“You’ve heard the story of Jesse James, of how he lived and died; If you’re still in need of something to read, here’s the story of Bonnie and Clyde.”
Bonnie and Clyde is a significant film for several reasons, but I’m not going to give another film history lesson! It brings together several well-executed elements to create a compelling whole — good performances, showcased in at least one key scene for every actor; merging Hollywood feature and New Wave influences; themes of media influence, Robin Hood-esque antiheroism, what family is, and no doubt several more; plus a few exciting action sequences just to round things out.

Bonnie and Clyde is on Sky Atlantic tonight, Sunday 19th October 2014, at 10:15pm.
* Commuted to a 15 in 2008. ^
Godard’s first and most famous film; part of the beginning of the nouvelle vague, a French movement defining a particular youth culture at the time. OK, loose history lesson over.
2007 #45
As expected, this film pales in comparison to the 
Empire’s 15th best film of 2006 is very European. “How so”, you may ask? Well, firstly, it is French; but it certainly feels it: it takes a very good concept/plot for a thriller and then stretches it out a little thin, with a notably slow pace, and a concentration on the dramatic impact on characters rather than plot movements. Not necessarily bad things, and it walks a fine line somewhere between them working and them failing (that is to say, it’s not wholly successful). There’s an irritating apparent lack of resolution, though reading one theory in an online review has suggested maybe I missed (or misinterpreted) it.
Emily Blunt steals every scene, which is impressive alongside an Oscar-nominated Meryl Streep (that being the now-customary acting-nominee-from-a-blockbuster, est. 2004 by Mr Depp). Anne Hathaway provides the plot/emotional through-line against these performances, which is somewhat impressive when playing a lead character who morally sells out (albeit into a lifestyle that is undoubtedly desirable to the film’s intended audience).
Slowly paced and beautifully photographed, this is about as far from Disney’s telling of the story (in