Kenneth Bowser | 113 mins | DVD | 15
Documentary, based on the best-selling acclaimed book by Peter Biskind, about the decade in Hollywood between the death and effective re-birth of the studio system.
It’s a broad story, with many threads, which means this film has a tendency to sprawl all over the place as it attempts to take an overview of it in chronological order. Consequently it’s short on great insight, but does provide an overview of what went on in this period — that is, the story of how Hollywood made the transition from the old studio system to the era of the blockbuster (a method which still more or less exists), via a brief period where directors truly had auteur-level control.
There are numerous interesting interviewees to help the story along, all of them people who were actually there, who lived through it and helped create it. This makes for a refreshing change, as most documentaries of this ilk seem to be full of film historians and journalists. Of course, there are many big names notable by their absence, so when the film makes its rambling way onto the likes of Scorsese and Spielberg that familiar sense of historic detachment does begin to creep in.
All told, it gives a good overview of the shape of what happened in this period, and how Hollywood became what we know today. Anyone after deeper explorations (of the period, the people, or the films themselves) will want to look elsewhere. I suspect the book may be a good place to start.


German silent movie depicting a day in the ‘life’ of Berlin, part of the ‘city symphony’ genre that was popular around the 1920s. This makes it one of those films that is in some way Important, but sadly it’s still a bit, well, boring.
Famous/infamous documentary centred on Al Gore’s presentation about global warming.
Mockumentary about the history of America had the South won the civil war.
Largely improvised Britcom, shot in a documentary style, about three couples trying to win a most original wedding competition.
Made by the people behind the large
One of the most surprising hits at the box office in 2005, as you’re probably aware this is a documentary about penguins. Specifically, it’s about their mating cycle — there’s little information outside of that. It does manage to touch on the sex, death and violence inherent in most nature things though, albeit in a family-friendly U-rated kind of way.