Antonio Campos | 114 mins | streaming (HD) | 1.85:1 | UK & USA / English | 15 / R
The true, tragic story of newswoman Christine Chubbuck is told in this affecting drama. For those that don’t know, it’s the ending that is why her story is famous: Christine was the first person to commit suicide live on television. The film attempts to help us understand Christine’s life and mental state, and what led her to that moment.
The overwhelming impression I got was of Christine’s existence being quietly sad. She’s shown to have the kind of life that isn’t loudly and forcefully horrible, but just… disappointing. So terribly and thoroughly disappointing that “why bother?” becomes a legitimate question for the person having to live it. That made it a somewhat uncomfortable film to watch, but that could be a personal thing — I can relate to Christine’s social awkwardness, and could see some of the pitfalls she was headed towards. (That said, not everything goes exactly as one might expect, specifically her infatuation with Michael C. Hall’s handsome anchorman.) I’ve known people like Christine, too, who do all the right things and try to put good out in the world, but somehow the world spits it all back, like it doesn’t matter.
In part because of this psychological realism, the film feels respectful, but without being either neutered or over-explanatory. By the former I mean that it doesn’t present Christine as some perfect soul — she can be bolshy and trying even for people who like her. By the latter, that it doesn’t hype up how bad her life was to make sure you ‘get’ why she’d do it. For example, everyone around her cares so much. You’d expect a terrible home life, bullying or teasing colleagues, some kind of gross betrayal, but no: they’re mostly nice; they like her; they try to be her friends. And you feel like she sees that, too, even as she… doesn’t. I suppose it must be mostly speculative in what it reveals about her psychologically, but you feel like it understands the responsibility of taking that approach — that it must try to be truthful, rather than histrionic; but that it’s important it attempts to find that truth, not just be enigmatic and vague.
Rebecca Hall gives a fantastic performance in the title role, completely immersed in what must be a difficult part to play: the viewer has to understand, identify, and empathise with Christine, even as she’s a bit standoffish, awkward, and maybe doesn’t even understand herself all that well. Between Hall’s masterly performance and Antonio Campos’ understated direction, they’ve created a film that dodges the pitfall of being melodramatic, and managed to make you sympathise with Christine and why she would do what she did, even as you empathise with her enough to wish she wouldn’t.
Christine is available on Netflix UK from today.