Regular readers will remember that I started 2021 on the back foot with these 100-week roundups, being about a month behind. Well, after some effort the past few weeks, I’m pleased to report I’ve now caught up — which, if you think about it, only means I’ve caught up to being just 100 weeks behind. Hurrah?
Anyway, as always, this roundup covers films I still hadn’t reviewed 100 weeks after watching them. Sometimes these are short ‘proper’ reviews; sometimes they’re only quick thoughts, or even just the notes I made while viewing. This week’s collection includes the final film from February and the first from March 2019…
(2018)
John Stevenson | 86 mins | digital (HD) | 2.35:1 | UK & USA / English | U / PG

As if the idea of making a children’s animated movie based on Romeo & Juliet but starring garden gnomes and the music of Elton John wasn’t barmy enough, here we have a sequel that riffs off another classic of English literature, Sherlock Holmes.
The plot naturally takes the form of a whodunnit, with Gnomeo (voiced by James McAvoy) and Juliet (Emily Blunt) recruiting Sherlock Gnomes (Johnny Depp, for some reason) and his assistant, Dr Gnome Watson (what creative renaming), to investigate the disappearance of their garden ornament friends. Don’t worry too much about the plot, though: I guessed the twist in the very first scene. (Fortunately, there is another twist beyond that.) Instead, treat it as a bright and breezy kids’ adventure. It’s not particularly clever or funny, but much of it is perfectly fine, with the occasional bit that’s quite good, like a Flushed Away-esque sewer scene or a hound of the Baskervilles gag, plus some creative use of animation to render things like Sherlock’s visions or Romeo’s escape plan.
The Elton John songs are even more incongruously shoehorned in than they were last time — I know he’s a producer, or it’s made by his company or whatever, but, other than that, they have absolutely no reason to be here. Worst of all is a new number, written by Elton and regular collaborator Bernie Taupin but sung by Mary J. Blige. At least it makes the rest of the John back catalogue on the soundtrack seem less objectionable.

(2018)
Oliver Parker | 97 mins | digital (HD) | 2.35:1 | UK / English | 12

Here’s a sort of aquatic riff on The Full Monty, as a man suffering a midlife crisis (Rob Brydon) joins an all-male amateur synchronised swimming team, mostly made up of other mostly-middle-aged British character actors: Rupert Graves, Jim Carter, Daniel Mays, Adeel Akhtar, and Thomas Turgoose. It seems like your typical Britcom setup, but it’s actually based on a true story — the Swedish team it’s about play themselves in the film — which has been filmed several other times now: in Sweden as The Swimsuit Issue; in France as Sink or Swim; plus a documentary about the real team, Men Who Swim. I haven’t seen any of those to compare, but the British variant holds up pretty well by itself, with enough gentle amusement and heartwarming camaraderie to make for a pleasant watch.


Shaun the Sheep started life in the 1995 Wallace & Gromit short
(that US PG is thanks to a couple of oh-so-rude fart jokes), but there’s a sophistication to the way that simplicity is handled that adults can enjoy. There are also references and in-jokes for the grown-ups; not hidden dirty jokes that’ll put you in the awkward position of having to explain to the kids why you were laughing, but neat puns (note the towns that the Big City is twinned with) and references to other films (like 
“
For some, the shift may scupper things. For me, it only makes it better: the story’s pathos and emotion are brought into focus, and the humour becomes all the funnier for punching in as tonal relief. It often seems to me that movies struggle to stay amusing for a full feature running time (there’s surely a reason all TV comedy comes in 30 minute chunks), but this story allows Hamilton and Jenkin to spread the laughs out a little without them feeling few or far between.
including the likes of Ben Miller, Amelia Bullmore (getting the best subplot), Annette Crosbie and Celia Imrie. The real grown-up star, however, is Connolly. You get the sense he’s as scriptless as the kids are, improvising away with a mischievous twinkle in his eye, like some kind of idealised fun granddad. The scenes with just him and the kids are certainly one of the highlights, among the most amusing and the most affecting.
Screenwriter James Moran doesn’t like it when people compare Cockneys vs Zombies to
And why is their imagination so stunted that they can’t accept them anyway?
Adapted from a cult Radio 4 series, Beyond the Pole is a British mockumentary about “the first carbon neutral, vegetarian and organic expedition ever to attempt the North Pole”, starring Stephen Mangan Off
It’s also impressively realised. Its apparent low budget led me to assume we’d, a) see very little of the actual trip, and b) what we did see would be all inside-a-tent and green-screened. But no, it was really shot on floating sea ice off the coast of Greenland, and it makes for a highly effective polar landscape. Good work, filmmakers.


A predictable British rom-com, enlivened only by a few good moments and performances, as well as the excellent ’80s soundtrack.