Widely considered to be Woody Allen’s breakthrough movie and winner of four of the ‘Big Five’ Oscars. One might call it a romantic comedy, but it’s very much an indie comedy-drama (for one thing, it utilises the ever-popular tactic of not taking place in chronological order), rather than the mainstream cliché-fest that first springs to mind whenever “rom-com” is mentioned.

Annie Hall is either the basis for or just exemplifies all the clichés of Allen films (essentially, neurotic Jew who struggles with life), but that doesn’t make it bad. It’s very funny in places, suitably realistic in others, and has a nice line in comedic philosophy too.