Category Archives: Drama

Crash: Director’s Cut (2004)

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2007 #27a
Paul Haggis | 115 mins | DVD | 15

Crash: Director's CutOK, I must confess, this one is something of a cheat — I’ve seen Crash before, and whilst some ‘director’s cuts’ can be vastly different, this one is only around two minutes longer. But I'll take any chance I can get to go on about how this is a much better and more Oscar-deserving piece than a certain overrated film about gay cowboys.

In my opinion this is a film that should be seen, not necessarily for its message, but for its quality in terms of performance, direction, etc.

5 out of 5

Confessions of a Dangerous Mind (2002)

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2007 #27
George Clooney | 109 mins | TV | 15 / R

Confessions of a Dangerous MindGeorge Clooney’s directorial debut is part biopic, part comedy, and part spy thriller.

It’s the last part that works best, but perhaps that’s just because I have a predilection for spy thrillers; that said, the filmmakers would seem to agree as, after a late appearance in the plot, it comes to dominate its climax. It’s also nicely shot, especially the excursions to Europe.

I would recommend it (though not quite as heartily as Clooney’s second film, the excellent Good Night, and Good Luck).


4 out of 5

Flight 93 (2006)

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2007 #26
Peter Markle | 85 mins | DVD | 12 / PG-13

Flight 93Oh dear.

The Other Film About United 93 is just that. With poor acting, pedestrian direction, dreadful effects, and a young child in every single scene involving a relative, this film is infinitely inferior to Paul Greengrass’ United 93. Where that was subtle, realistic and moving, this is over-worked, cheesy and laughable — yes, laughable; we spent half the running time taking the piss out of it! Not good for a film about a tragedy.

Some have called this a worthy companion piece to United 93. It’s not. United 93 is essential; Flight 93 you can take or, preferably, leave.

1 out of 5

Flight 93 featured on my list of The Five Worst Films I Saw in 2007, which can be read in full here.

The Reckless Moment (1949)

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2007 #24
Max Ophüls | 79 mins | DVD | 12

The Reckless MomentOphüls’ film noir about a mother who covers up the death of her daughter’s much older boyfriend. I think I’m perhaps erring on the side of generosity with the rating, but it is still quite a good film. Certainly it allowed me to play one of my favourite games: what would I change if I remade it? I had a few quite good ideas, actually. I’m tempted to start writing…

4 out of 5

Postscript #1 (9/7/2014)
The Reckless Moment was probably only the second or third film noir I’d ever seen, and I don’t think I properly appreciated what I was watching. It doesn’t really come across in this ‘review’ (being as it is from the era when I was only providing a couple of lines on each film), but I’ve felt for several years now that the sense of apathy I felt then (which I think is implied) no longer reflects my memory of the film. I would dearly like to get round to revisiting it and form a fresh opinion, but until then this is archived as-is.

Postscript #2 (22/10/2017)
Having finally rewatched it, I posted a couple of brief thoughts on Letterboxd, here.

Fargo (1996)

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Fargo2007 #23
Joel Coen | 94 mins | DVD | 18 / R

Fargo is the latest film to have been inducted into the United States National Film Registry, donchaknow. It’s also 105th on the IMDb Top 250 [it’s now 153rd], and the 21st film from the 1990s. So it’s pretty much a modern classic then.

It is indeed very good; the only thing holding me off giving it 5 is a lack of that Something which leads me to rate so highly after one viewing. Maybe it will go up in time.

4 out of 5

United 93 (2006)

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2007 #22
Paul Greengrass | 107 mins | DVD | 15 / R

United 93It’s very hard to find what to say about this film. It’s a shame the Oscars were too cowardly to nominate it for much; Greengrass probably deserved Best Director for this more than Scorsese did for The Departed (he is, all round, a talented and excellent director). At least the BAFTAs were brave enough to give it to him (cos British is best ‘n’ all).

But the film itself: it is above all affecting; it feels real and true; it is hard to imagine a more competent and respectful film being made about 9/11; it is impossible to imagine one being made about flight 93. This is filmmaking of the highest order. Perhaps most importantly of all, the families want you to see it.

Absolutely essential.

5 out of 5

United 93 placed 1st on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Blood Diamond (2006)

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2007 #19
Edward Zwick | 143 mins | cinema | 15 / R

Blood DiamondIn some respects this also suffered from hype, though only to a small degree — Jonathan Ross loved it, which is usually a very good recommendation to me; I ‘merely’ thought it was very good.

Its most impressive achievement is mixing important real-life information with a compelling narrative in a way that does not feel preachy. It also doesn’t compromise on its moral messages for the sake of a twist, and has some great action sequences to boot. There are almost as many endings as Lord of the Rings mind.

4 out of 5

Blood Diamond placed 10th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Notes on a Scandal (2006)

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2007 #17
Richard Eyre | 92 mins | cinema | 15 / R

Notes on a ScandalI hear that this is displeasing as an adaptation. But I haven’t read the novel, so that doesn’t cloud my judgement.

Judi Dench is brilliant as ever in a rare villainous role (the Oscar would’ve been hers were it not for Helen Mirren’s equally brilliant but more obvious turn in The Queen), Cate Blanchett gets to spar with her as the flawed ‘hero’, and the rest of the principal cast are very good also.

It lacks something towards the end, perhaps because it functions better as a character piece than as a thriller, but is still worth a watch.

4 out of 5

Sunrise: A Song of Two Humans (1927)

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2007 #16
F.W. Murnau | 91 mins | DVD | U

Sunrise: A Song of Two HumansMurnau’s first film in America, throughout the decades hailed as one of the greatest film ever made.

Maybe it is, in some respects — for a film made 80 years ago it certainly stands up very well today. It’s helped by being a fable, giving it added resonance for any time period, though probably hindered by being silent (virtually — as one of the first films with a synchronised soundtrack there are some effects).

Certainly recommended to anyone interested in the history of film.

4 out of 5

The Prestige (2006)

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2007 #14
Christopher Nolan | 130 mins | cinema | 12A / PG-13

The PrestigeThe latest effort from the director of Memento and Batman Begins is an intriguing one.

A well-handled complex narrative (it again jumps about in time, but never to the audience’s confusion), even if the twists are relatively easy to guess. A credit, then, that the film doesn’t totally rely on them.

I’m a big fan of Nolan’s work and definitely continue to be; this may gain that missing point on re-viewing. See it.

4 out of 5

The Prestige placed 4th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.