Telling Lies (2001)

2007 #127a
Simon Ellis | 4 mins | DVD

A simple idea, very well executed: as we listen to a series of phone conversations, the speakers’ dialogue appears on screen… except instead of transcribing their exact words, it reveals their true thoughts. At only a few minutes long this doesn’t outstay its welcome, instead maintaining the basic idea well and crafting a neat and amusing little story with it. Worth checking out if you have a chance.

4 out of 5

Telling Lies is available on the DVD Cinema16: British Short Films or can be watched on Vimeo for free.

The Bourne Ultimatum (2007)

2007 #127
Paul Greengrass | 110 mins | DVD | 12 / PG-13

The Bourne UltimatumThis final instalment in the action-thriller trilogy was recently announced as Empire magazine’s film of the year, following wide praise on release that dubbed it the best action movie in a long time. Unfortunately, I fear it may’ve become a victim of its own hype.

It’s certainly a good film for many reasons: its appropriately unrelenting momentum, even in dialogue scenes; several stunning action sequences; a mostly decent plot. But it’s also flawed: despite the globe-hopping, complex plot, it feels somehow slight; several villains and plot devices seem tacked on to create an over-arching plan for the trilogy, when Bourne had really dealt with all these matters in the first two.

Ultimately, it simply didn’t feel as entertaining as the first two instalments, though I had an odd sense that I should be liking it more. Perhaps future re-viewings will aid my appreciation.

4 out of 5

Starter for Ten (2006)

2007 #99
Tom Vaughan | 92 mins | DVD | 12 / PG-13

Starter for TenA predictable British rom-com, enlivened only by a few good moments and performances, as well as the excellent ’80s soundtrack.

You’d assume the plot would focus on the characters’ aim to win University Challenge, coupled with a woefully predictable romantic subplot; sadly, it turns out the woefully predictable romance is the main plot and the quiz only turns up now and then to lend some structure. The final contest is almost entirely devoid of tension thanks to this and the other conclusions hold no surprises.

McAvoy is likeable, though held back by Brian’s near-unbearable ignorance about life. The best performances come from Benedict Cumberbatch and Rebecca Hall, both actors worth watching.

2 out of 5

Starter for Ten is on BBC Two tonight, Sunday 31st August 2014, at 10:30pm.

Great Expectations (1946)

2007 #98
David Lean | 113 mins | DVD | PG

Great ExpectationsClassic adaptation of the acclaimed novel. While my experience of Dickens is woefully limited to screen adaptations, this tale is one of my lesser favourites; the first act and elements of the climax are wonderfully Gothic (and here beautifully directed to that effect), but it seems to lack the depth or importance of works such as Bleak House, Oliver Twist or A Christmas Carol.*

Though, aside from the dully straightforward middle, there’s little to dislike about the adaptation. John Mills is too old to convince as a 20-year-old Pip, but his performance is good and he’s ably supported. However, the main highlights are undoubtedly all in Lean’s brilliant direction.

4 out of 5

* I don’t remove anything when I repost my old reviews, but I must add that I now find this comment to be suitably embarrassing. ^

Wilde (1997)

2007 #90
Brian Gilbert | 112 mins | TV | 15 / R

WildeStephen Fry leads a starry British ensemble in this biopic of poet, novelist, playwright and genius Oscar Wilde. The film focuses not on Wilde’s literary achievements and public life, but on his private relationships with various men, and in particular his obsession with the young Lord ‘Bosie’; of course, eventually, all of these things collide.

Fry is perfectly cast as Wilde and Jude Law is suitably horrid as the spoilt, stroppy and thoroughly dislikeable Bosie, whose selfishness brings about Wilde’s downfall. Also worthy of note is the ever-excellent Michael Sheen in a smaller but vital role; he’s a criminally under-acknowledged actor.

4 out of 5

Mrs Brown (1997)

2007 #89
John Madden | 101 mins | TV | PG / PG

Mrs BrownPeriod drama focusing on the friendship between Queen Victoria and her Highland servant John Brown, alongside political threats faced by the British monarchy in the 1860s.

There are undoubtedly some parallels to be drawn with recent Oscar-winner The Queen (British Queen retreats to Balmoral to escape the public eye amidst political events threatening the monarchy’s future, etc), but the real treats here are the performances. Judi Dench is fantastic as ever as the Queen, a character more complex than the stereotypical “we are not amused” image; and comedian Billy Connolly is surprisingly effective in a rare serious role.

4 out of 5

Thunderbirds (2004)

2007 #85
Jonathan Frakes | 91 mins | DVD | PG / PG

ThunderbirdsNo doubt you’ve heard only bad things about this re-imagining of Gerry Anderson’s ’60s puppet extravaganza (apart from that esteemed publication The Funday Times proclaiming “You’ll love this!” on the DVD cover). Certainly there’s much for fans to hate — dull teen angst, tired moral messages, low budget CGI, an iffy storyline, and a truly horrendous re-mix/ruining of the theme music.

But, believe it or not, it’s not all bad: the redesigns of the Thunderbirds and Tracy Island are modern but faithful, the scenes where they’re doing some proper rescuing aren’t bad, the characters are as annoyingly FAB-perfect as they actually are on TV (apart from Alan’s angst of course), and Lady Penelope and Parker are near spot-on too (except when they go all Buffy). The interpretation of the Hood may be weak (even more so thanks to his pathetic henchmen) but his plan’s not bad. There are even times when the whole thing feels like it’s adapted from an original episode… albeit a relatively poor one.

If you loved the series you’ll never like this; heck, unless you’re under 10 you’ll probably never like this (and that’s being generous). Maybe, someday, there’ll be a decent new version of Thunderbirds. Sadly, this has probably hindered any attempts at that. Shame.

2 out of 5

Thunderbirds featured on my list of The Five Worst Films I Saw in 2007, which can be read in full here.

Alfie (1966)

2007 #84
Lewis Gilbert | 109 mins | DVD | 15 / PG

AlfieMichael Caine stars as the eponymous London lothario in this ’60s sex-based comedy/drama, which helped bring about a change in British abortion law thanks to its chilling final act.

If you’re only familiar with the Jude Law-starring remake, most of the original might come as a shock to you — whereas the 2004 version was pretty light and amusing, this is actually a more serious affair. There is humour, but it’s tinged with a sad awareness of how deluded and misogynistic Alfie is; horribly so now, but bad even for his time.

This one may be more complex and worthy but, sacrilegious as it may be, I’d rather watch the remake.

4 out of 5

Harry Potter and the Order of the Phoenix (2007)

2007 #78
David Yates | 138 mins | cinema | 12A / PG-13

Harry Potter and the Order of the PhoenixThe main problem here lies in trying to condense a 600+ page novel into a bit over two hours. While the book feels padded, watching the film it becomes apparent that this actually builds mystery and suspense, most of which is lost in what feels like a series of extended montages that create an abridged version of the book. The direction is stylish and there are still some neat action sequences, but it lacks much of the fun or flowing coherence of the previous two entries.

Hopefully the next novel can be translated to the screen better, though I’m beginning to fear that anything less than using two films to adapt the final book will be a mistake.

3 out of 5

Educating Rita (1983)

2007 #77
Lewis Gilbert | 106 mins | TV | 15 / PG

Educating RitaJulie Walters makes her big screen debut opposite Michael Caine in this British comedy drama about a 26-year-old University student and her disenchanted drink-sodden tutor, adapted by Willy Russell from his own play and directed by the man behind Alfie and three Bond films.

For a comedy drama (which usually fail to do either successfully) it’s genuinely very funny, but maintains an appropriate weight in the dramatic moments. The script is full of great lines, beautifully delivered by the two leads; Walters is especially excellent.

If you haven’t seen it it might not be what you expect, but that’s no bad thing. Recommended.

5 out of 5