Brian Henson | 91 mins | streaming (HD) | 2.39:1 | USA & China / English | 15 / R
The Muppets meets Who Framed Roger Rabbit meets an R rating in this black comedy murder mystery from director Brian “son of Jim” Henson. Set in a world where Muppet-esque (but not actual Muppets, because IP rights) puppets co-exist alongside humans, disgraced puppet cop turned private investigator Phil Phillips (performed by Bill Barretta, which, let’s be honest, is a better name for a comedy private eye than the one they’ve actually used) stumbles onto a spate of connected puppet murders, and must reluctantly team up with his former partner, human detective Connie Edwards (Melissa McCarthy), to crack the case.
The mystery that drives the plot isn’t too bad, including a neat twist/reveal that’s perhaps guessable but not terribly so. It does hew closely to the tropes and clichés of the noir genre, which is a mixed blessing. On the one hand, as it’s not a straight crime movie I don’t think it’s a problem for it to recycle all those things when it has fresh comedy to hang off them, or if it’s somehow riffing off familiar elements but with the puppet stuff, but often it isn’t that clever.
Nonetheless, there are some legitimately funny bits along the way, often found among the riffs on the puppet thing (for example: one of the victims is drowned, and before bagging the body they ring him out). Unfortunately it isn’t funny as often as it should be, too often relying on worn or lacklustre humour. I mean, it tries to run with the old playground favourite “idiots say what?” as a running gag. It also leans on puppets being lewd and crude as the extent of the gag, which simply isn’t that funny in itself, partly because it isn’t as original as the film seems to think it is (cf. Team America, Avenue Q).
While The Happytime Murders isn’t close to the echelons of quality where you’d find Roger Rabbit or the best of the Muppets, it’s also not a total washout. From behind-the-scenes stuff I’ve read it sounds like a lot of effort was expended on filming it, making sure the puppets could interact with the humans and so on, and those technical aspects are first rate. It’s just a shame the same level of innovation wasn’t poured into screenplay. I didn’t hate it, but it doesn’t live up to its potential either.
The Happytime Murders is available on Netflix UK from today.