Randy Moore | 90 mins | streaming (HD) | 16:9 | USA / English | 15
Disney meets David Lynch in this arthouse-y psychological thriller, best known for being shot on the QT (i.e. illegally) in DisneyWorld.
The high-contrast black-and-white cinematography is stunning, quite apart from the marvel of how it was captured. It depicts a “not for everyone” experience: a freshly unemployed dad starts to ignore his family, stalk two jailbait teens, get into bizarre scrapes, and possibly lose his mind.
Some find it aimless. Perhaps. The end certainly sinks to gross-out-comedy-level depravity. Others say it’s poorly made. I disagree. It’s at least a strong technical achievement… even if it’s a slightly-too-long, thoroughly peculiar one.

This drabble review is part of the 100 Films Advent Calendar 2015. Read more here.
Matt Damon turns whistleblower (or does he?) in this amusing romp based on a true story of complicated corporate fraud.
Before he descended into self-parody, Tim Burton made movies like this: a biopic of the eponymous ’50s filmmaker, renowned for his so-bad-they’re-good productions. Burton still contributes his trademark dark quirkiness, but it conjures a subject-appropriate tone rather than aimless Burtonesqueness.
This neo-noir revenge drama with a twist has received such acclaim from critics and bloggers alike that it’s practically set up to fail.
High-fantasy adventure about some elves trying to stop a crystal from destroying their planet.
From the makers of
Four acquaintances partake in duplicitous relationships and candid sexual discourse in writer-director Steven Soderbergh’s debut drama.
Sci-fi parable about aliens controlling us via subliminal advertising.
This is not a well-reviewed film —
Roger Ebert was an influential, respected, beloved critic for decades, and one with an interesting life: he began in old-school newspaper journalism, defined TV movie criticism, and eventually spearheaded the profession’s move online. So it merits recounting in this documentary by the director of