The 100 Films Guide to Scream

I don’t always do anything to mark Halloween on this blog… but when I do, this is the kind of thing I do: complete coverage of the Scream movies (so far).

That means all-new “100 Films Guide To”s for the original film, its two sequels, and the 2011 legacy sequel, plus my brand-new review of this year’s, er, new legacy sequel. You know, the film that should’ve been called 5cream, but wasn’t.



Scream (2022)

Matt Bettinelli-Olpin & Tyler Gillett | 114 mins | Blu-ray (UHD) | 2.39:1 | USA / English | 18 / R

Scream (2022)

Nowadays, reviving horror franchises with reboots or continuations that just use the same title as the original film are all the rage — witness The Thing, Halloween, and Candyman; you might also include Evil Dead, Blair Witch, The Predator, and Texas Chainsaw Massacre. (And it’s not just limited to horror movies: Shaft is a sequel to Shaft, which was a sequel to Shaft.) And where there’s a trend in horror movies, the Scream series must follow, to both emulate and roast the genre’s new status quo. Fortunately, there’s more than merely “we could call a new Scream film ‘Scream’” to the movie’s satirical targets.

Set about ten years after the last film, the fifth Scream (I get that the recycled title is a meta-gag too, but I still think it’s a shame they missed the chance to go with 5cream, or Screams / Scream5) introduces us to a new cast of characters. That’s what every Scream film has had to do (that’s the thing with slashers — most of your cast gets killed off each time), but here we’re in ‘requel’ mode. For those who don’t know, ‘requel’ is a portmanteau of “reboot” and “sequel”, i.e. a film that’s both a reboot (in the sense it’s a new story you can jump onboard with) and a sequel (in that it’s still in continuity with the previous films). “Legacy sequel” is a similar thing — a belated sequel, in continuity, with the original cast, now older — but Scream already targeted that kind of follow-up last time out. What being a ‘requel’ means for this film is we meet all the new characters before the legacy ones are gradually introduced the plot.

A plot summary is barely necessary: someone in a Ghostface mask is murdering people. Who is it? What’s their motive? That’s the plot of all the Scream films — of course it is, that’s how horror franchises work. The devil is in the details, but that can make the details spoilers. There are some neat reveals, and twists on the franchise’s formula, that I’m not going to spoil here because that would ruin the fun. If you’re a fan of the series, the less you know going in, the better. For example, there’s one reveal — which doesn’t come until we’re already in the final act — that was, apparently, blown in the trailer, even after the filmmakers worked hard to keep it secret until the right moment in the film itself. (That’s according to the audio commentary — I haven’t watched the trailer to see if it blatantly blew it or if fans just worked it out from the footage shown.)

Ghostface Mk.V

Scream being Scream, it gets to both have its cake and eat it by pointing out the laughable clichés and ridiculous tropes of other horror films, then doing them anyway. Some people dislike this approach — “pointing out that what you’re doing is a cliché doesn’t stop it from being a cliché” — but, personally, I think it’s part of the charm of these films. They don’t do the thing and then have someone go “that was so cliché!”, they tell you “wouldn’t it be clichéd if this happened?” and then it does. Too subtle a difference for some, I guess, but it works for me. One thing the previous films have a habit of doing — and it continues in this one — is laying out the entire plot for you, even telling you who the villain is, but you don’t notice because you’re busy playing whodunnit and stringing the mystery together. Of course, they also lay out red herrings, so it’s always easier to spot the “they gave it all away” moments with hindsight.

Whether or not you’re on board with that “point out what it’s going to do then do it” approach will probably dictate how much enjoyment you can get out of a film like Scream. The best bits are the ones that are self-aware, either because characters are expressly discussing the plot or because the filmmakers are playing with our expectations. In the case of the latter, this film has a really neat sequence in which you know for certain the killer is going to jump out at some point, but the character on screen is, as ever, oblivious to this fact, so merrily goes around opening doors, thus blocking our lines of sight, or wandering past open doorways, which are then held in shot for just a moment too long… It’s a gag that builds in hilarity the longer it goes on, and directors Bettinelli-Olpin & Gillett milk it magnificently.

As for the former, this film has an especially neat exchange about “fan fiction”. Without Wes Craven in the director’s chair and/or Kevin Williamson at the typewriter, this film could definitely be dismissed as just “fan fiction” — that’s the gag, really. But, in terms of quality, there’s “fan fiction” and there’s “fans who have become professionals picking up the baton and continuing a franchise perfectly”. If this film is either, I’d argue it’s the latter. Which is a slightly convoluted way of saying Scream (5) nails the tone, style, and — perhaps most importantly — meta humour that makes a Scream film a Scream film.

4 out of 5

Scream is the 69th film in my 100 Films in a Year Challenge 2022.

Scre4m (2011)

The 100 Films Guide to…

Scre4m

New Decade. New Rules.

Also Known As: Scream 4. Not in the film itself, though. Nor on any of its marketing. But most places on the internet? Apparently. Quite why certain online movie databases are so resistant to listing the film by its proper title, I don’t know.

Country: USA
Language: English
Runtime: 111 minutes
BBFC: 15
MPAA: R

Original Release: 13th April 2011 (Belgium, Egypt & France)
US & UK Release: 15th April 2011
Budget: $40 million
Worldwide Gross: $95.99 million

Stars
Neve Campbell (Scream (1996), Scream (2022))
Courtney Cox (Scream 2, Scream (2022))
David Arquette (Scream 3, Scream (2022))
Emma Roberts (Wild Child, We’re the Millers)
Hayden Panettiere (I Love You, Beth Cooper, Scream 6)

Director
Wes Craven (Wes Craven’s New Nightmare, Scream)

Screenwriter
Kevin Williamson (Scream, I Know What You Did Last Summer)

The Story
Ten years since the last Ghostface killings, and the tragic events have faded into festivity for the teens of Woodsboro, who now celebrate the anniversary of the first killings. But this year is a special one, because Sidney Prescott is back in town, and someone has donned the mask to go on a new killing spree…

Our Heroes
Sidney Prescott, perennial survivor of multiple Ghostface killers, must face one again as she returns to her hometown for the first time in years to promote her new book. Dewey — now Sheriff — and Gale — now his wife — are back, too, along with an array of fresh faces ready for the slaughter.

Our Villain
After a decade away, Ghostface is back! Except, as always, it’s a new killer (or killers) behind the famous mask. They’re still stalking Sidney, her friends and her family, but who is it and what’s their motive this time?

Best Supporting Character
Each new Scream film has introduced fresh faces (the films have a habit of killing off most of the supporting cast each time round, funnily enough, so you kinda have to), but the “whole new generation” angle of Scre4m makes it feel like there are even more this time round. While many are clear mirrors of characters from the first film (deliberately so), perhaps the one that manages to stand out the most in her own right is Hayden Panettiere’s Kirby, sassy best friend to Sidney’s cousin Jill. Yeah, she’s he new version of Rose McGowan’s Tatum, but, unlike some of the other characters, she doesn’t just feel like a 2011-painted carbon copy of the original. Plus, (major spoiler alert!) there’s a reason that, despite this film leaving her for dead, she’s set to reappear in Scream 6.

Memorable Quote
The Voice: “It’s time for your last-chance question. Name the remake of the groundbreaking horror movie in which the vill—”
Kirby: “Halloween, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, Last House on the Left, Friday the 13th, A Nightmare on Elm Street, My Bloody Valentine, When a Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right?”

Memorable Scene
The film begins with two teen girls at home choosing a movie to watch, when a mysterious caller with a gravelly voice threatens their lives. What happens next would be a spoiler… but, from the very start, Scre4m sets out its stall as a movie that, in true franchise tradition, is going to play with the rules and expectations of movies.

Previously on…
After a hugely successful and acclaimed first film, Scream did what so many popular movies have done in the past few decades: got turned into a trilogy. Really, it’s only fitting that it got in early on the 2010s trend of “reviving a once-popular but thought-finished film series”.

Next time…
And now it’s getting in on the “just keep making more films forever” trend that once used to be more-or-less limited to James Bond and shitty horror sequels but nowadays is the defining feature of the entirety of Hollywood. First there was a new film simply titled Scream (the fact it’s not called 5cream or Scream5 is a sin), and next is… a second/sixth film that no one seems quite sure what the final title will be. I guess we’ll find out when it’s released next March.

Awards
2 Scream Awards nominations (Horror Actress (Neve Campbell), Best Cameo (Anna Paquin & Kristen Bell))

Elsewhere on 100 Films…
I originally reviewed Scre4m after I first watched it back in 2012, when I felt the film was “kind of old school. It fits better in the era of the original trilogy and/or earlier horror films than with the development of the genre in the intervening decade.” I went on to suggest it “plays best to those who saw the first three at the right age, i.e. mid-to-late teens or so. I shouldn’t think it would engage a new audience all that much, especially ones versed in the gorier Saw and Final Destination franchises. But for those of us with fond memories (to one degree or another) of the first three films, it’s kind of a nice little revisit.”

Verdict

The original Scream trilogy was the defining horror franchise of the ’90s, so reviving it over a decade after its last instalment seemed like the usual Hollywood BS of revisiting any recognisable IP. But with the original last, screenwriter, and director all returning, the film actually did what Scream has always done: be part scary movie, and part commentary on the horror genre landscape. And this time it throws in some social commentary for good measure, with some slightly-ahead-of-its-time satire of social media celebrities. It’s only become more pertinent with the stratospheric rise of YouTubers in the additional decade since the film came out.

One criticism I’ve seen levelled at Scre4m a few times is that it takes on remakes when it isn’t a remake itself. Well, that wouldn’t work, would it? For the characters to know they’re in a ‘remake’, they’d have to know there was an original — which by default would mean it’s not a remake but a continuation. In fact, the film does address this: it points out that we’re back in the original town, with killers who are following the pattern of the original movie (in-universe, that’s Stab, which seems to be a pretty faithful telling of the ‘real-life’ events shown in Scream). Most of the new characters are analogous to ones from the first film, too. So, Scre4m is, in fact, a remake… while also not being one, obviously.

All in all, the eleven years between Scream 3 and Scre4m gave the filmmakers enough fresh material to chew on to make the film a more-than-worthwhile addition to the franchise. For my money, the fresh perspectives make it easily the series’ best film since the first.

Scream 3 (2000)

The 100 Films Guide to…

Scream 3

The most terrifying scream
is always the last.

Country: USA
Language: English
Runtime: 117 minutes
BBFC: 18
MPAA: R

Original Release: 4th February 2000 (USA & Canada)
UK Release: 28th April 2000
Budget: $40 million
Worldwide Gross: $161.8 million

Stars
Neve Campbell (Three to Tango, The Company)
David Arquette (Ravenous, Ready to Rumble)
Courtney Cox Arquette (Commandments, Zoom)
Liev Schreiber (Sphere, X-Men Origins: Wolverine)

Director
Wes Craven (The Last House on the Left, My Soul to Take)

Screenwriter
Ehren Kruger (Arlington Road, The Ring)

The Story
As production gets underway on Stab 3 — the latest in the series of horror movies based on the Woodsboro killings — someone wearing a Ghostface costume starts killing the cast. But really, they want to know one thing: the whereabouts of perpetual murder-target Sidney Prescott…

Our Heroes
With Sidney in hiding at a remote location known only to a handful of people, the initial investigation into the new killings falls to the other survivors of the previous films: Dewey, now working as a consultant-cum-security on Stab 3, and his former love interest, intrepid reporter Gale Weathers.

Our Villain
The Ghostface killer is back, now terrorising Hollywood — but who’s behind the mask this time? As with the first two films, this technically counts as a whodunnit, though well done if you guess anywhere near the correct conclusion — it’s hardly Christie-level…

Best Supporting Character
Mark Kincaid (Patrick Dempsey) is the Hollywood homicide detective investigating the murders. As someone who grew up around the movie biz, he’s as au fait with the rules of cinema as most of the characters have had to become — but does that mean he fits right in, or has all the knowledge necessary to be the new Ghostface?

Memorable Quote
“Is this simply another sequel? Well, if it is, same rules apply. But here’s the critical thing: if you find yourself dealing with an unexpected backstory and a preponderance of exposition, then the sequel rules do not apply. Because you are not dealing with a sequel, you are dealing with the concluding chapter of a trilogy.” — Randy

Memorable Scene
Looking for someone, Sidney wanders into the abandoned Stab 3 soundstage — to be confronted by a perfect full-size replica of her childhood home. As she wanders inside, remembering the terrifying events that occurred there, she begins to suspect the killer is also lurking. Cue a clever re-staging of one of the first film’s most memorable scenes, as the new killer chases Sidney around her old home.

Making of
Neve Campbell was busy shooting a TV series and another film during the production of Scream 3, meaning her availability was limited to just 20 days on set. That’s why Dewey, Gale, and the new supporting cast get so much more screentime now, with Sidney mostly by herself. But whoever was in charge of scheduling around Campbell’s availability actually did a pretty good job maximising her presence, spreading her appearances throughout the film, with a few key interactions with the rest of the cast. If you didn’t know the behind-the-scenes story, you might not even realise what they had to do.

Previously on…
The first Scream garnered much acclaim for its amusing deconstruction of slasher movies. Naturally, Scream 2 applied the same modus operandi to sequels.

Next time…
Scream 3 was supposedly the end of the series… but if there’s one thing popular horror movie franchises do, it’s keep coming back. So, a little over a decade later, the series was revived with Scre4m in 2011. Then it was turned into an unrelated TV series that ran for two seasons in 2015 and 2016. Then that was rebooted as Scream: Resurrection in 2019. Then the original movie continuity was returned to earlier this year, in the confusingly-titled Scream. That’s getting a sequel next year. Goodness knows what they’re gonna call it.

Awards
2 MTV Movie Award nominations (Female Performance (Neve Campbell), Comedic Performance (Parker Posey))
1 Fangoria Chainsaw Award (Supporting Actress (Parker Posey))

Verdict

The Scream movies were always noteworthy for the metatextual way in which they addressed and engaged with the tropes and clichés of slasher movies, but actually setting this one in Hollywood on the set of a slasher movie based on the events of the previous movies is perhaps taking the whole self-awareness thing one step too far. It pushes its luck even further with some cameos that are kinda fun, but also kinda too silly (Jay and Silent Bob?! So the Scream movies are canonically set in the View Askewniverse…) Plus, the attempt to retcon in a series-overarching motive for the killer, in aid of making it a true trilogy rather than just “another Scream movie”, is as forced and unsatisfying as it sounds.

All of which said, the film still has effective moments and individual sequences, and a smattering of entertaining gags that are still on the money. Even if it remains the least of the Scream films, but it’s far from the disaster it’s often been painted as.

Scream 2 (1997)

The 100 Films Guide to…

Scream 2

Someone has taken their love of
sequels one step too far.

Country: USA
Language: English
Runtime: 120 minutes
BBFC: 18
MPAA: R

Original Release: 12th December 1997 (USA & Canada)
UK Release: 1st May 1998
Budget: $24 million
Worldwide Gross: $172.4 million

Stars
Neve Campbell (54, Skyscraper)
Courtney Cox (Masters of the Universe, Bedtime Stories)
David Arquette (Wild Bill, Eight Legged Freaks)
Jamie Kennedy (Romeo + Juliet, Son of the Mask)

Director
Wes Craven (The Hills Have Eyes, Cursed)

Screenwriter
Kevin Williamson (Teaching Mrs. Tingle, Cursed)

The Story
Sidney is now at college, but when a movie is released based on the Woodsboro murders, a new killer dons the Ghostface mask and begins targeting her fellow students.

Our Heroes
The sequel natural reunites the survivors of the first film (spoilers!) — target Sidney Prescott, police officer Dewey Riley, reporter Gale Weathers, and film nerd Randy Meeks — while adding a host of new victims / suspects. It’s full of faces that were TV-famous at the time and/or have gone on to be better known since: Jada Pinkett Smith, Omar Epps, Liev Schreiber, Sarah Michelle Gellar, Joshua Jackson, Timothy Olyphant, Jerry O’Connell, Laurie Metcalf…

Our Villain
Ghostface — but unlike other slasher franchises with supernatural villains, this is just a mask, worn by different killer(s) in each film. Who is it this time? Well, that’d be a spoiler — the Scream movies are effectively murder mysteries. Not particularly good murder mysteries (they don’t function in that Christie-esque way of laying out suspects and clues so we can have a fair guess at whodunnit), but they’re technically murder mysteries nonetheless.

Best Supporting Character
Some of the new characters give their best shot at being memorable, but sorry, it’s Randy again (see this category in the first Scream). That said, there is a nice little cameo from the ever-excellent David Warner.

Memorable Quote
Randy: “The way I see it, someone’s out to make a sequel. You know, cash in on all the movie murder hoopla. So it’s our job to observe the rules of the sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate. More blood, more gore. Carnage candy. Your core audience just expects it. And number three: if you want your sequel to become a franchise, never, ever—”

Memorable Scene
Sidney and her roommate Hallie are being escorted to safety in the back of a police car when Ghostface appears out of nowhere, hijacks the car, and crashes it into roadworks. With the car’s back doors locked, the girls’ only chance of escape is by climbing into the front seat and out the driver’s window — right past the unconscious serial killer…

Previously on…
The original Scream was such a hit that this sequel was in production just six months later, and eventually released less than a year after the first.

Next time…
As the horror franchise of the ’90s, naturally Scream has continued into the ’00s and beyond: Scream 3 wrapped up the trilogy in 2000, before the series was revisited with Scream 4 (actually titled Scre4m) in 2011, and then revived earlier this year in a film simply titled Scream. That’s getting a sequel next year, which obviously poses titling issues. There have also been a couple of TV incarnations, both entirely unrelated in story terms: Scream: The TV Series ran for two seasons in 2015 and 2016, and Scream: Resurrection (or season 3, if you prefer) in 2019.

Awards
1 MTV Movie Award (Female Performance (Neve Campbell) — she beat Kate Winslet in Titanic!)
3 Fangoria Chainsaw Awards (Wide-Release Film, Supporting Actress (Courtney Cox), Screenplay)
2 Fangoria Chainsaw Award nominations (Actress (Neve Campbell), Supporting Actor (Liev Schreiber))
3 Saturn Award nominations (Horror Film, Actress (Neve Campbell), Supporting Actress (Courtney Cox))

Verdict

Where the first Scream was a forensic deconstruction of the slasher genre, the second is more of a vague gesture in the general direction of sequel tropes — less focused, less insightful, less funny. But, crucially, it’s still quite entertaining. There are abundant references for movie buffs to enjoy (primarily to other sequels and, er, other Friends cast members), while Wes Craven’s ever-skilful thrill sequences ensure the tension doesn’t slack too much. There are even a few jump scares for the more susceptible. It’s not a genre-(re)defining classic like the first movie, but it’s still a solid scary movie.

Scream (1996)

The 100 Films Guide to…

Scream

Someone has taken their love of
scary movies one step too far.

Country: USA
Language: English
Runtime: 111 minutes
BBFC: 18
MPAA: R

Original Release: 20th December 1996 (USA)
UK Release: 2nd May 1997
Budget: $14 million
Worldwide Gross: $173 million

Stars
Neve Campbell (The Craft, Wild Things)
David Arquette (Buffy the Vampire Slayer, Never Been Kissed)
Courtney Cox (Ace Ventura: Pet Detective, 3000 Miles to Graceland)
Drew Barrymore (Firestarter, 50 First Dates)

Director
Wes Craven (A Nightmare on Elm Street, Red Eye)

Screenwriter
Kevin Williamson (I Know What You Did Last Summer, The Faculty)

The Story
In the quiet town of Woodsboro, a mysterious man in a mask starts murdering teenagers, first taunting them with horror movie trivia questions.

Our Hero
Sidney Prescott is an ordinary high school girl… apart from the fact her mother was murdered a year ago, and it was her eyewitness testimony that saw a man sentenced to death. Now, a serial killer seems to be targeting her — could the events be connected?

Our Villain
A slasher movie has to have a distinctive-looking, nicknamed serial killer at its centre, and here it’s Ghostface — although he’s actually only called that once in the film itself. His costume is a generic Halloween outfit bought from any old store, and is technically called Father Death. Why didn’t that name stick instead? Probably because it’s a bit shit.

Best Supporting Character
The film has severable memorable supporting turns, but perhaps the key one is nerd and video store employee Randy (Jamie Kennedy). He knows all the rules of horror films, and when it turns out his friends don’t, he helpfully gives them an explainer — which also works for any audience members who maybe aren’t so au fait with the genre either.

Memorable Quote
“No, please don’t kill me, Mr. Ghostface, I wanna be in the sequel!” — Tatum

Memorable Scene
The opening scene: everyday teenage girl Casey (played by Movie Star™ Drew Barrymore) is preparing to watch a movie when she gets a phone call. It seems like a wrong number, but the man keeps calling back. At first their chat is a bit flirty, but then it begins to get a bit weird, and soon… well, if you haven’t seen it, I wouldn’t want to spoil it for you.

Making of
The movie’s climax takes place at a house party the kids are having to take their mind off the killings, or something. But you wouldn’t guess it was the climax to start with, because it begins a little over halfway through the film — the ‘scene’ altogether lasts 42 minutes. It was shot across a gruelling 21 days of night shoots. After it was finally done, the crew had T-shirts made saying “I Survived Scene 118”.

Next time…
Two direct sequels followed in 1997 and 2000. More recently, the franchise has been subjected to the usual rounds of revivals: it took on parodying the ‘legacy sequel’ with a continuation in 2011, then did the same again with another one in 2022. A sequel to that is on the way next year. In between, there was a spin-off TV series that lasted three seasons. Season 1 and 2 were a reboot, unconnected to the movies; then it rebooted itself for season 3, still with no connection to the movies.

Awards
1 MTV Movie Award (Movie)
1 MTV Movie Award nomination (Female Performance (Neve Campbell))
4 Fangoria Chainsaw Awards (Wide-Release Film, Actress (Neve Campbell), Supporting Actress (Drew Barrymore), Screenplay)
1 Fangoria Chainsaw Award nomination (Supporting Actor (Skeet Ulrich))
3 Saturn Awards (Horror Film, Actress (Neve Campbell), Writer)
3 Saturn nominations (Director, Supporting Actor (Skeet Ulrich), Supporting Actress (Drew Barrymore))

Verdict

By the mid-’90s the once-popular horror genre was languishing in a mire of endless sequels to the same old titles — but then Scream came along and gave it a much-needed kick up the rear end. Originally titled Scary Movie (in some ways, a more apt title), Scream is a horror movie that knows it’s a horror movie — a kind of self-awareness, often (arguably mistakenly) referred to as post-modernism, that was ever so popular in the ’90s. But it worked for a reason: it treated the audience with respect. It said, “you know the rules, so let’s not pretend.” And that facilitates two things: by acknowledging the rules, it can play with them to make you laugh; and it can break them to surprise you. Thus Scream is simultaneously a spoof of the slasher genre and a genuine entry in it. It’s potentially a tricky tightrope to walk (several major directors were rejected because they thought the film was just a comedy), but Wes Craven nails the tone so perfectly that he makes it look easy. So what might have been a last-hurrah commentary on what had already been instead turned out to be the beginning of a new wave; one which has helped fuel the genre for over 25 years since.