America”.

For, surprisingly, underneath the song and dance numbers (some impressive, some embarrassing), the Shakespearian romance story, and the vibrant and beautiful cinematography, beats the heart of a gritty, political, social drama about gangs, racism, immigration, and more — issues that seem as pertinent today as ever.

It’s a brilliant film, which falls short of full marks only thanks to some of those weaker song & dance bits (and I might be being a tad unfair there).

4 out of 5