Category Archives: Film Noir: Pre/Post/Neo/etc.

Pre-noir, post-noir, neo-noir, foreign noir, and all other non-classic types of noir-ish films.

The Black Dahlia (2006)

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2007 #94
Brian De Palma | 116 mins | DVD | 15 / R

The Black DahliaNoir-wannabe, adapted from the James Ellroy novel based on a real, unsolved case. That case is far from the focus here: from the start the apparently-central crime is anything but, meaning the biggest let-down is that events barely follow the eponymous story.

It’s one of many problems in a film that tries hard to be a proper noir but fails in almost every respect: performances (most of which wind up flat), corny dialogue, plot, pretty-but-vacant direction, and even voice-over narration. I haven’t read the novel, but apparently it’s a poor adaptation too. What you want is a ’40s-style thriller; what you get is a weak ’40s-set character drama.

2 out of 5

The Departed (2006)

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2007 #74
Martin Scorsese | 145 mins | DVD | 18 / R

The DepartedAn all-star cast lead Scorsese’s Oscar-winning remake of Hong Kong action thriller Infernal Affairs. It’s an unusual yet striking mix of elements: cops vs. robbers thriller, gangster drama, relationships of those who protect/threaten us drama, and several more. It winds up with an unusual feel for structure and pace, though is never less than stylish.

Having not seen many of Scorsese’s earlier films it’s hard for me to say if this is up to standard, as many say it is; but I still believe Greengrass’ United 93 was more deserving of the Best Director nods. As I did earlier this year with The Prestige, my rating errs on the side of caution.

4 out of 5

Brick (2005)

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2007 #72
Rian Johnson | 105 mins | TV | 15 / R

BrickThere’s a nagging sense that you’re watching a student short film for large chunks of Brick, especially at the start. This is accompanied by a niggling worry that it’s also been vastly overrated.

But it does, eventually, kick into gear — the incomprehensible plot becomes a bit clearer and the fantasy that these high school kids are in some film noir becomes less irritating and more quite fun.

It occasionally lapses back into its earlier problems but, all said, I’m glad I bothered to stick with it.

4 out of 5

Heat (1995)

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2007 #68
Michael Mann | 164 mins | DVD | 15 / R

HeatHeat will probably always be best remembered for two things: the excellent running shoot out on the streets of L.A., and De Niro and Pacino on screen together for the first (and, so far, last) time.

There’s a lot more to it than that, of course: ostensibly a cops-and-robbers crime drama, the film follows the personal lives of each side as well as the usual professional actions. The cop-with-failed-marriage / criminal-with-successful-relationship juxtaposition may already feel clichéd, but it works well enough here, and is well executed without distracting from the meat of the plot — which is, still, the crime and justice.

5 out of 5

Chinatown (1974)

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2007 #55
Roman Polanski | 131 mins | download | 15 / R

ChinatownPolanski’s post-noir thriller follows J.J. Gittes, a private eye who begins investigating another cheating husband case but ends up drawn into a conspiracy that he can’t hope to beat.

It’s often held up as an example of a perfectly structured screenplay, and the carefully considered reveal of character and plot throughout makes it easy to see why. It’s also packed with imagery and subtext for those who want it, but if that’s not your thing it still makes for a darn good thriller with a few neat twists.

5 out of 5