Krzysztof Kieslowski | 87 mins | DVD | 15 / R
The second in the trilogy (see #39) features the idea of égalité/equality.
The lead character is a Polish immigrant who, at the start, is divorced by his French wife and, in a roundabout way, forced to return to Poland. The narrative follows an odd path toward an odd resolution; it’s also odd that a film about a basic French value is set mostly in Poland.
While it has its moments and is certainly intriguing, White comes out as inferior to Blue. I’m looking forward to what Red has in store.

Emily Blunt steals every scene, which is impressive alongside an Oscar-nominated Meryl Streep (that being the now-customary acting-nominee-from-a-blockbuster, est. 2004 by Mr Depp). Anne Hathaway provides the plot/emotional through-line against these performances, which is somewhat impressive when playing a lead character who morally sells out (albeit into a lifestyle that is undoubtedly desirable to the film’s intended audience).
Slowly paced and beautifully photographed, this is about as far from Disney’s telling of the story (in
Judi Dench puts in her fourth appearance in this list (far and away the most represented actor, I should think) in Charles Dance’s first film as writer and director.
To be fair to The King and I, I was a little sleepy through most of it, and, thanks to some slightly cheesy bits at the start, my mind was occasionally locked in a spoofing mode.
2007 #32
Judi Dench is clearly having a whale of a time in this 1930s-set comedy about a 70-year-old widow who starts up a nude revue.

OK, I must confess, this one is something of a cheat — I’ve seen Crash before, and whilst some ‘director’s cuts’ can be vastly different, this one is