Annie Hall (1977)

2007 #115
Woody Allen | 90 mins | DVD | 15 / PG

Annie HallWidely considered to be Woody Allen’s breakthrough movie and winner of four of the ‘Big Five’ Oscars. One might call it a romantic comedy, but it’s very much an indie comedy-drama (for one thing, it utilises the ever-popular tactic of not taking place in chronological order), rather than the mainstream cliché-fest that first springs to mind whenever “rom-com” is mentioned.

Annie Hall is either the basis for or just exemplifies all the clichés of Allen films (essentially, neurotic Jew who struggles with life), but that doesn’t make it bad. It’s very funny in places, suitably realistic in others, and has a nice line in comedic philosophy too.

4 out of 5

Bringing Out the Dead (1999)

2007 #114
Martin Scorsese | 116 mins | DVD | 18 / R

Bringing Out the DeadIt’s hard to know what to make of this, because by the end it all seems a little pointless. The storyline, which follows Nicolas Cage’s paramedic across three nights in New York, is a mixture of short episodic medical incidents with longer threads that continue throughout. These connect and fall apart, feeling as episodic as the rest, and most of them don’t really lead anywhere.

Perhaps the best description is that it’s a collection of subplots in search of proper story. There are some decent scenes and good shots, but the film doesn’t seem to have anything to say, and it doesn’t end so much as simply fade to black when it runs out of things to do.

3 out of 5

On the Town (1949)

2007 #113
Stanley Donen & Gene Kelly | 94 mins | VHS | U

On the TownGene Kelly and Frank Sinatra lead the cast in this musical comedy about three sailors who have 24 hours of shore leave in New York. The plot is sometimes predictable, but at least it’s not as standardised as many. Equally, none of the songs are truly memorable but most are fun while they last.

The humour may be quite gentle (though be prepared for some sexed-up female characters!), but as a whole it’s never less than entertaining (with the exception of a third act dance almost as incongruous as Oklahoma!’s change of cast). Several of those who watched it with me were surprised to find they actually enjoyed a musical.

4 out of 5

Fantômas: In the Shadow of the Guillotine (1913)

aka Fantômas: À l’ombre de la guillotine

2007 #111
Louis Feuillade | 54 mins | DVD | PG

FantomasThe first of the silent Fantômas films (I reviewed the second previously).

It’s interestingly structured: there’s no ‘origin story’ for Fantômas, he just is an infamous master criminal, who’s introduced in what would undoubtedly be a pre-titles sequence today, before the story switches to follow Inspector Juve and his quest to solve the disappearance of Lord Beltham… which of course leads back to Fantômas. Its pulp fiction roots shine through in the entertaining plot that’s just far-fetched enough.

As I said before, it’s not for everyone, but for those who enjoy this sort of thing it’s unmissable.

4 out of 5

The Naked City (1948)

2007 #112
Jules Dassin | 92 mins | DVD | PG

The Naked CityPolice procedural film noir, shot entirely on location in New York (unusual at the time).

The story is quite straightforward — girl is murdered, police investigate — but it exists mainly as a structure on which to hang perspectives of the city, its criminals and its law enforcement (though in an infinitely less pretentious way than that sounds). The odd, character-less voice-over narration is more puzzling than any mystery in the plot.

The acting is sometimes stilted and some of the direction is actually a little flat, but there are enough enjoyable elements to cover for it — particularly the chance to see so much footage of a real city at this time.

4 out of 5

The Crowd (1928)

2007 #110
King Vidor | 98 mins | TV

The CrowdLate silent-era drama — though you’d be forgiven for thinking it was a comedy until halfway, when the light antics of a young couple in ’20s New York give way to some increasingly dark drama (interesting trivia: seven endings were shot for distributors to choose from, some happy and some sad; all chose sad ones. However, the copy we saw (taped from an ’80s TV showing) had a happy ending).

The first half is gentle but amusing; the sudden shift catches the viewer off-guard, undoubtedly making what follows more effective. The main character is in many ways pretty useless and at least some of the problems that befall him are his own fault, yet his comedic treatment in the first half makes you care for him throughout the second.

If you can accept the shifting styles of an age before genre was rigidly defined, The Crowd is a worthwhile experience.

4 out of 5

Manhatta (1921)

2007 #109a
Paul Strand & Charles Sheeler | 10 mins | download

Another ’20s city film, showing off (as you might guess from the title) parts of New York. The focus appears to be industrial — skyscrapers under construction, finished architecture, tug boats, trains near the docks; the people of the city only crop up at the start and close, and then only in faceless crowds. It’s interspersed with poetic intertitles, which make for an odd contrast.

Once again, I feel that, unless you want to go getting a bit pretentious (and, to be fair, at least some of these films were made for just that), the main interest here is in an historical perspective: it provides another snapshot of a time and place long gone.

2 out of 5

The full short is available on Wikipedia.

The Paleface (1948)

2007 #109
Norman Z. McLeod | 87 mins | DVD | U

The PalefaceBob Hope and Jane Russell star in this Wild West comedy, in which Calamity Jane (Russell) has to stop a group of men smuggling rifles to the Indians. It’s clearly designed as pure entertainment, mixing styles in a way no film would dare attempt today — there’s broad comedy, gunfights, horse chases, and even a song or two!

It works too. OK, so the direction may be a little flat and some of the comedy old fashioned… but it was made in the ’40s and there’s still a good number of laughs, so it seems churlish to complain.

4 out of 5

Skyscraper Symphony (1929)

2007 #108b
Robert Florey | 9 mins | download

Another ‘city symphony’ film, this time a short one of skyscrapers in New York.

It’s probably hard to ‘appreciate’ this without getting a little pretentious; certainly, it’s much more aimed at creating the feeling of a city, or a visual representation of it, or something like that, than it is with, say, showing pretty views of New York’s buildings. That said, in between the meaningful mucking about, there are some fairly impressive sights to be seen.

2 out of 5

Available on YouTube.

À propos de Nice (1930)

2007 #108a
Jean Vigo | 23 mins | download | U

Short film about the French city of Nice, mixing documentary-style footage of people with shots of the architecture, as well as clearly staged scenes (a man getting sunburnt, for example).

There’s a certain playful edge to it all, not just with content such as a garish parade and crazy dancing, but with amusing tricks (again, the sunburning), camera tomfoolery (for example, moving it to follow the loops of arches at speed; or using slow motion and sped-up shots), and picking out shots of pedestrians apparently for their annoyance at being filmed.

It’s an interesting amalgamation, then: part art, part documentary, part sketch show.

3 out of 5