Country: UK & USA
Language: English, Russian & Spanish
Runtime: 130 minutes
BBFC: 12 (cut, 1995) | 15 (uncut, 2006)
Original Release: 16th November 1995 (Canada)
US Release: 17th November 1995
UK Release: 24th November 1995
First Seen: VHS, 1996
Pierce Brosnan (Mrs. Doubtfire, Mamma Mia)
Sean Bean (Patriot Games, The Lord of the Rings: The Fellowship of the Ring)
Izabella Scorupco (Reign of Fire, Exorcist: The Beginning)
Famke Janssen (X-Men, Taken)
Judi Dench (A Room with a View, Notes on a Scandal)
James Bond, a character created by Ian Fleming.
When Russian crime syndicate Janus steal the activation codes for a new satellite weapons system called “Goldeneye”, there’s only one man who can stop them using it for nefarious ends: Jack Bauer. Only kidding — it’s Jason Bourne. No, ‘course not — it’s Bond, James Bond.
Pierce Brosnan is Bond, James Bond, for the first time. After the almost-franchise-killing seriousness of Timothy Dalton, Brosnan nails Bond for the nostalgic ’90s: a dash of Sean Connery’s grit, a dash of Roger Moore’s raised-eyebrow humour, a whole lot of suaveness. For a while, the old “Connery or Moore?” question became “Connery, Moore or Brosnan?”
The mysterious Janus, who (spoiler alert!) turns out to be former MI6 agent and Bond’s chum Alec Trevelyan, out for revenge against the British Empire for betraying his family after World War 2, and against Bond for setting the bombs’ timers for three minutes instead of six.
Best Supporting Character
It was a bold choice to cast a woman as M back in 1995, even though she was inspired by the real director of MI6 at the time. Fortunately they cast the inestimable Dame Judi Dench, who naturally made the role her own — so much so that she survived the otherwise series-wide reboot in 2006, and having a male in the part now feels kinda odd.
“I think you’re a sexist, misogynist dinosaur. A relic of the Cold War” — M
(If a single line saved the Bond series, it’s this. In one fell swoop Dame Judi proves that a female M will work, and that this is a franchise aware of the need to drag itself into the present day.)
The villains are driving off with the kidnapped love interest. There’s no Aston Martin in sight. Does Bond take another car? Of course not — he takes a bloody tank.
Write the Theme Tune…
Bono and The Edge of U2, hired after…
Sing the Theme Tune…
Tina Turner. According to Wikipedia, “the producers did not collaborate with Bono or The Edge,” hence why (unlike previous Bonds) there’s nothing in the main score that references the title theme. That would rather become the Bond M.O. as the ’90s went on.
Truly Special Effect
The bungee jump off the damn — because it’s not a special effect, it’s real. The Bond series’ legacy of incredible, groundbreaking stunts continues with considerable style.
Letting the Side Down
Éric Serra’s score. Hiring someone to write a very modern (for the early ’90s) score for the newly-relaunched Bond must’ve seemed like a good idea at the time… but it wasn’t. It hasn’t improved any with age, either. Tellingly, after the score was finished the producers had someone else re-score the film’s big action sequence, the St. Petersburg tank chase, with music that sounds far more classically Bondian. Bonus problem: if you had an N64 (like I did), chances are you played GoldenEye the game far more than you watched the film. It too used Serra’s score, meaning I can’t hear it without being transported back to an idyllic adolescence playing blocky video games.
Pierce Brosnan was originally cast as Bond in 1986, but was forced to pull out when his TV series, Remington Steele, was unexpectedly renewed (according to one telling, that was purely to prevent him playing Bond — they only made six more episodes). Previously, Timothy Dalton had almost been cast when Roger Moore became Bond, and Moore had almost been cast before Sean Connery. Don’t be too surprised if Henry “Superman” Cavill — who was almost cast before the producers settled on Daniel Craig — is taking his martinis shaken not stirred in a few years’ time.
16 previous Bond films (which are all technically in the same continuity). The last was six years earlier, and the least financially successful for 15 years in the US (did alright worldwide, though).
Brosnan played Bond thrice more, to increasing box office (if not critical) acclaim. He was due to do a fifth, but then the producers won back the rights to Casino Royale and the rest is history.
2 BAFTA nominations (Special Effects, Sound)
2 Saturn nominations (Action/Adventure Film, Best Actor (Pierce Brosnan))
2 MTV Movie Awards nominations (including Best Sandwich in a Movie for the submarine sandwich with tomatoes and provolone. It lost to the ham and cheese sandwich in Smoke).
What the Critics Said
“James Bond, the British spy with a taste for the high life and a licen[c]e to kill, comes back in surprisingly hardy and supple form. Gadgets firing, quips racing, libido unfurling, surrounded by a top-notch supporting crew of actors, designers and demolition experts, the new Agent 007 (now played by Pierce Brosnan) delivers whatever Bond devotees could reasonably want, or what newcomers anticipate. […] So much familiarity may lead to contempt in some quarters. But Bond, like Sherlock Holmes, Jeeves, Tarzan, Frankenstein or Dracula, is one of those mythical British pop figures who seem ageless, infinitely adaptable. […] Perhaps the reason is that Bond — as his detractors have always noted — is an adolescent fantasy figure, a Peter Pan popped onto the stage of international espionage. Like Peter, he can’t — won’t — grow up. [He has] caught the world’s imagination because he played out its darker dreams with fairy-tale lightness.” — Michael Wilmington, Chicago Tribune
What the Public Say
“Rarely in the Bond franchise have directing, acting, cinematography, action, and music come together to create such a stylishly sublime experience. GoldenEye has undeniably earned its now-solidified status as a classic.” — Lukas, Lukas + Film
After diminishing box office in the Dalton years, a long gap forced by legal battles, and the Cold War ending in the interim, bringing Bond back for the ’90s was perhaps a bit of a long shot. Fortunately, this fact didn’t escape the makers: there are numerous nods to Bond’s somewhat old-fashioned values (see also: memorable quote), and a whole heap of effort was expended on large-scale action sequences and stunts. Couple that with a solid storyline, several memorable villains, and a “greatest hits”-style leading performance from Brosnan, and you have a series that wasn’t just revived but was set to reach new heights (of box office, if nothing else).
Frankly my dear, #41 doesn’t give… a damn.