Alien (1979)

100 Films’ 100 Favourites #2

In space, no one can hear you scream.

Country: USA & UK
Language: English
Runtime: 117 minutes | 116 minutes (director’s cut)
BBFC: X (1979) | 18 (1987) | 15 (director’s cut, 2003)

Original Release: 25th May 1979 (USA)
UK Release: September 1979
First Seen: TV, c.2002

Tom Skerritt (Top Gun, Poison Ivy)
Sigourney Weaver (Ghostbusters, Galaxy Quest)
John Hurt (The Elephant Man, Nineteen Eighty-Four)
Ian Holm (Greystoke: The Legend of Tarzan, Lord of the Apes, The Lord of the Rings: The Fellowship of the Ring)

Ridley Scott (Blade Runner, Prometheus)

Dan O’Bannon (Dark Star, Total Recall)

Story by
Dan O’Bannon (see above)
Ronald Shusett (King Kong Lives, Total Recall)

The Story
The crew of the deep-space towing vessel Nostromo receive a distress call from an unexplored planet. Contractually obliged to respond, they find a derelict alien spaceship and a field of strange eggs. With one of the crew taken ill they return to their ship, but it soon becomes apparent something else has come with them…

Our Hero
Sigourney Weaver is second-billed as second-in-command Ellen Ripley, but it’s she who’s the voice of reason and, when ignored, the most capable to stand up to the alien threat.

Our Villain
The Alien, aka the Xenomorph, an ugly, dripping, phallic nightmare, that lurks in the shadows, strikes without warning, has the perfect defence system, and is nigh-on unbeatable.

Best Supporting Character
Ian Holm’s Ash is not all he appears to be… Holm made sacrifices for his art: he hates milk, but had to sit dribbling it from his mouth for take after take.

Memorable Quote
“I admire its purity. A survivor… unclouded by conscience, remorse, or delusions of morality.” — Ash

Memorable Scene
Dinner table. John Hurt not feeling well. You know the rest. And if you don’t, you don’t want me spoiling it for you.

Technical Wizardry
The Nostromo’s industrial-style production design is a world away from the slick, shiny spaceships of contemporary sci-fi like Star Trek. A lived-in sci-fi world wasn’t something new (Star Wars and the Millennium Falcon were two years earlier, for instance), but the notion of a spaceship that looks like a factory or an oil-rig or somesuch, and that is populated by the kind of people who would work in such an environment, continues to influence the genre today.

Truly Special Effect
The Alien, designed by H.R. Giger, built by Giger and Carlo Rambaldi, performed by Bolaji Badejo, is one of the most genuinely alien creatures the movies have ever generated. It’s terrifying, too, even after the initial disgust has been neutered by decades of over-exposure in increasingly-poor sequels and tie-ins.

Making of
The name of Weyland-Yutani, “the company” the crew work for, is actually “Weylan-Yutani”, as seen on monitors and Dallas’ beer can. It was changed to “Weyland-Yutani” for Aliens (and all subsequent films and media) because James Cameron thought it looked better with the D. It’s the little things, eh.

Next time…
Three direct sequels, two “vs Predator” spin-offs, a prequel (and a prequel-sequel), and a massive array of novels, comics, video games, and the rest. A new sequel is also in development.

1 Oscar (Visual Effects)
1 Oscar nomination (Art Direction-Set Decoration)
2 BAFTAs (Production Design, Sound Track)
5 BAFTA nominations (Supporting Actor (John Hurt), Film Music, Costume Design, Editing, Most Promising Newcomer to Leading Film Roles (Sigourney Weaver))
3 Saturn Awards (Science Fiction Film, Director, Supporting Actress (Veronica Cartwright))
4 Saturn nominations (Actress (Sigourney Weaver), Writing, Make-Up, Special Effects)
Won the Hugo for Best Dramatic Presentation.

What the Critics Said
“It’s tempting to describe the brilliantly staged scenes of horror and surprise but it would be a shame not to allow the film to reveal its own secrets. Enough to say that the tension is savage and you are held in suspense right up to the end frames.” — Ted Whitehead, The Spectator

Score: 97%

What the Public Say
“in some ways it doesn’t betray its age, and it does indeed largely still hold up, but in other ways its utterly unlike contemporary films. Its middle-aged cast, its slow, deliberate pace, the ‘real’ sets grounded in reality, how it leaves so many things unexplained — in these respects it’s obviously an older movie, and better for it.” — the ghost of 82

Elsewhere on 100 Films
I reviewed Ridley Scott’s 2003 Director’s Cut back in 2009, summarising that “to fans intimately familiar with the film, the number of trims (there are rather a lot apparently) and new scenes (just four) make a huge difference, but for a more casual viewer they don’t significantly change how it feels. That said… I’d call the original as the superior cut.”


Ridley Scott’s “haunted house movie in space” is one of those works that an awful lot of what follows in the genre owes a debt to, from the production design to one of cinema’s most iconic heroines. “Iconic” is a good word for the film as a whole, be it the realisation of the creature or scenes like the chestburster. Quite beyond that, however, it’s a terrifying horror movie in its own right, where slowly-built tension gives way to proper scares. Being a great of one genre is an achievement, but to be great in two at the same time (horror and sci-fi, of course) is something else.

#3 is not about Vietnam… it is Vietnam.

22 thoughts on “Alien (1979)

  1. Wonderful film, and like Jaws a few years before, one that gets just better with age. Its not without its problems (its logic breaks down somewhat regards the actions/motives of The Company) but on the whole, simply wonderful and so very much a product of that wonderful decade of movie making. I wonder how many films from the 1970s make your 100? (An eventual stat for the decades might be interesting).

    Enjoying this series by the way, I think its a nice format.

    Liked by 1 person

    • Thanks! Initially I dreamt up the format as a bit of an aide-memoire, because I knew I wouldn’t find the time to re-watch all 100 films and some I haven’t seen for a long time (which arguably opens a whole can of worms about changes in opinion, but hey-ho). I rather like how it’s worked out in and of itself though, so I’m glad that’s not just me being conceited.

      I do love my stats, so I’m compiling some as I go. Obviously I know what all the films are, but I haven’t (for want of a better way of expressing this) filed them into groups, like decades or directors or stars or whatever, either literally or mentally. It’ll be interesting to see how that shakes out.


        • I couldn’t agree more. Everything comes together to create a creepy, atmospheric abs unsettling horror movie. And I just love Sigourney Weaver as Ripley, it’s the definition of iconic.

          Liked by 1 person

        • She is the consistent factor of excellence in every one of the films. I love watching Ripley’s journey throughout the movies from resilient fighter to hardened survivor.

          Liked by 1 person

        • So true. In the beginning, I always look at Ripley as a decisive woman who may be second in command on the ship, but is the one on who everything rests on. She is plunged into the terror, but unlike the others she manages to utilise her strength to fight back against the Alien. By the second film she is a haunted survivor who must exorcise her demons once more. In the third, she is broken and at the end of her tether. But she is still not beaten, in the end it’s her sacrifice that brings the narrative to a close. In the fourth film, she is a predatory shadow of her old self and it opens up a lot of interesting areas to the new Ripley. Sorry about the long comment, I’m super passionate about the Alien movies.

          Liked by 1 person

        • No worries — there’s a lot to say about them! A lot of people hate on the fourth film and its portrayal of Ripley, but for me it’s one of the most fascinating aspects and areas to explore.

          Liked by 1 person

        • The fourth film is definitely flawed but the interpretation of Ripley is fascinating. The tough nature is still there, but there’s something a lot darker and creepier under it too. I simply can’t imagine another actress portraying Ripley like Sigourney Weaver, she is Ripley.

          Liked by 1 person

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