Pirates of the Caribbean: At World’s End (2007)

2007 #59
Gore Verbinski | 168 mins | cinema | 12A / PG-13

Pirates of the Caribbean: At World's EndCurse of the Black Pearl was a surprisingly great film. Dead Man’s Chest was a lacking attempt to recapture that glory. At World’s End is the worst subtitle of all three, but mixed in quality.

The first half hour is great fun, but then it gets weird, adds in hefty doses of over-complex plotting, and drags along fairly slowly until it finds an exciting climax a little late on. It’s not all bad — beautiful to look at, with some of the most impressive CGI ever, and there’re some good action scenes.

In the end it’s the attempts to drag what was an entertaining fantasy action film to the mythological levels of Lord of the Rings that has made both sequels inferior to the first offering.

3 out of 5

It’s All Gone Pete Tong (2004)

2007 #57
Michael Dowse | 86 mins | DVD | 15 / R

It’s All Gone Pete TongIf you’re into dance music/clubbing/Ibiza/etc, then this film is definitely aimed at you. As for the rest of us normal folk… well, to be honest, it’s actually a fair bit better than I was expecting!

The main reason I wanted to see it was because I’d heard it had interesting sound design; other than that, I thought a clubbing-based ‘comedy’ really wasn’t for me. Turns out it’s not as much of a ‘comedy’ as I expected, though there are some funny bits (and some mere attempts at funny bits).

By the end, there’s an odd feeling of having seen something a great deal better than expected, but still with a certain oddness that holds it back.

3 out of 5

Road to Morocco (1942)

2007 #56
David Butler | 78 mins | VHS | U

Road to MoroccoGentle, silly humour abound in this comedy, the third in the Road to… series. If you remember those plays that Morecambe & Wise used to do you’ll have a fair idea what this feels like, although with a couple of added musical numbers (and pretty good ones at that). It’s not ‘great cinema’ and it won’t be to everyone’s taste, but it makes for a light, fun way to spend not much more than an hour.

3 out of 5

Spider-Man 3 (2007)

2007 #54
Sam Raimi | 139 mins | cinema | 12A / PG-13

Spider-Man 3Spider-Man 3 carries the distinct air of a group of people trying to recapture former glories, and the fun they had achieving them, and failing on both counts. There are hints at the things that made the first two (especially the second) movies so good, but they’re relatively poorly executed.

The pacing is shot to shreds, scenes and plot points need rearranging, the villains are less engaging, Venom is shockingly underused, the climax virtually comes out of the blue, and emo-Parker is just plain embarrassing (at first people at least laughed at him in the street, but then there’s the jazz club sequence…) I also spent much of it wondering where most of the massive budget had gone. Yes, there’s the odd action sequence (often with not-that-impressive CGI, it must be said), but much of the film focuses on the ‘human drama’ side of things, much more so than the first two (which were relatively heavy on it for summer movies) and with much less effect. It’s only really in the finale that the budget shows, as if they saved it all up to pour out then.

I’ve wittered on again, in a way I haven’t since Hidden, and all with complaints… but here’s why: the Spider-Man movies were great and, while this one has a relatively ambiguous ending in some respects, this is in so many ways clearly designed as a trilogy-ender. And it disappoints; and it disappoints in the worst possible way, because there are some great germs of ideas here… it just feels like they’ve filmed the second draft instead of letting it be fully polished. It’s a huge shame.

3 out of 5

Four short films

2007 #52a
The End
2005 | Tim Clayton & Rob Crowther | download

A very brief film with a slightly silly, slightly amusing idea at its core. It doesn’t outstay its welcome, but it does lose something in that you can see the end coming almost from the start. Currently available for free at LOVEFiLM.

2 out of 5


2007 #52b
Bus Stop
2004 | Matt Abbiss | download

An animated, somewhat bizarre short about two people waiting at a bus stop. Done in a very simple style with sparse sound, but it’s competently executed and often effective. It has some amusing moments. Not bad, but mainly for people who like this kind of thing anyway. Currently available for free at LOVEFiLM.

2 out of 5


2007 #52c
Park
2005 | Andy Pearson | download

“Some humans in a park act like dogs” is essentially the premise of this film. It’s a decent enough concept for a short really, and is well executed with some nice little moments. Prettily shot in the autumn, too. Currently available for free at LOVEFiLM.

3 out of 5


2007 #52d
Nine 1/2 Minutes
2002 | Josh Appignanesi & Misha Manson-Smith | download

David Tennant (yes, David Tennant!) and Zoe Telford (she’s been in a variety of TV stuff) star in this comedic short about two people on an uncomfortable blind date that lasts just about as long as you might suspect. Genuinely funny for the most part, and easily the most professionally executed of these four shorts, but it does have a somewhat confounding conclusion. Currently available for free at LOVEFiLM.

4 out of 5

Hello, Dolly! (1969)

2007 #52
Gene Kelly | 139 mins | DVD | U / G

Hello, Dolly!Comedians Walter Matthau and Michael Crawford (yes, Frank Spencer!) star alongside Barbra Streisand in this comedy musical directed by Gene Kelly (yes, the star of many a musical himself!) which flopped at the box office but did well at the Oscars, and has gained in popularity since.

The best bits are the very impressive dancing waiters at Harmonia Gardens, although some of the more amusing songs are worth seeing. It’s this tongue-in-cheek, sometimes-silly tone that stops it seeming too dated, although other elements of its style (and the running time) don’t help.

Surely a must-see for musical fans, though others may not be as engaged.

3 out of 5

Hello, Dolly! is on Movie Mix today, Thursday 9th July 2015, at 6:05pm.

Over the Hedge (2006)

2007 #51
Tim Johnson & Karey Kirkpatrick | 80 mins | DVD | U / PG

Over the HedgeCGI movies are far too common these days, meaning that the quality is dropping (demonstrated by the fact that the number produced has increased massively but the number of Oscar nominations in that category has remained at three).

Over the Hedge is certainly derivative — its character arc is almost directly lifted from Toy Story, for example — but it is beautifully animated and does have some laugh-worthy moments, even if they are almost entirely in the last half hour. There are better examples of the genre, but it passes the time entertainingly enough.

(Stay with it til the end of the credits for a little bit more, although if you bother you may agree with Hammy’s assessment of things.)

3 out of 5

Secretary (2002)

2007 #34
Steven Shainberg | 107 mins | DVD | 18 / R

SecretaryI seem to recall reading that Secretary attempts to depict a realistic and sympathetic dominant/submissive relationship. Unfortunately this seems to come a bit unstuck with the feeling that the relationship is initially based in an emotionally (and physically) abusive act against a clearly vulnerable character, leaving the following events and mutually loving resolution tinged with a hint of something akin to Stockholm Syndrome, in my opinion.

Well acted and all, but fundamentally flawed.

3 out of 5

The King and I (1956)

2007 #35
Walter Lang | 128 mins | DVD | U / G

The King and ITo be fair to The King and I, I was a little sleepy through most of it, and, thanks to some slightly cheesy bits at the start, my mind was occasionally locked in a spoofing mode.

However, there are some recognisable songs and an Oscar-winning performance from Yul Brynner, as well as truly sumptuous sets and costumes.

3 out of 5

The King and I is on Film4 tomorrow, Monday 25th August 2014, at 2:40pm.

American Dreamz (2006)

2007 #33
Paul Weitz | 103 mins | DVD | 12 / PG-13

American DreamzThis loosely satirical comedy from the director of such diverse fare as American Pie and About a Boy sees Dennis Quaid’s Bush-growing-a-brain President agree to be a guest judge on Hugh Grant’s Simon-Cowell-with-looks TV talent show that features Mandy Moore’s moral-less wannabe and Sam Golzari’s Iraqi potential-suicide-bomber as contestants.

It’s pretty much as loopy as that sounds, though not as clever as it thinks it is. It starts well, the quality dips as it takes too long to get to the actual contest, but the ending manages to redeem things.

3 out of 5