The Welcome Monthly Review of January 2024

Welcome to 2024 — almost a quarter of a century on from the millennium! Jesus. Think of all those bold predictions they had about how amazing life would be by the year 2000. Imagine what they would’ve thought another quarter-century would bring. And look at the shit we’ve actually got…

But anyway, let’s leave the depression of the wider world aside for a moment, because the new year is actually off to a pretty decent start here at 100 Films — including more film reviews in one month than I published in the whole of 2023. More of that later. First, as always, my Challenge progress…



This month’s viewing towards my yearly challenge

#1 Lift (2024) — New Film #1
#2 Only Yesterday (1991) — Blindspot #1
#3 Jackass Forever (2022) — Series Progression #1
#4 Barbie (2023) — 50 Unseen #1
#5 Chicken Run: Dawn of the Nugget (2023) — Failures #1
#6 The Best of the Martial Arts Films (1990) — Genre #1
#7 Spider-Man: Into the Spider-Verse 3D (2018) — Rewatch #1
#8 Bottoms (2023) — 50 Unseen #2
#9 In the Name of the Father (1993) — WDYMYHS #1


  • I watched 10 feature films I’d never seen before in January.
  • Meeting my “10 new films a month” minimum target has been problematic for the last couple of years, so it’s nice to see 2024 off to a good start.
  • Eight of them counted towards my 100 Films in a Year Challenge, along with one rewatch.
  • I managed to spread those around enough that I’ve started all eight ‘proper’ categories (the exception being Wildcards, which is a category, obviously, but also… isn’t, in that the defining feature is they’re extra films for the other categories).
  • Talking of categories, Jackass Forever was the first film of the year where I had a choice: it could qualify as either 50 Unseen or Series Progression. I chose to watch it because it qualified for the former, but I decided to actually count it as the latter. That leaves an extra slot open to help encourage me to watch even more Unseens, and also helps ensure variety in Series Progression (I was worried it would end up full of Edgar Wallace Mysteries). Either way, it wraps up the Jackass film series (I’m not counting all the .5s and spinoffs), thus finally reducing the number of series I have on the go. I feel like I’m just constantly adding to that list, so it’s nice for something to come off it.
  • Just under five years since I imported the Blu-ray from Australia, I finally watched Spider-Man: Into the Spider-Verse in 3D. I’d say it was worth the wait, but there didn’t need to be a wait; but if the wait had been enforced, it would’ve been worth it, because the 3D is incredible. As is the movie, but I knew that.
  • This month’s Blindspot film was Isao Takahata anime Only Yesterday.
  • This month’s WDYMYHS film was miscarriage-of-justice thriller In the Name of the Father.
  • As my WDYMYHS challenge this year is tied to the IMDb Top 250, it’s possible that qualifying films will shift throughout the year. I mention this now because it’s happened already: in the last month, Poor Things had entered the chart, and both Gangs of Wasseypur and the 2015 remake of Drishyam have dipped back in. When I conceived of doing this, I had 17 films to see; now, it’s up to 23. If it carries on at this rate, it’ll be two years’ worth of WDYMYHS…
  • From last month’s “failures” I watched just Chicken Run: Dawn of the Nugget.



The 104th Monthly Arbitrary Awards

Favourite Film of the Month
There may be multiple films that end up with a five-star rating this month (I haven’t quite settled on a couple), but only one film this month — heck, only one film in the past 18 years — has inspired me to watch it again immediately after my first viewing, and that was Bottoms.

Least Favourite Film of the Month
Nothing outright bad this month, so I look to the gaggle of three-star-ish films. I expect such mediocrity from the likes of Lift or Jackass Forever, but Chicken Run: Dawn of the Nugget being no more than “fine” is disappointing from Aardman.

The Audience Award for Most-Viewed New Post of the Month
For the first time in almost a year, this award is a reasonable competition — it’s not just a two-way face-off between the previous month’s review and “failures”, but includes all my year-in-review posts about 2023, as well as some actual film reviews. Indeed, it was the latter that won, with 2024 Week 2 — which contained reviews of Lift (as a new Netflix release, this is likely what did most of the, er, lifting), Only Yesterday, and Jackass Forever — not only being the top new post, but coming 2nd overall. Neat.



Every review posted this month, including new titles and the Archive 5


The shortest month of the year, for slightly longer than usual (because it’s a leap year).