Mystic River (2003)

2007 #66
Clint Eastwood | 132 mins | DVD | 15 / R

Mystic RiverThe acting is the main draw of this Oscar-winning murder drama, in which three childhood friends who grew apart are brought back together when one of their daughters is murdered. Tim Robbins is particularly excellent, easily earning his Best Supporting Actor Oscar.

Unfortunately most of the plot is not far above the standards of your average police procedural show, albeit fleshed out with more insight into the various characters and plot complexities — and, of course, with superior acting from all involved.

4 out of 5

The Woodsman (2004)

2007 #65
Nicole Kassell | 84 mins | DVD | 15 / R

The WoodsmanKevin Bacon stars in this compelling drama.

If anyone saw Channel 4’s recent Secret Life, this treads very similar ground — recently released paedophile struggles to fit back into the world and avoid recommitting former crimes. But whereas C4’s drama was issue-driven this is character-based; it doesn’t necessarily make it better, but it does make it different. Bacon manages the tricky task of eliciting sympathy and understanding as the paedophile (though perhaps not as much as Matthew Macfadyen did).

A relatively intelligent look at what is usually a mindlessly treated subject.

4 out of 5

Monster (2003)

2007 #63
Patty Jenkins | 105 mins | TV | 18 / R

MonsterCharlize Theron uglies up (and wins an Oscar) portraying Aileen Wuornos, one of America’s first female serial killers, in this ‘true crime’ biopic. The film focuses on her 9-month relationship with Selby, played by Christina Ricci, which is also the period in which she killed several men (many of them, especially initially, not undeserving of their fate).

Theron gives a truly transformative performance that, with the obvious aid of the script, helps you understand Aileen, her actions and her motivations, and reveals a lot about her character without resorting to tacky flashbacks or unwieldy info-dumps.

4 out of 5

Capote (2005)

2007 #61
Bennett Miller | 110 mins | DVD | 15 / R

CapoteIt is, unsurprisingly, Philip Seymour Hoffman’s Oscar-winning lead performance that dominates this movie. While the title might suggest a biopic, the film actually concentrates on the five year period in which Truman Capote researched and wrote his non-fiction novel In Cold Blood.

While this process forms the structure of the plot, the title gives away what the movie is actually ‘about’ — in and around the mechanics of the murder investigation and Capote’s work process, it’s the character of the man, and how it’s affected, that is really revealed to the viewer (in a subtler way than my blatant highlighting of it here would suggest).

4 out of 5

The ‘other’ Truman Capote movie from the mid-noughties, Infamous, is on BBC Two tonight, Friday 5th June 2015, at 11:50pm.

Kramer vs. Kramer (1979)

2007 #60
Robert Benton | 100 mins | TV | PG

Kramer vs. KramerThe acting is what shines in this multiple-Oscar-winning custody drama. Troubled wife Meryl Streep leaves husband Dustin Hoffman within the first five or so minutes (today she probably wouldn’t leave ’til the end of the first act) and suddenly busy, work-driven daddy has to look after their young son all on his lonesome.

I personally didn’t find the later courtroom scenes quite as edge-of-your-seat intense as some have, but you can’t fault the abilities of the actors. Perhaps particularly noteworthy is the kid, played by Justin Henry, though clearly it wasn’t good enough to launch a decent career for him.

5 out of 5

Pirates of the Caribbean: At World’s End (2007)

2007 #59
Gore Verbinski | 168 mins | cinema | 12A / PG-13

Pirates of the Caribbean: At World's EndCurse of the Black Pearl was a surprisingly great film. Dead Man’s Chest was a lacking attempt to recapture that glory. At World’s End is the worst subtitle of all three, but mixed in quality.

The first half hour is great fun, but then it gets weird, adds in hefty doses of over-complex plotting, and drags along fairly slowly until it finds an exciting climax a little late on. It’s not all bad — beautiful to look at, with some of the most impressive CGI ever, and there’re some good action scenes.

In the end it’s the attempts to drag what was an entertaining fantasy action film to the mythological levels of Lord of the Rings that has made both sequels inferior to the first offering.

3 out of 5

Sense and Sensibility (1995)

2007 #58
Ang Lee | 131 mins | DVD | U / PG

Sense and SensibilityA host of familiar British faces turn up in this Oscar-winning adaptation of the Austen-novel-with-the-name-like-Pride-and-Prejudice-only-not. Fans of any of the following will love this film: Jane Austen, costume drama in general, Emma Thompson, Alan Rickman, Hugh Grant, Kate Winslet.

For the rest of us, there’s still lots of enjoyment to be had. Austen’s plots may be virtually identical and you might be able to spy the endings almost from the start, but there’s fun to be had getting there. Hugh Laurie’s small supporting role is particularly worthy of mention.

4 out of 5

It’s All Gone Pete Tong (2004)

2007 #57
Michael Dowse | 86 mins | DVD | 15 / R

It’s All Gone Pete TongIf you’re into dance music/clubbing/Ibiza/etc, then this film is definitely aimed at you. As for the rest of us normal folk… well, to be honest, it’s actually a fair bit better than I was expecting!

The main reason I wanted to see it was because I’d heard it had interesting sound design; other than that, I thought a clubbing-based ‘comedy’ really wasn’t for me. Turns out it’s not as much of a ‘comedy’ as I expected, though there are some funny bits (and some mere attempts at funny bits).

By the end, there’s an odd feeling of having seen something a great deal better than expected, but still with a certain oddness that holds it back.

3 out of 5

Spider-Man 3 (2007)

2007 #54
Sam Raimi | 139 mins | cinema | 12A / PG-13

Spider-Man 3Spider-Man 3 carries the distinct air of a group of people trying to recapture former glories, and the fun they had achieving them, and failing on both counts. There are hints at the things that made the first two (especially the second) movies so good, but they’re relatively poorly executed.

The pacing is shot to shreds, scenes and plot points need rearranging, the villains are less engaging, Venom is shockingly underused, the climax virtually comes out of the blue, and emo-Parker is just plain embarrassing (at first people at least laughed at him in the street, but then there’s the jazz club sequence…) I also spent much of it wondering where most of the massive budget had gone. Yes, there’s the odd action sequence (often with not-that-impressive CGI, it must be said), but much of the film focuses on the ‘human drama’ side of things, much more so than the first two (which were relatively heavy on it for summer movies) and with much less effect. It’s only really in the finale that the budget shows, as if they saved it all up to pour out then.

I’ve wittered on again, in a way I haven’t since Hidden, and all with complaints… but here’s why: the Spider-Man movies were great and, while this one has a relatively ambiguous ending in some respects, this is in so many ways clearly designed as a trilogy-ender. And it disappoints; and it disappoints in the worst possible way, because there are some great germs of ideas here… it just feels like they’ve filmed the second draft instead of letting it be fully polished. It’s a huge shame.

3 out of 5

West Side Story (1961)

2007 #53
Robert Wise & Jerome Robbins | 146 mins | DVD | PG

West Side Story“Everything’s free in America,” goes the famous line; but this film is probably more accurately summed up in its following line: “For a small fee in America”.

For, surprisingly, underneath the song and dance numbers (some impressive, some embarrassing), the Shakespearian romance story, and the vibrant and beautiful cinematography, beats the heart of a gritty, political, social drama about gangs, racism, immigration, and more — issues that seem as pertinent today as ever.

It’s a brilliant film, which falls short of full marks only thanks to some of those weaker song & dance bits (and I might be being a tad unfair there).

4 out of 5