Spider-Man 3 (2007)

2007 #54
Sam Raimi | 139 mins | cinema | 12A / PG-13

Spider-Man 3Spider-Man 3 carries the distinct air of a group of people trying to recapture former glories, and the fun they had achieving them, and failing on both counts. There are hints at the things that made the first two (especially the second) movies so good, but they’re relatively poorly executed.

The pacing is shot to shreds, scenes and plot points need rearranging, the villains are less engaging, Venom is shockingly underused, the climax virtually comes out of the blue, and emo-Parker is just plain embarrassing (at first people at least laughed at him in the street, but then there’s the jazz club sequence…) I also spent much of it wondering where most of the massive budget had gone. Yes, there’s the odd action sequence (often with not-that-impressive CGI, it must be said), but much of the film focuses on the ‘human drama’ side of things, much more so than the first two (which were relatively heavy on it for summer movies) and with much less effect. It’s only really in the finale that the budget shows, as if they saved it all up to pour out then.

I’ve wittered on again, in a way I haven’t since Hidden, and all with complaints… but here’s why: the Spider-Man movies were great and, while this one has a relatively ambiguous ending in some respects, this is in so many ways clearly designed as a trilogy-ender. And it disappoints; and it disappoints in the worst possible way, because there are some great germs of ideas here… it just feels like they’ve filmed the second draft instead of letting it be fully polished. It’s a huge shame.

3 out of 5

West Side Story (1961)

2007 #53
Robert Wise & Jerome Robbins | 146 mins | DVD | PG

West Side Story“Everything’s free in America,” goes the famous line; but this film is probably more accurately summed up in its following line: “For a small fee in America”.

For, surprisingly, underneath the song and dance numbers (some impressive, some embarrassing), the Shakespearian romance story, and the vibrant and beautiful cinematography, beats the heart of a gritty, political, social drama about gangs, racism, immigration, and more — issues that seem as pertinent today as ever.

It’s a brilliant film, which falls short of full marks only thanks to some of those weaker song & dance bits (and I might be being a tad unfair there).

4 out of 5

Ray (2004)

2007 #50
Taylor Hackford | 146 mins | TV | 15 / PG-13

RayIt’s easy to see why Walk the Line has been described as “Ray with white people”; but Ray has also been described as being an outstanding performance in an average film, and I’d pretty much agree with this too.

Jamie Foxx is indeed an amazingly accurate Ray Charles (based on the little I know of the man, anyway) and deserving of his Oscar. It would be unfair to say such a performance is wasted in this film, but it is true that no other element is quite up to the same level.

While Ray is good, I personally thought Walk the Line was a better film.

4 out of 5

Ray is on ITV3 tonight, Sunday 19th April 2015, at 11:10pm.

Spider-Man 2.1 (2004/2007)

2007 #49a
Sam Raimi | 130 mins | DVD | PG / PG-13

Spider-Man 2.1Shortly before the release of the new threequel, Spider-Man 2 returns to DVD in this newly extended form. What’s there? Not much.

There are bits so little you’ll think “I don’t remember that bit” (and it may just be a bit you’ve forgotten); there’s a new scene with MJ that’s OK but not mind-blowing; some added bits to fights; and an alternate version of The Lift Scene that is funny and (very) notably different, but just not as good as the original.

It’s still a 5-star film because it doesn’t ruin the original — but it’s not at all essential. The DVD has new extras, mind, so if that’s your thing (like me) it may be worth it.

5 out of 5

In retrospect, I probably should have rated this lower. It may still be a good film, but the fact is the original cut’s better — even if just for the superior version of The Lift Scene. I rather doubt I’ll ever watch it again.

Bonnie and Clyde (1967)

2007 #47
Arthur Penn | 107 mins | download | 18* / R

Bonnie and Clyde“You’ve heard the story of Jesse James, of how he lived and died; If you’re still in need of something to read, here’s the story of Bonnie and Clyde.”

Bonnie and Clyde is a significant film for several reasons, but I’m not going to give another film history lesson! It brings together several well-executed elements to create a compelling whole — good performances, showcased in at least one key scene for every actor; merging Hollywood feature and New Wave influences; themes of media influence, Robin Hood-esque antiheroism, what family is, and no doubt several more; plus a few exciting action sequences just to round things out.

4 out of 5

Bonnie and Clyde is on Sky Atlantic tonight, Sunday 19th October 2014, at 10:15pm.

* Commuted to a 15 in 2008. ^

Breathless (1960)

aka À bout de souffle

2007 #46
Jean-Luc Godard | 90 mins | download | PG

BreathlessGodard’s first and most famous film; part of the beginning of the nouvelle vague, a French movement defining a particular youth culture at the time. OK, loose history lesson over.

This is definitely what most people would call an ‘arthouse’ film, though is decidedly less so than the one other Godard film I’ve seen (1962’s Vivre Sa Vie, which goes by various translated titles); this might be down to it drawing inspiration from American movies, most obviously those starring Humphrey Bogart.

Undoubtedly not for everyone, but an obvious must for anyone with an interest in art / international cinema.

4 out of 5

Garden State (2004)

Garden State2007 #45
Zach Braff | 98 mins | DVD | 15 / R

Zach Braff of Scrubs fame writes, directs and stars in this coming-of-age-style comedy-drama, his first feature as writer and director. While it’s not devoid of predictable elements, there are some good scenes and performances along the way, as well as a few laughs (only a handful of them in any way marred by the trailer). It’s probably the directing that really stands out, so it’ll be interesting to see what his next film (2008’s Open Hearts) is like.

4 out of 5

nb: I don’t know what happened to Open Hearts, but Braff’s second feature wound up being 2014’s Kickstarter-funded Wish I Was Where.

Hidden (2005)

aka Caché

2007 #43
Michael Haneke | 113 mins | DVD | 15 / R

HiddenEmpire’s 15th best film of 2006 is very European. “How so”, you may ask? Well, firstly, it is French; but it certainly feels it: it takes a very good concept/plot for a thriller and then stretches it out a little thin, with a notably slow pace, and a concentration on the dramatic impact on characters rather than plot movements. Not necessarily bad things, and it walks a fine line somewhere between them working and them failing (that is to say, it’s not wholly successful). There’s an irritating apparent lack of resolution, though reading one theory in an online review has suggested maybe I missed (or misinterpreted) it.

The performances also deserve mention — as with everything else they teeter between excellent (mostly) and a bit unbelievable (see: the rather muted ‘arguments’, or the unusual order of reactions to the son going missing). Some also might argue the direction is flat, with many long shots and relatively few cuts. You could argue this reflects the theme/plot, but on the other hand it is somewhat symptomatic of some areas of European cinema.

4 out of 5

Three Colours: Red (1994)

aka Trois couleurs: Rouge

2007 #42
Krzysztof Kieslowski | 95 mins | DVD | 15 / R

The final film in the trilogy takes on the theme of fraternité/brotherhood, in a relatively obvious way: Irene Jacob befriends a lonesome old man who spies on his neighbour’s telephone calls. There’s much more to it than that, all on broadly the same theme, but I’m sure to say too much would be to ruin what is an excellent film.

Best of all, in my mind, is the intriguing and oddly satisfying conclusion to the trilogy as a whole. I’m sure it’s not for everyone, but I still recommend it.

5 out of 5

Three Colours Red placed 8th on my list of The Ten Best Films I Saw For the First Time in 2007, which can be read in full here.

Three Colours: White (1994)

aka Trzy kolory: Bialy / Trois couleurs: Blanc

2007 #41
Krzysztof Kieslowski | 87 mins | DVD | 15 / R

The second in the trilogy (see #39) features the idea of égalité/equality.

The lead character is a Polish immigrant who, at the start, is divorced by his French wife and, in a roundabout way, forced to return to Poland. The narrative follows an odd path toward an odd resolution; it’s also odd that a film about a basic French value is set mostly in Poland.

While it has its moments and is certainly intriguing, White comes out as inferior to Blue. I’m looking forward to what Red has in store.

4 out of 5