Before Sunset (2004)

2007 #96
Richard Linklater | 77 mins | DVD | 15 / R

Before SunriseNine years on, Jesse and Celine meet again in Paris…

It’s as simple a premise as Sunrise, and in many ways is very similar: it’s essentially two people talking, laughing and philosophising. It’s an odd sort of sequel — it doesn’t just take the same characters into a new story, or directly continue the original. These are the same people, but they’re older and changed. It’s very reflective; it’s almost about the first film, from a different perspective. You also don’t miss a thing — its in real time from beginning to end, showing us every second the characters spend together.

Personally I didn’t think it was as good as Sunrise — it’s not as funny and it sadly closes off some of the original’s beautiful ambiguities. Part of the problem may be that I’m close to the character’s ages in the first film but a good decade out here (though, I hasten to add, that’s not solely it). In the end, it works quite nicely as a companion piece, but (perhaps) not as a film in its own right.

4 out of 5

Recently, Sunset beat Sunrise by a noteworthy number of places in Empire’s 500 Greatest Movies poll, which was an interesting result. I stand by my assertion that the first one’s better, and can only theorize that the second installment gains something if you had to wait a decade for it and, perhaps, were closer in age to the characters — the latter I believe is a fairly important aspect in what you get from films of this nature.

Before Sunrise (1995)

2007 #95
Richard Linklater | 97 mins | DVD | 15 / R

Before SunriseTwo 20-somethings meet on a train from Budapest to Paris, get off in Vienna and spend the night there until one of them has to fly out in the morning. A simple premise, though you may wonder how it sustains 95 minutes.

The answer is, very well. Ethan Hawke and Julie Delpy make for a likable couple and it’s no chore to spend so long with, essentially, just them chatting to each other. Some of the attempts at philosophising may wear thin (Delpy especially seems more adept in the lighter parts), but the funny and romantic sections do work beautifully.

Bittersweet in all the right ways. Probably best watched while still fairly young.

4 out of 5

See also my review of the sequel, Before Sunset.

Gone with the Wind (1939)

2007 #93a
Victor Fleming | 224 mins | DVD | PG / G

Gone with the WindI thought I’d seen Gone With the Wind but, watching it again, it’s clear I hadn’t properly.

This is partly because I first saw it on TV, in two halves, a week apart, each starting at 1am. I just about managed to follow the story, in between drifting off for whole chunks. Another reason is the quality of the restored print on the DVD: it looks stunning, every frame is beautiful; it’s a shame no films look like this today.

The performances are uniformly excellent, especially (of course) Vivien Leigh and Clark Gable; though special mention must be made of the fantastic Oscar-winning Hattie McDaniel as Mammy (the first African-American to be nominated for and win an Oscar, and deservedly so). The direction is brilliant, displaying styles you think weren’t invented for another 20 years; all of the design work is gorgeous; and the story is epic and expertly told, moving across genres (romance, war, melodrama, comedy) with ease.

It’s easy to see why this is the most popular film ever made. First time round I just thought it was very good; now it’s firmly one of my favourites.

5 out of 5

Mrs Brown (1997)

2007 #89
John Madden | 101 mins | TV | PG / PG

Mrs BrownPeriod drama focusing on the friendship between Queen Victoria and her Highland servant John Brown, alongside political threats faced by the British monarchy in the 1860s.

There are undoubtedly some parallels to be drawn with recent Oscar-winner The Queen (British Queen retreats to Balmoral to escape the public eye amidst political events threatening the monarchy’s future, etc), but the real treats here are the performances. Judi Dench is fantastic as ever as the Queen, a character more complex than the stereotypical “we are not amused” image; and comedian Billy Connolly is surprisingly effective in a rare serious role.

4 out of 5

Stranger Than Fiction (2006)

2007 #81
Marc Forster | 108 mins | DVD | 12 / PG-13

Stranger Than FictionAnother of Empire’s best films of last year (this one was 21st).

Forster is developing an eclectic filmography, with Oscar-nominated dramas Monster’s Ball and Finding Neverland alongside psychological thriller Stay and the 22nd Bond film. Stranger Than Fiction is different again, melding several styles into a cohesive whole — mystery, rom-com, existentialism, a bit of fantasy, and those IKEA graphics from Fight Club. Some plot beats may be clichéd, but that’s almost the point; besides, there’s plenty of originality to make up for it. A few plot turns in the final act also make sure you’re never certain how it will end.

4 out of 5

Stranger Than Fiction placed 5th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Brief Encounter (1945)

2007 #76
David Lean | 83 mins | DVD | PG

Brief EncounterCelia Johnson and Trevor Howard star in the classic romantic drama from highly acclaimed writer Noel Coward and highly acclaimed director David Lean.

The central character’s relationship is, famously, a very British affair — all awkwardly repressed emotions, discussion of the weather, fear of society’s opinions, stolen passionate kisses, guilt, indecision, true love and endless cups of tea. The witty screenplay, direction, and lead and supporting performances are all excellent.

Undoubtedly and deservedly a true British classic.

5 out of 5

Brief Encounter is on Film4 tomorrow, Friday 31st October 2014, at 5:20pm.

It placed 6th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Confetti (2006)

2007 #75
Debbie Isitt | 96 mins | TV | 15 / R

ConfettiLargely improvised Britcom, shot in a documentary style, about three couples trying to win a most original wedding competition.

It starts out quite poorly, with unlikable characters and an irritating style, but things do improve and a number of the characters do grow on you (some, deliberately, remain horrid). My favourites are the pair of camp wedding planners — you don’t get much more stereotypical, but they’re lovable and amusing from the off.

Fittingly, the weddings at the end are probably the best bits.

3 out of 5

Confetti is on BBC Two tonight, Monday 25th August 2014, at 11pm.

Sense and Sensibility (1995)

2007 #58
Ang Lee | 131 mins | DVD | U / PG

Sense and SensibilityA host of familiar British faces turn up in this Oscar-winning adaptation of the Austen-novel-with-the-name-like-Pride-and-Prejudice-only-not. Fans of any of the following will love this film: Jane Austen, costume drama in general, Emma Thompson, Alan Rickman, Hugh Grant, Kate Winslet.

For the rest of us, there’s still lots of enjoyment to be had. Austen’s plots may be virtually identical and you might be able to spy the endings almost from the start, but there’s fun to be had getting there. Hugh Laurie’s small supporting role is particularly worthy of mention.

4 out of 5

Road to Morocco (1942)

2007 #56
David Butler | 78 mins | VHS | U

Road to MoroccoGentle, silly humour abound in this comedy, the third in the Road to… series. If you remember those plays that Morecambe & Wise used to do you’ll have a fair idea what this feels like, although with a couple of added musical numbers (and pretty good ones at that). It’s not ‘great cinema’ and it won’t be to everyone’s taste, but it makes for a light, fun way to spend not much more than an hour.

3 out of 5

West Side Story (1961)

2007 #53
Robert Wise & Jerome Robbins | 146 mins | DVD | PG

West Side Story“Everything’s free in America,” goes the famous line; but this film is probably more accurately summed up in its following line: “For a small fee in America”.

For, surprisingly, underneath the song and dance numbers (some impressive, some embarrassing), the Shakespearian romance story, and the vibrant and beautiful cinematography, beats the heart of a gritty, political, social drama about gangs, racism, immigration, and more — issues that seem as pertinent today as ever.

It’s a brilliant film, which falls short of full marks only thanks to some of those weaker song & dance bits (and I might be being a tad unfair there).

4 out of 5